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| frank a langella iii: Dropped Names Frank Langella, 2012-03-27 Rita Hayworth dancing by candlelight; Elizabeth Taylor tenderly wrapping him in her Pashmina scarf; streaking for Sir Laurence Olivier in a drafty English castle; terrifying a dozing Jackie Onassis; carrying an unconscious Montgomery Clift to safety on a dark New York street... Captured forever in a unique memoir, Frank Langella’s myriad encounters with some of the past century’s most famous human beings are profoundly affecting, funny, wicked, sometimes shocking, and utterly irresistible. With sharp wit and a perceptive eye, Mr. Langella takes us with him into the private worlds and privileged lives of movie stars, presidents, royalty, literary lions, the social elite, and the greats of the Broadway stage. We learn something, too, of Mr. Langella’s personal journey from the age of fifteen to the present day. Dropped Names is, like its subjects, riveting and unforgettable. |
| frank a langella iii: Man and Boy Terence Rattigan, 2014-12-31 At the height of the Great Depression, ruthless financier Gregor Antonescu's business is dangerously close to crumbling. In order to escape the wolves at his door, Gregor tracks down his estranged son Basil in the hopes of using his Greenwich Village apartment as a base to make a company-saving deal. Can this reunion help them reconcile? Or will this corrupt father use his only son as a pawn in one last power play? A gripping story about family, success and what we're willing to sacrifice for both. |
| frank a langella iii: Dracula Hamilton Deane, John Lloyd Balderston, 1960 Drama Hamilton Deane and John L. Balderston, from Bram Stoker's novel Characters: 6 male, 2 female 3 Interior Scenes An enormously successful revival of this classic opened on Broadway in 1977 fifty years after the original production. This is one of the great mystery thrillers and is generally considered among the best of its kind. Lucy Seward, whose father is the doctor in charge of an English sanitorium, has been attacked by some mysterious illness. Dr. Van Helsing, |
| frank a langella iii: Frank Langella's Cyrano Frank Langella, 1999 |
| frank a langella iii: The Sins of the Father Ronald Kessler, 2013-12-17 From the New York Times bestselling author of 20 books about the Secret Service, FBI, and CIA comes the detailed account of the life and times of the ambitious, powerful, masterfully manipulative Joseph Patrick Kennedy. For all his wealth and power, Joe Kennedy was not a happy man. He also had no shame. What he cared about was having power. Through the political dynasty that he founded, he achieved that for generations to come. If he hurt and corrupted others in the process, no one had the courage to challenge him. The results are the myths that continue to enshrine the Kennedy family and maintain it as a national obsessions. This book explodes those myths. Utilizing extensive research and interviews with Kennedy family members and their intimates, speaking on record for the first time, Kessler reveals stunning details of Joseph Kennedy's enormous accomplishments and the terrible personal losses he suffered. |
| frank a langella iii: Design for Living Noël Coward, 2014-05-08 'The actual facts are so simple. I love you. You love me. You love Otto. I love Otto. Otto loves you. Otto loves me. There now! Start to unravel from there.' Design for Living is a wickedly witty dark romantic comedy by Noel Coward. Initially banned in the UK, this provocative play portrays three amoral, glib and stylish characters and their hopelessly inescapable, if also unconventional, emotional entanglement. From 1930s bohemian Paris to the dizzying heights of Manhattan society, a tempestuous love triangle unravels between a vivacious interior designer, Gilda, playwright Leo and artist Otto - three people unashamedly and passionately in love with each other. They are trapped in what Coward called 'a three-sided erotic hodge podge.' With Coward's trademark piquant style, this lively, funny but also atypical play looks at dazzling, egotistical creatures and their self-destructive dependence on each other. Exploring themes of bisexuality, celebrity, success and self-obsession, Design for Living is a stylish and scandalous comedy. |
| frank a langella iii: Evil Dead George Reinblatt, 2010 Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿ |
| frank a langella iii: The Immoralist Andre Gide, 1962-10 THE STORY: An unusually honest and perceptive treatment of a difficult theme--homosexuality. The NY Times wrote: THE IMMORALIST is an admirable piece of work...It is the story of a scrupulous and pleasant young man who marries a neighborhood girl against hi |
| frank a langella iii: Anne Bancroft Douglass K. Daniel, 2017-09-22 Mrs. Robinson, you're trying to seduce me. Aren't you? These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931–2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel brings together interviews with dozens of her friends and colleagues, never-before-published family photos, and material from film and theater archives to present a portrait of an artist who raised the standards of acting for all those who followed. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft. Her talent (and good timing) led to a breakthrough role in Two for the Seesaw, which made her a Broadway star overnight. The role of Helen Keller's devoted teacher in the stage version of The Miracle Worker would follow, and Bancroft also starred in the movie adaption of the play, which earned her an Academy Award. She went on to appear in dozens of film, theater, and television productions, including several movies directed or produced by her husband, Mel Brooks. Anne Bancroft: A Life offers new insights into the life and career of a determined actress who left an indelible mark on the film industry while remaining true to her art. |
| frank a langella iii: Dracula FAQ Bruce Scivally, 2015-09-01 Dracula FAQ unearths little-known facts about both the historical and literary Dracula. The 15th-century warlord Vlad III, known as Vlad the Impaler and Dracula (son of the Dragon), became a legendary figure in his native Wallachia. Four hundred years later, Irish author Bram Stoker appropriated Dracula's name for a vampire novel he spent seven years researching and writing. Considered one of the great classics of Gothic literature, Dracula went on to inspire numerous stage plays, musicals, movies, and TV adaptations – with actors as diverse as Bela Lugosi, John Carradine, Christopher Lee, Jack Palance, Frank Langella, Louis Jourdan, Gary Oldman, and Gerard Butler taking on the role of the vampire king. And with Dracula proving the popularity of vampires, other bloodsuckers rose from their graves to terrify book, movie, and TV audiences – from Barnabas Collins of Dark Shadows to The Night Stalker to the vampires of True Blood on the small screen, and Interview with the Vampire and Twilight on the big screen. More recently, Dracula has been resurrected for a TV series starring Jonathan Rhys Meyers and a feature film starring Luke Evans. Dracula FAQ covers all of these and more, including the amazing stories of real-life vampires! |
| frank a langella iii: The Water Is Wide Pat Conroy, 2002-03-26 A “miraculous” (Newsweek) human drama, based on a true story, from the renowned author of The Prince of Tides and The Great Santini The island is nearly deserted, haunting, beautiful. Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence unless, somehow, they can learn a new way. But they will learn nothing without someone to teach them, and their school has no teacher—until one man gives a year of his life to the island and its people. Praise for The Water Is Wide “Miraculous . . . an experience of joy.”—Newsweek “A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail . . . and you will learn to love the man.”—Charleston News and Courier “A hell of a good story.”—The New York Times “Few novelists write as well, and none as beautifully.”—Lexington Herald-Leader “[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.”—Baltimore Sun |
| frank a langella iii: Edward Gorey's Dracula Edward Gorey, 2008-04 Item is derived from the artist's sets and Tony Award winning costumes for the 1977 Broadway revival production of Hamilton Deane's 1927 dramatization as a play of Bram Stoker's Dracula. |
| frank a langella iii: Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote Dracula David J. Skal, 2016-10-04 Shortlisted for the Edgar Award (Critical/Biographical) Finalist for the Bram Stoker Award (Nonfiction) Finalist for the Anthony Award (Critical Nonfiction) A revelatory biography exhumes the haunted origins of the man behind the immortal myth, bringing us the closest we can get to understanding [Bram Stoker] and his iconic tale (The New Yorker). In this groundbreaking portrait of the man who birthed an undying cultural icon, David J. Skal pulls back the curtain to reveal the author who dreamed up this vampire (TIME magazine). Examining the myriad anxieties plaguing the Victorian fin de siecle, Skal stages Bram Stoker’s infirm childhood against a grisly tableau of medical mysteries and horrors: cholera and famine fever, childhood opium abuse, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with bad blood that pervades Dracula. In later years, Stoker’s ambiguous sexuality is explored through his passionate youthful correspondence with Walt Whitman, his adoration of the actor Sir Henry Irving, and his romantic rivalry with lifelong acquaintance Oscar Wilde—here portrayed as a stranger-than-fiction doppelgänger. Recalling the psychosexual contours of Stoker’s life and art in splendidly gothic detail, Something in the Blood is the definitive biography for years to come. |
| frank a langella iii: Dracula Bram Stoker, 1982-04-12 String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again. |
| frank a langella iii: Our Vampires, Ourselves Nina Auerbach, 2012-10-12 This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation). |
| frank a langella iii: Frost/Nixon David Frost, 2009-10-13 Following the resounding success of the eponymous West End and Broadway hit play, Frost/Nixon tells the extraordinary story of how Sir David Frost pursued and landed the biggest fish of his career—and how the series drew larger audiences than any news interview ever had in the United States, before being shown all over the world. This is Frost's absorbing story of his pursuit of Richard Nixon, and is no less revealing of his own toughness and pertinacity than of the ex-President's elusiveness. Frost's encounters with such figures as Swifty Lazar, Ron Ziegler, potential sponsors, and Nixon as negotiator are nothing short of hilarious, and his insight into the taping of the programs themselves is fascinating. Frost/Nixon provides the authoritative account of the only public trial that Nixon would ever have, and a revelation of the man's character as it appeared in the stress of eleven grueling sessions before the cameras. Including historical perspective and transcripts of the edited interviews, this is the story of Sir David Frost's quest to produce one of the most dramatic pieces of television ever broadcast, described by commentators at the time as “a catharsis” for the American people. |
| frank a langella iii: Match Stephen Belber, 2004 THE STORY: Mike and Lisa Davis arrive at the apartment of Tobi Powell, who lives alone in Inwood, on the northern tip of Manhattan. They are there to interview him about his life as a dancer and choreographer, but it is soon evident that their agen |
| frank a langella iii: Identity Stedman Graham, 2012-02-21 Features a foreword by John Maxwell and afterword from Steven R. Covey. Have you ever thought about the connection between knowing who you are and success? Identity can serve as your greatest asset. Enduringly successful people know who they are, are clear about what matters to them, have established powerful identities, and create value in the world. In this book, the process for discovering and understanding your identity is brought to life through Stedman Graham's personal experiences and the stories of individuals who've resolved their questions of identity, building a life that matters to themselves and those around them. Take control of who you are. Take control of your life. Achieve lasting success. Now a Wall Street Journal bestseller! |
| frank a langella iii: Lincoln Philip B. Kunhardt, Peter W. Kunhardt, 1999 This illustrated biography of the 16th president of the United States was originally a companion volume to a historic television documentary. It includes recreated images of Lincoln and his contemporaries from photographs, daguerreotypes, prints and cartoons of the day. |
| frank a langella iii: A Cry of Players William Gibson, 1968 THE STORY: As described in Variety, ...is of Shakespeare's life as a young man in Stratford. Since only fragments of the poet's life are actually known, A CRY OF PLAYERS is Gibson's fictionalized creation, perhaps based on published conjecture. The |
| frank a langella iii: Write it when I'm Gone Thomas M. DeFrank, Gerald R. Ford, 2007 In a series of private interviews, conducted over sixteen years with the stipulation that they not be released until after his death, the former president offers a revealing, reflective self-portrait as he describes his relationships with Nixon, Carter, Reagan, and Clinton; experiences on the Warren Commission; and opinions on the Bush administration, the Iraq war, family, and aging. 150,000 first printing. |
| frank a langella iii: Up in the Cheap Seats Ron Fassler, 2017-01-13 Actor and theatre aficionado Ron Fassler recalls his upbringing on Broadway, in conversation with Harold Prince, Stephen Sondheim, Bette Midler, Sheldon Harnick, James Earl Jones, Austin Pendleton, Ken Howard, Hal Linden, Stacy Keach, Jane Alexander and Mike Nichols among many others. |
| frank a langella iii: God's Spy Juan Gómez-Jurado, 2008-02-26 The #1 Spanish bestseller, sold in over 40 countries, a spectacular contemporary thriller set in the heart of the Vatican A ruthless serial killer, a chilling conspiracy, and a deadly race around the Vatican converge in this internationally bestselling thriller. In the days following the death of Pope John Paul II, the horribly disfigured body of a cardinal is discovered in a chapel in Rome. With a serial killer now on the loose in the Vatican, Police Inspector Paola Dicanti is assigned to the grisly case. Desperate to find the killer before another victim dies, she enlists the help of Father Anthony Fowler, a charismatic American priest who knows more about the killer than Paola could have imagined. As Paola and Father Anthony struggle through the web of tantalizing clues, the evidence leads them to powerful figures within the Church hierarchy. But their pursuit of the truth may make them the next pawns to be sacrificed in this terrifying and deadly game. |
| frank a langella iii: I Hated, Hated, Hated This Movie Roger Ebert, 2000-04 I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert's most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders.Witness:Armageddon * (1998) - The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.The Beverly Hillbillies* (1993) - Imagine the dumbest half-hour sitcom you've ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It's appalling.North no stars (1994) - I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.Police Academy no stars (1984) - It's so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you're sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is.Dear God * (1996) - Dear God is the kind of movie where you walk out repeating the title, but not with a smile.The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you'll want to distance yourself from, but Roger Ebert's creative and comical musings on those films make for a book no movie fan should miss. |
| frank a langella iii: Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad Arthur Kopit, 1960 Full Length, Black Comedy / Casting: 4m, 2f, extras / Scenery: 2 int. Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door who never come home attempts to seduce Jonathan and proves a formidable opponent to Madame herself. |
| frank a langella iii: I'll Build a Stairway to Paradise Mac Griswold, 2022-11-15 “I’ll Build a Stairway to Paradise is like an exquisite string of pearls: the perfect balance of elegance, style, design, and beauty. This book is inspiring, spirited, and totally absorbing.” —Diane von Furstenberg The story of Bunny Mellon, the great landscape and interior designer, becomes a revelatory exploration of extreme wealth in the American century. Bunny Mellon, whose life was marked by astonishing good fortune as well as tragedy and scandal, remains a singular figure in the annals of American design. She had her finger on the pulse of American culture and possessed a rare, once-in-a-generation sense of style and grace. Her most celebrated work—the White House Rose Garden, designed during the presidency of John F. Kennedy—demonstrated how formal restraint and the sparing use of color could be deployed to maximal effect. Later, her understated landscape design for the Kennedy grave site at Arlington National Cemetery changed the face of American public memorials. Mellon was a famously private person, and many of her greatest achievements remained concealed from public view. Her rarely seen gardens and domestic interiors at eight different properties on three continents became legends and models. At Oak Spring Farm in Virginia, the bibliographic riches of her Garden Library were twinned with the expansive flowering gardens lying below the Edward Larrabee Barnes–designed building. At her home on Nantucket, she pruned back the landscape to reveal the elemental forms of nature. Mellon also ranked as one of the great art collectors of her era, encouraging her husband Paul to use his family’s vast wealth to acquire hundreds of nineteenth-century French paintings, many of which were donated to the National Gallery of Art. Her own tastes ranged from Mark Rothko to Richard Diebenkorn—in quantity. In I’ll Build a Stairway to Paradise, Mac Griswold—who knew Mellon personally—delves into her subject’s closely guarded personal archives to construct an unrivaled portrait of a woman as complex and multifaceted as the gardens and homes on which she left her mark. Mellon tested the anodyne 1950s model of woman-as-wife-as-mother by getting a divorce, admitting candidly to her first husband that she wanted a richer one. She imperiously traded old friends for new and ultimately used her reputation, her connections, and above all her money to help fund John Edwards’s short-lived presidential campaign. She led an American version of a royal court that, over the years, included Jackie Kennedy, Hubert de Givenchy, and I. M. Pei. How Mellon’s character, style, and taste developed together to produce her greatest accomplishments—private and public—is the real subject of this biography. |
| frank a langella iii: Passion Play Peter Nichols, 2013 A glorious meeting of humor, eroticism and duplicity, this modern classic enjoys a major West End revival starring Zoe Wanamaker. |
| frank a langella iii: Passing Game Steve Tesich, 1978 Two once promising actors plot to kill each other's wives. |
| frank a langella iii: R E D Chase Berggrun, 2018 Poetry. R E D is an erasure of Bram Stoker's Dracula. A long poem in 27 chapters, R E D excavates from Stoker's text an original narrative of violence, sexual abuse, power dynamics, vengeance, and feminist rage while wrestling with the complexities of gender, transition, and monsterhood. |
| frank a langella iii: A Passion to Lead Jim Calhoun, Richard Ernsberger, Jr., 2007-10-02 Motivation...Success...Leadership...Passion. Hall of Fame college basketball coach Jim Calhoun shares his secrets for success for the first time ever in A Passion to Lead. Coach Jim Calhoun is one of the most successful coaches in college basketball history. Having sent countless players to the NBA, Coach Calhoun is known for producing not just great athletes but great human beings. He is both an exceptional leader and self-made man whose ability to motivate and inspire young men is unsurpassed. In A Passion to Lead, he shares the fundamental principles that have allowed him to have an impact on so many. When he took command of the Connecticut Huskies, the team had had a losing record for five straight seasons. In twenty-one years of leadership, Calhoun has transformed a middling regional program into a national powerhouse with two NCAA championships. But what makes Coach Calhoun such an excellent leader? How did he take a program with a modest tradition and turn it into a national champ and perennial title contender? What is his management style? What are his motivational techniques? Calhoun reveals them here and includes anecdotes about his life as a coach, family man, and, ultimately, a teacher--as well as the following key principles: *Win Every Day: Talent determines what you can do in life. Motivation determines what you decide to do. Attitude determines how well you do it. *Standards, Then Victories: To build a winning organization, establish a culture of winning and make everyone accountable. Out of high standards come victories. *Tough Love: Pushing is only half the equation. Individuals perform best when they feel good about themselves. *And much more. A Passion to Lead is for all those who are serious about making their dreams a reality. It's a motivational tool for achieving success both at work and in life, and it can help turn any adversity into an advantage. |
| frank a langella iii: West's Federal Supplement , 1990 |
| frank a langella iii: Entertaining the Third Reich Linda Schulte-Sasse, 1996 On Nazi cinema |
| frank a langella iii: The Best Plays Theater Yearbook Jeffrey Eric Jenkins, 2007 Covers plays produced in New York, theater awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays. |
| frank a langella iii: Frame by Frame II Phyllis Rauch Klotman, Gloria J. Gibson, 1997 A filmography of Blacks in the film industry |
| frank a langella iii: New York Magazine , 1997-02-17 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| frank a langella iii: I’Ll Go No More A-Roving Robert Ayres Carter, 2011-09-28 Praise for Somewhere I Have Never Traveled Th is fourth volume of Robert Ayres Carters autobiography takes the reader back to the 1970s. From the outside, Carters life seems conventional: he was an executive in the world of publishing and advertising, commuting between Long Island and Manhattan. Setting this work apart from the ordinariness of that sort of life is the clarity of his unfl inching revelation of his private aff airs, emotions, and thoughts. His struggles to become a writer of novels, his self-doubts, and his emotional and physical involvement with many women, and the collapse of two marriages are all described vividly with the skill of the accomplished novelist. Perhaps most poignant of all are his descriptions of his sense of loss from his separation from his two sons. -James Scanlon, Professor Emeritus of History, Randolph-Macon College |
| frank a langella iii: In the Heart Of Showbiz - Vol. 3 Warren Allen Smith, 2011-07-12 Vol. 3 of the biography wraps up the story of the author's life, from growing up in a small Midwestern town; to attending over 200 Broadway plays (working with many B'way VIP's; designating philosophers who have influenced him to being a humanities humanist; providing new information about his being at Stonewall in 1969; and including controversial photos of playboys. |
| frank a langella iii: On the Aisle, Volume 3 Philip Morency, 2017-04-11 On the Aisle, Volume 3 by Philip Morency On the Aisle, Volume 3: Film Reviews by Philip Morency is the third in the series of movie reviews written by Philip Morency. This edition contains films ranging from the years 2010 through 2012, with some periodic “oldies but goodies” mixed in. Like Philip’s previous two books, On the Aisle, Volume 3 contains brief and to-the-point movie reviews that are geared toward the average moviegoer. It is not really written from a critic’s perspective, but from that of the average viewer. The reviews are simple and easy to understand. What is unique about the book is that it tells the synopsis of the film, then it gives the author’s opinion of the film, and then it lets the reader decide whether or not they would like to see the film. The films are rated on a scale of 1 through 5. There are also half-star ratings, such as 3 ½ stars (VERY GOOD). The contained films are listed in alphabetical order, and for ease of reference, there is also a table of contents page. Enjoy… On the Aisle, Volume 3. |
| frank a langella iii: Three Hollywood Stalwarts in Literature Henryk Hoffmann, 2022-03-15 This book focuses on the perception of the names, personae, performances and films of three Hollywood megastars, Gregory Peck, Robert Mitchum and William Holden, as presented in the references and allusions encountered in American and foreign literature. Its secondary aim is to establish the ‘impact factor’ of the three actors and their major films and provide extensive data for further studies on the complex and bilateral relationships between film and literature. The pertinent quotations in ‘Three Hollywood Stalwarts in Literature: A Study in Film Perception Through References to Peck, Mitchum and Holden’ have been extracted from nearly 220 works by about 140 authors. The majority of the works were written by acclaimed authors; amongst them are some well-known American mainstream writers such as John Updike, John Irving, Fannie Flagg and Anne Tyler; some leaders of the mystery genre include Martha Grimes, Stuart Kaminsky, Elmore Leonard, Sara Paretsky; and a few masters of other popular genres, such as Stephen King and Dean Koontz. The global flavor of the citations is provided by international authors (e.g., Julio Cortázar, Elizabeth Hay, Henri Charrière, Sebastien Japrisot) and authors born to first-generation U.S. immigrants (e.g., Oscar Hijuelos). Almost seventy films referenced in world literature are discussed in the book, and those mentioned in the biggest number of works include ‘Sunset Boulevard’, ‘The Wild Bunch’, ‘To Kill a Mockingbird’, ‘Roman Holiday’, ‘Spellbound’, ‘The Guns of Navarone’, and ‘Duel in the Sun’, among others. This book will appeal to college professors and students interested in film studies, specifically film analysis and criticism, film perception, and film genres. It will also hold interest for the general reader interested in biographies of movie personalities and the careers of the three actors, movie and stage actors, and fans of the western, film noir, and war genres. |
| frank a langella iii: Famous Movie Detectives II Michael R. Pitts, 1991 A sequel to the 1979 offering investigates such celluloid gumshoes as Mike Hammer, Miss Jane Marple, Philip Marlowe, Perry Mason, The Shadow, Sherlock Holmes, and The Whistler, as well as those with brief careers, including Kitty O'Day, Tony Rome, and Lord Peter Whimsey. Reveals the characters, the actors, the films, and the literary works that set off the whole chain of events. Includes dozens of movie stills and corrections to the base volume. Annotation copyrighted by Book News, Inc., Portland, OR |
FRANK Definition & Meaning - Merriam-Webster
From the English adjective frank, which means “free” or “forthright,” we get the verb frank, which means “to mark mail with an official sign so that it may be mailed free.”
Frank (film) - Wikipedia
Frank is a 2014 black comedy film directed by Lenny Abrahamson from a screenplay by Jon Ronson and Peter Straughan. It stars Michael Fassbender, Domhnall Gleeson, Maggie …
Frank (2014) - IMDb
Frank: Directed by Lenny Abrahamson. With Domhnall Gleeson, Moira Brooker, Paul Butterworth, Phil Kingston. Jon, a young wanna-be musician, discovers he's bitten off more than he can …
FRANK | English meaning - Cambridge Dictionary
FRANK definition: 1. honest, sincere, and telling the truth, even when this might be awkward or make other people…. Learn more.
FRANK Definition & Meaning | Dictionary.com
Frank, candid, open, outspoken imply a freedom and boldness in speaking, writing, or acting. Frank is applied to one unreserved in expressing the truth and to one's real opinions and …
FRANK definition and meaning | Collins English Dictionary
If someone is frank, they state or express things in an open and honest way. They had a frank discussion about the issue. You can talk frankly to me. He now frankly admits that much of his …
Frank - Definition, Meaning & Synonyms | Vocabulary.com
To be frank is to be honest. Also, it's a hot dog. Eating a frank at the ballpark is, to be frank, an all-American experience. If you're open, honest, and candid, you're frank — that can mean …
Frank Definition & Meaning - YourDictionary
Frank definition: Open and sincere in expression; straightforward.
frank adjective - Definition, pictures, pronunciation and usage …
Definition of frank adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Frank - Etymology, Origin & Meaning - Etymonline
Frank, literally, free; the freedom may be in regard to one's own opinions, which is the same as openness, or in regard to things belonging to others, where the freedom may go so far as to …
