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| figurative language in refugee: Refugee Alan Gratz, 2017-07-25 The award-winning, #1 New York Times bestselling novel from Alan Gratz tells the timely--and timeless--story of three different kids seeking refuge. A New York Times bestseller! JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world... ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America... MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he and his family begin a long trek toward Europe... All three kids go on harrowing journeys in search of refuge. All will face unimaginable dangers -- from drownings to bombings to betrayals. But there is always the hope of tomorrow. And although Josef, Isabel, and Mahmoud are separated by continents and decades, shocking connections will tie their stories together in the end. As powerful and poignant as it is action-packed and page-turning, this highly acclaimed novel has been on the New York Times bestseller list for more than four years and continues to change readers' lives with its meaningful takes on survival, courage, and the quest for home. |
| figurative language in refugee: The Happiest Refugee Anh Do, 2011-03-22 The bestselling, laugh-out-loud, reach for your hanky story of one of Australia's best-loved comedians. |
| figurative language in refugee: A Long Walk to Water Linda Sue Park, 2010 The New York Times bestseller A Long Walk to Water begins as two stories, told in alternating sections, about two eleven-year-olds in Sudan, a girl in 2008 and a boy in 1985. The girl, Nya, is fetching water from a pond that is two hours' walk from her home: she makes two trips to the pond every day. The boy, Salva, becomes one of the lost boys of Sudan, refugees who cover the African continent on foot as they search for their families and for a safe place to stay. Enduring every hardship from loneliness to attack by armed rebels to contact with killer lions and crocodiles, Salva is a survivor, and his story goes on to intersect with Nya's in an astonishing and moving way. |
| figurative language in refugee: Figurative Thought and Language in the Human Universe Mario Brdar, Goran Milić, Dubravka Vidaković Erdeljić, Rita Brdar-Szabó, 2021-08-17 The volume focuses on the interaction between figurative language, embodiment, and society and culture from various theoretical and applied perspectives and methodologies. It bears wit-ness to the vibrancy of research into figurative language and the role of embodiment, with conceptualization motivated not just by our physical interaction with the external world, but also by social and cultural phenomena. The topics explored here include the impact of figura-tion on all levels of linguistic analysis, including grammar, discourse, and the relationship be-tween language and emotions. |
| figurative language in refugee: Outcasts United Warren St. John, 2009-04-21 BONUS: This edition contains a reader's guide. The extraordinary tale of a refugee youth soccer team and the transformation of a small American town Clarkston, Georgia, was a typical Southern town until it was designated a refugee settlement center in the 1990s, becoming the first American home for scores of families in flight from the world’s war zones—from Liberia and Sudan to Iraq and Afghanistan. Suddenly Clarkston’s streets were filled with women wearing the hijab, the smells of cumin and curry, and kids of all colors playing soccer in any open space they could find. The town also became home to Luma Mufleh, an American-educated Jordanian woman who founded a youth soccer team to unify Clarkston’ s refugee children and keep them off the streets. These kids named themselves the Fugees. Set against the backdrop of an American town that without its consent had become a vast social experiment, Outcasts United follows a pivotal season in the life of the Fugees and their charismatic coach. Warren St. John documents the lives of a diverse group of young people as they miraculously coalesce into a band of brothers, while also drawing a fascinating portrait of a fading American town struggling to accommodate its new arrivals. At the center of the story is fiery Coach Luma, who relentlessly drives her players to success on the soccer field while holding together their lives—and the lives of their families—in the face of a series of daunting challenges. This fast-paced chronicle of a single season is a complex and inspiring tale of a small town becoming a global community—and an account of the ingenious and complicated ways we create a home in a changing world. |
| figurative language in refugee: Gleam and Glow Eve Bunting, 2005-08-01 Inspired by real events, master storyteller Eve Bunting recounts the harrowing yet hopeful story of a family, a war--and a dazzling discovery. |
| figurative language in refugee: Emplumada Lorna Dee Cervantes, 1982-01-15 Emplumada is Lorna Dee Cervantes’s first book, a collection of poems remarkable for their surface clarity, precision of image, and emotional urgency. Rooted in her Chicana heritage, these poems illuminate the American experience of the last quarter century and, at a time when much of what is merely fashionable in American poetry is recondite and exclusive, Cervantes has the ability to speak to and for a large audience. |
| figurative language in refugee: Inside Out & Back Again Thanhha Lai, 2013-03-01 Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next. |
| figurative language in refugee: Mapping the Origins of Figurative Language in Comparative Literature Richard Trim, 2021-10-05 This book investigates the origins of figurative language in literary discourse within a cognitive framework. It represents an interface between linguistics and literature and develops a 6-tier theoretical model which analyses the different factors contributing to the creation of figurative words and expressions. By examining features ranging from language structure to figurative thought, cultural history, reference, narrative and the personal experience of authors, it develops a global overview of the processes involved. Due to its particularly innovative characteristics in literature, the theme of death is explored in relation to universal concepts such as love and time. These aspects are discussed in the light of well-known authors in comparative literature such as D.H. Lawrence, Simone De Beauvoir, Hermann Hesse and Jorge Luis Borges. The origins can involve complex conceptual mappings in figures of speech such as metaphor and symbolism. They are often at the roots of an author’s personal desires or represent the search for answers to human existence. This approach offers a wide variety of new ideas and research possibilities for postgraduate and research students in modern languages, linguistics and literature. It would also be of interest to academic researchers in these disciplines as well as the general public who would like to delve deeper into the relevant fields. |
| figurative language in refugee: Interpreting Human Rights Maria-Artemis Kolliniati, 2024-11-15 Kolliniati’s groundbreaking book, Interpreting Human Rights: Narratives from Asylum Centers in Greece and Philosophical Values, challenges the notion that the interpretation and application of human rights primarily occur within the corridors of power in Strasbourg or official European institutions. It argues that such interpretation takes place in the grassroots settings of rural areas and neighborhoods, by actors who do not belong to the class of decision‐making elites. Focusing on the Aegean islands as exemplary sites of the European refugee crisis, this book draws on research conducted among local actors, including mayors, municipal councilors, representatives of NGOs and staff at refugee reception and identification centers. This book is divided into five distinctive sections: Methodology; Legal Framework and the Emergence of Hotspots; Empirical Research: Narratives of Local Actors; Local Narratives and Political Attitudes; and Glocalization of Human Rights. The study explores the role of human rights in narratives surrounding refugee flows, categorizing responses according to various political theory approaches such as global liberalism, egalitarianism, communitarianism and conservatism. By integrating applied political theory with localized human rights interpretations, this book offers actionable steps for addressing the challenges of migration in today’s interconnected world. By amplifying the voices of those directly engaged with one of contemporary Europe’s most significant challenges, Interpreting Human Rights will appeal to scholars of sociology, political theory, politics and international law, particularly those interested in migration, human rights and refugee studies. |
| figurative language in refugee: Afterland Mai Der Vang, 2017-04-04 The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived. |
| figurative language in refugee: Minor Salvage Stephen Hong Sohn, 2022-11-07 The Korean War, often invoked in American culture as “the forgotten war,” remains ongoing. Though active fighting only occurred between 1950 and 1953, the signing of an armistice resulted in an infamous stalemate and the construction of the Korean Peninsula’s Demilitarized Zone. Minor Salvage reads early Korean American life writings in order to explore the admittedly partial ways in which those made precarious by war seek to rebuild their lives. The titular phrase “minor salvage,” draws on different valences of the word salvage which, while initially associated with naval recovery efforts, can also be used to describe the rescue of waste material. Spurred by the stories told and retold to him by his parents Soon Ho and Yunpyo, Sohn enacts minor salvage by reading overlooked early Korean American life writings penned by Induk Pahk, Taiwon Koh, Joseph Anthony, and Kim Yong-ik alongside a later generation of life writings authored by Sunny Che and K. Connie Kang. In the context of the Korean War, Sohn argues, life writings take on a crucial political orientation precisely because of the fragility attached to refugees, civilians, children, women, and divided family members. To depict the possibility of life is to acknowledge simultaneously the threat of death, violence, and brutality, and in this regard, such life writings are part of a longer genealogy in which marginalized communities find representational power through the creative process. |
| figurative language in refugee: The Search for Home among Forced Migrants and Refugees Maria Sophia Aguirre, Antonio Argandoña, 2024-11-08 This book explores the role of “home” in the lives of displaced people, including voluntary and forced migrants, refugees, asylum seekers, internally displaced people, and temporary workers. For displaced people, home is something lost, longed for, and sometimes found anew. It is a community of people in an environment of relationships and a physical dwelling that provide a sense of safety, security, hope, and belonging. Much of the efforts of refugees, migrants and exiles are devoted to rebuilding a home, through a combination of personal effort and collaboration with the political and social environment of the host community. Aguirre and Argandoña bring together an interdisciplinary collection of contributors to analyse these challenges through the lenses of economics, law, sociology, psychology, communications, management and political science. The book offers numerous suggestions for assistance aimed not only at the short-term problems of displaced people, but also at ensuring their human dignity. This volume will be a valuable resource for students and scholars of the sociology of migration and of public policy related to the handling of migrants. |
| figurative language in refugee: The Simple Gift by Steven Herrick Kim Elith, Lisa Edwards, 2009 This guide is directly linked to the syllabus with dot points of the HSC English syllabus appearing in the margin of the book. You can write in the guide, so your study is focused and your notes are structured.--Back cover. |
| figurative language in refugee: The Routledge Companion to Australian Literature Jessica Gildersleeve, 2020-12-22 In recent years, Australian literature has experienced a revival of interest both domestically and internationally. The increasing prominence of work by writers like Christos Tsiolkas, heightened through television and film adaptation, as well as the award of major international prizes to writers like Richard Flanagan, and the development of new, high-profile prizes like the Stella Prize, have all reinvigorated interest in Australian literature both at home and abroad. This Companion emerges as a part of that reinvigoration, considering anew the history and development of Australian literature and its key themes, as well as tracing the transition of the field through those critical debates. It considers works of Australian literature on their own terms, as well as positioning them in their critical and historical context and their ethical and interactive position in the public and private spheres. With an emphasis on literature’s responsibilities, this book claims Australian literary studies as a field uniquely positioned to expose the ways in which literature engages with, produces and is produced by its context, provoking a critical re-evaluation of the concept of the relationship between national literatures, cultures, and histories, and the social function of literary texts. |
| figurative language in refugee: Refugees Brian Bilston, 2024-09-24 Refugee is a powerful word. One that conjures opposing emotions. |
| figurative language in refugee: Foreign Policy Rhetorics in a Global Era Allison M. Prasch, Sara L. McKinnon, 2024-11-01 This volume takes concepts familiar to foreign policy scholars and reimagines their usefulness in a global era. The essays in this collection feature unique methodological and theoretical contributions to rhetorical scholarship. The field of rhetorical studies often assumes a US-centric approach that elevates American chief executives as the sole doers and makers of foreign policy discourse. This work points to a more comprehensive, global perspective of foreign policy discourse and offers key concepts, case studies, and approaches. It also examines who enacts discourse, where it happens, and how it influences relationships in/between local, national, transnational, and global spheres. Among the cases researched in this collection are foreign policy rhetoric from Cold War foreign policy in Latin America, the rhetoric of Vladimir Putin’s Ukraine war messages, and the development challenges of the Ford Foundation and the Kenya Women Finance Trust, among many others. |
| figurative language in refugee: Selected Poems of Emily Dickinson Glenda Smith, Lisa Edwards, 2009 The Excel HSC English Area of Study Guide: Selected Poems of Emily Dickinson is directly linked to the syllabus with dot points of the HSC English syllabus appearing in the margin of the book. You can write in the guide, so your study is focused and your notes are structured. |
| figurative language in refugee: New People Danzy Senna, 2017 As the twentieth century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, 'King and Queen of the Racially Nebulous Prom.' Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre ... Everything Maria knows she should want lies before her--yet she can't stop daydreaming about another man, a poet she barely knows--Back cover. |
| figurative language in refugee: English Language Arts, Grade 8 Module 1 PCG Education, 2015-11-05 Jossey-Bass and PCG Education are proud to bring the Paths to College and Career English Language Arts (ELA) curriculum and professional development resources for grades 6–12 to educators across the country. Originally developed for EngageNY and written with a focus on the shifts in instructional practice and student experiences the standards require, Paths to College and Career includes daily lesson plans, guiding questions, recommended texts, scaffolding strategies and other classroom resources. Paths to College and Career is a concrete and practical ELA instructional program that engages students with compelling and complex texts. At each grade level, Paths to College and Career delivers a yearlong curriculum that develops all students' ability to read closely and engage in text-based discussions, build evidence-based claims and arguments, conduct research and write from sources, and expand their academic vocabulary. Paths to College and Career's instructional resources address the needs of all learners, including students with disabilities, English language learners, and gifted and talented students. This enhanced curriculum provides teachers with freshly designed Teacher Guides that make the curriculum more accessible and flexible, a Teacher Resource Book for each module that includes all of the materials educators need to manage instruction, and Student Journals that give students learning tools for each module and a single place to organize and document their learning. As the creators of the Paths ELA curriculum for grades 6–12, PCG Education provides a professional learning program that ensures the success of the curriculum. The program includes: Nationally recognized professional development from an organization that has been immersed in the new standards since their inception. Blended learning experiences for teachers and leaders that enrich and extend the learning. A train-the-trainer program that builds capacity and provides resources and individual support for embedded leaders and coaches. Paths offers schools and districts a unique approach to ensuring college and career readiness for all students, providing state-of-the-art curriculum and state-of-the-art implementation. |
| figurative language in refugee: Metaphor and Metonymy across Time and Cultures Javier E. Díaz-Vera, 2014-12-11 This volume offers new insights into figurative language and its pervasive role as a factor of linguistic change. The case studies included in this book explore some of the different ways new metaphoric and metonymic expressions emerge and spread among speech communities, and how these changes can be related to the need to encode ongoing social and cultural processes in the language. They cover a wide series of languages and historical stages. |
| figurative language in refugee: The Best We Could Do Thi Bui, 2017-03-07 National bestseller 2017 National Book Critics Circle (NBCC) Finalist ABA Indies Introduce Winter / Spring 2017 Selection Barnes & Noble Discover Great New Writers Spring 2017 Selection ALA 2018 Notable Books Selection An intimate and poignant graphic novel portraying one family’s journey from war-torn Vietnam, from debut author Thi Bui. This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves. At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent—the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through. With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. In what Pulitzer Prize–winning novelist Viet Thanh Nguyen calls “a book to break your heart and heal it,” The Best We Could Do brings to life Thi Bui’s journey of understanding, and provides inspiration to all of those who search for a better future while longing for a simpler past. |
| figurative language in refugee: Ziba Came on a Boat Liz Lofthouse, 2007 Based on real events is the moving story of a little girl whose family has lost almost everything. This beautiful picture book takes us on her brave journey to make a new life far from home. |
| figurative language in refugee: The Watch That Ends the Night Allan Wolf, 2024-10-15 A lyrical, monumental work of fact and imagination. — Kirkus Reviews (starred review) Arrogance and innocence, hubris and hope — twenty-four haunting voices of the Titanic tragedy, as well as the iceberg itself, are evoked in a stunning tour de force. Slipping in telegraphs, undertaker’s reports, and other records, poet Allan Wolf offers a breathtaking, intimate glimpse at the lives behind the tragedy, told with clear-eyed compassion and astounding emotional power. |
| figurative language in refugee: The Someday Suitcase Corey Ann Haydu, 2017-06-27 Readers who loved The Thing About Jellyfish and Goodbye Stranger will find a mysterious magic and unforgettable friendship in The Someday Suitcase, from the critically acclaimed author of Rules for Stealing Stars. This middle grade novel is an excellent choice for tween readers in grades 5 to 6, especially during homeschooling. It’s a fun way to keep your child entertained and engaged while not in the classroom. A Bank Street Books Best Children's Book of 2018! Clover and Danny are the kind of best friends who make each other even better. They’re so important to each other that Clover believes they’re symbiotic: her favorite science word, which describes two beings who can’t function without the other. But when Danny comes down with a mysterious illness that won’t go away, the doctors can’t figure out what’s wrong with him. So Clover decides to take matters into her own hands by making lists—list of Danny’s symptoms, his good days, his bad days. As the evidence piles up, only one thing becomes clear: Danny is only better when Clover is around. Suddenly it feels like time is running out for Clover and Danny to do everything they’ve planned together—to finally see snow, to go on a trip with the suitcase they picked out together. Will science be able to save Danny, or is this the one time when magic can overcome the unthinkable? |
| figurative language in refugee: 90 Miles to Havana Enrique Flores-Galbis, 2010-08-03 When Julian's parents make the heartbreaking decision to send him and his two brothers away from Cuba to Miami via the Pedro Pan operation, the boys are thrust into a new world where bullies run rampant and it's not always clear how best to protect themselves. 90 Miles to Havana is a 2011 Pura Belpre Honor Book for Narrative and a 2011 Bank Street - Best Children's Book of the Year. |
| figurative language in refugee: Images of Immigrants and Refugees in Western Europe Leen d’Haenens, Willem Joris, François Heinderyckx, 2019-05-14 Perception and representation of newcomers and immigrants The topic of migration has become particularly contentious in national and international debates. Media have a discernable impact on overall societal attitudes towards this phenomenon. Polls show time and again that immigration is one of the most important issues occupying people’s minds. This book examines the dynamic interplay between media representations of migrants and refugees on the one hand and the governmental and societal (re)actions to these on the other. Largely focusing on Belgium and Sweden, this collection of interdisciplinary research essays attempts to unravel the determinants of people’s preferences regarding migration policy, expectations towards newcomers, and economic, humanitarian and cultural concerns about immigration’s effect on the majority population’s life. Whilst migrants and refugees remain voiceless and highly underrepresented in the legacy media, this volume allows their voices to be heard. Contributors: Leen d’Haenens (KU Leuven), Willem Joris (KU Leuven), Paul Puschmann (KU Leuven/Radboud University Nijmegen), Ebba Sundin (Halmstad University), David De Coninck (KU Leuven), Rozane De Cock (KU Leuven), Valériane Mistiaen (Université libre de Bruxelles), Lutgard Lams (KU Leuven), Stefan Mertens (KU Leuven), Olivier Standaert (UC Louvain), Hanne Vandenberghe (KU Leuven), Koen Matthijs (KU Leuven), Kevin Smets (Vrije Universiteit Brussel), Jacinthe Mazzocchetti (UC Louvain), Lorraine Gerstmans (UC Louvain), Lien Mostmans (Vrije Universiteit Brussel), and François Heinderyckx (Université libre de Bruxelles) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). With thanks to the funding provided by Belspo (Belgian Science Policy Office), as part of the framework programme BRAIN-be (Belgian Research Action Through Interdisciplinary Networks), contract nr BR/165/A4/IM2MEDIATE. |
| figurative language in refugee: The Displaced Viet Thanh Nguyen, 2018-04-10 “Powerful and deeply moving personal stories about the physical and emotional toll one endures when forced out of one’s homeland.” —PBS Online In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. Though the refugee caps have been raised under President Biden, admissions so far have fallen short. In The Displaced, Pulitzer Prize–winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience. Featuring original essays by a collection of writers from around the world, The Displaced is an indictment of closing our doors, and a powerful look at what it means to be forced to leave home and find a place of refuge. “One of the Ten Best Books of the Year.” —Minneapolis Star-Tribune “Together, the stories share similar threads of loss and adjustment, of the confusion of identity, of wounds that heal and those that don’t, of the scars that remain.” —San Francisco Chronicle “Poignant and timely, these essays ask us to live with our eyes wide open during a time of geo-political crisis. Also, 10% of the cover price of the book will be donated annually to the International Rescue Committee, so I hope readers will help support this book and the vast range of voices that fill its pages.” —Electric Literature |
| figurative language in refugee: Mobile Narratives Eleftheria Arapoglou, Mónika Fodor, Jopi Nyman, 2013-08-15 Emphasizing the role of travel and migration in the performance and transformation of identity, this volume addresses representations of travel, mobility, and migration in 19th–21st-century travel writing, literature, and media texts. In so doing, the book analyses the role of the various cultural, ethnic, gender, and national encounters pertinent to narratives of travel and migration in transforming and problematizing the identities of both the travelers and travelees enacting in the borderzones between cultures. While the individual essays by scholars from a wide range of countries deal with a variety of case studies from various historical, spatial, and cultural locations, they share a strong central interest in the ways in which the narratives of travel contribute to the imagining of ethnic encounters and how they have acted as sites of transformation and transculturation from the early nineteenth century to the present day. In addition to discussing textual representations of travel and migration, the volume also addresses the ways in which cultural texts themselves travel and are reconstructed in various cultural settings. The analyses are particularly attentive to the issues of globalization and migration, which provide a general frame for interpretation. What distinguishes the volume from existing books is its concern with travel and migration as ways of forging transcultural identities that are able to subvert existing categorizations and binary models of identity formation. In so doing, it pays particular attention to the performance of identity in various spaces of cultural encounter, ranging from North America to the East of Europe, putting particular emphasis on the representation of intercultural and ethnic encounters. |
| figurative language in refugee: Home of the Brave Katherine Applegate, 2014-12-23 Bestselling author Katherine Applegate presents Home of the Brave, a beautifully wrought middle grade novel about an immigrant's journey from hardship to hope. Kek comes from Africa. In America he sees snow for the first time, and feels its sting. He's never walked on ice, and he falls. He wonders if the people in this new place will be like the winter – cold and unkind. In Africa, Kek lived with his mother, father, and brother. But only he and his mother have survived, and now she's missing. Kek is on his own. Slowly, he makes friends: a girl who is in foster care; an old woman who owns a rundown farm, and a cow whose name means family in Kek's native language. As Kek awaits word of his mother's fate, he weathers the tough Minnesota winter by finding warmth in his new friendships, strength in his memories, and belief in his new country. Home of the Brave is a 2008 Bank Street - Best Children's Book of the Year. |
| figurative language in refugee: The Discursive Construction of Identities On- and Offline Birte Bös, Sonja Kleinke, Sandra Mollin, Nuria Hernández, 2018-07-23 This volume explores linguistic identity construction across online and offline contexts. The contributors focus on ‘clusivity’ as an overarching aspect and offer a multifaceted operationalisation of the linguistic processes of identity construction. The studies address three major strands of human identity, each of which can be thought of as an aggregative abstraction with its own complexities: personal identity, group identity and collective identity. The contributions pay special attention to the interplay between the public and private dimensions of the interactions and audiences, as well as the potential impact of social and technical affordances of different communicative settings and online and offline modes of identity construction. The volume is aimed at all researchers concerned with the complex notion of identity, both in linguistics and in neighbouring disciplines. |
| figurative language in refugee: A Little Literature Sylvan Barnet, William Burto, William E. Cain, 2006 Featuring the smallest trim size and page count of any comparable anthology, this appealing new three-genre collection encourages students to experience the pleasures of reading literature. A Little Literature: Reading, Writing, and Argument offers a compact and economical alternative to bulky anthologies. Despite the brevity of this compilation, a judicious mix of classic and contemporary selections--from Sophocles and Shakespeare to Amy Tan and Tobias Wolff--offers ample reading choices for instructors and students. Concise, yet complete, editorial apparatus provides guidance on reading, writing, and, most particularly, developing arguments about literature. All elements come together to create an engaging and accessible anthology that students will truly enjoy. |
| figurative language in refugee: Excel Senior High School Fundamentals of English David Mahony, 2002 This comprehensive study guide offers coverage of all five modules in the HSC english course. |
| figurative language in refugee: Memory, Voice, and Identity Feroza Jussawalla, Doaa Omran, 2021-03-31 Muslim women have been stereotyped by Western academia as oppressed and voiceless. This volume problematizes this Western academic representation. Muslim Women Writers from the Middle East from Out al-Kouloub al-Dimerdashiyyah (1899–1968) and Latifa al-Zayat (1923–1996) from Egypt, to current diasporic writers such as Tamara Chalabi from Iraq, Mohja Kahf from Syria, and even trendy writers such as Alexandra Chreiteh, challenge the received notion of Middle Eastern women as subjugated and secluded. The younger largely Muslim women scholars collected in this book present cutting edge theoretical perspectives on these Muslim women writers. This book includes essays from the conflict-ridden countries such as Iran, Iraq, Palestine, Syria, and the resultant diaspora. The strengths of Muslim women writers are captured by the scholars included herein. The approach is feminist, post-colonial, and disruptive of Western stereotypical academic tropes. |
| figurative language in refugee: Resources in Education , 1996 |
| figurative language in refugee: Escape from Aleppo N. H. Senzai, 2020-06-09 After Nadia is separated from her family while fleeing the civil war, she spends the next four days with a mysterious old man who helps her navigate the checkpoints and snipers of the rebel, ISIS, and Syrian armies that are littering Aleppo on her way to meeting her father at the Turkish border. |
| figurative language in refugee: Vigilant Memory R. Clifton Spargo, 2006-09 Vigilant Memory focuses on the particular role of Emmanuel Levinas's thought in reasserting the ethical parameters for poststructuralist criticism in the aftermath of the Holocaust. More than simply situating Levinas's ethics within the larger context of his philosophy, R. Clifton Spargo offers a new explanation of its significance in relation to history. In critical readings of the limits and also the heretofore untapped possibilities of Levinasian ethics, Spargo explores the impact of the Holocaust on Levinas's various figures of injustice while examining the place of mourning, the bad conscience, the victim, and the stranger/neighbor as they appear in Levinas's work. Ultimately, Spargo ranges beyond Levinas's explicit philosophical or implicit political positions to calculate the necessary function of the memory of injustice in our cultural and political discourses on the characteristics of a just society. In this original and magisterial study, Spargo uses Levinas's work to approach our understanding of the suffering and death of others, and in doing so reintroduces an essential ethical element to the reading of literature, culture, and everyday life. |
| figurative language in refugee: Deepening Literacy Learning Mary Ann Reilly, Jane M. Gangi, Rob Cohen, 2010-09-01 |
| figurative language in refugee: Voice from Afar Tony Johnston, 2008 Timely poetry collection about peace and war by acclaimed children's poet and author Tony Johnston, stunningly illustrated by Susan Guevara.The poems in this collection present haunting images of war and peace. Set all over the world, from Belfast to Africa to the Middle East, these lyric snapshots show the effects of war on ordinary people, as well as the hope and cautious joy that mark each person's journey to survive. The poems startle with a quiet power: a sister makes up a sweet story for her brother about their house flying away from gunfire; a lentil is wryly asked to fling itself into boiling water so that a desperate family can be fed; a stubborn rosebush blooms, because no matter what it must endure. Full of sweeping, vivid color and emotion, Susan Guevara's accompanying acrylic paintings astonish, move, and provide a fascinating interpretation of and tribute to Tony Johnston's call for peace. |
| figurative language in refugee: The Unwanted Don Brown, 2018 Sibert Honor Medalist ∙ New York Public Library Best Of 2018 ∙ The Horn Book's Fanfare 2018 list ∙ Kirkus Best Books of 2018 ∙ YALSA Excellence in Nonfiction Winner In the tradition of two-time Sibert honor winner Don Brown's critically acclaimed, full-color nonfiction graphic novels The Great American Dust Bowl and Drowned City, The Unwanted is an important, timely, and eye-opening exploration of the ongoing Syrian refugee crisis, exposing the harsh realities of living in, and trying to escape, a war zone. Starting in 2011, refugees flood out of war-torn Syria in Exodus-like proportions. The surprising flood of victims overwhelms neighboring countries, and chaos follows. Resentment in host nations heightens as disruption and the cost of aid grows. By 2017, many want to turn their backs on the victims. The refugees are the unwanted. Don Brown depicts moments of both heartbreaking horror and hope in the ongoing Syrian refugee crisis. Shining a light on the stories of the survivors, The Unwanted is a testament to the courage and resilience of the refugees and a call to action for all those who read. |
FIGURATIVE Definition & Meaning - Merriam-Webster
The meaning of FIGURATIVE is representing by a figure or resemblance : emblematic. How to use figurative in a sentence. Did you know?
FIGURATIVE | English meaning - Cambridge Dictionary
FIGURATIVE definition: 1. (of words and phrases) used not with their basic meaning but with a more …
20 Types of Figurative Language (Examples + Ancho…
Figurative language is a powerful tool for writers and speakers. In this ultimate guide, we’ll explore what figurative language is, break down …
Figurative Language - Definition and Examples - Lit…
Figurative language is language that contains or uses figures of speech. When people use the term "figurative language," however, they often do …
10 Different Types of Figurative Language (With Ex…
What Does Figurative Language Mean? Figurative language is an excellent tool you can use in writing that helps your audience better visualize and …
FIGURATIVE Definition & Meaning - Merriam-Webster
The meaning of FIGURATIVE is representing by a figure or resemblance : emblematic. How to use figurative in a sentence. Did you know?
FIGURATIVE | English meaning - Cambridge Dictionary
FIGURATIVE definition: 1. (of words and phrases) used not with their basic meaning but with a more imaginative meaning, in…. Learn more.
20 Types of Figurative Language (Examples + Anchor Charts)
Figurative language is a powerful tool for writers and speakers. In this ultimate guide, we’ll explore what figurative language is, break down its essential elements, and examine 20 specific types …
Figurative Language - Definition and Examples - LitCharts
Figurative language is language that contains or uses figures of speech. When people use the term "figurative language," however, they often do so in a slightly narrower way.
10 Different Types of Figurative Language (With Examples)
What Does Figurative Language Mean? Figurative language is an excellent tool you can use in writing that helps your audience better visualize and understand your message. There are …
Figurative Language - Examples and Definition - Literary Devices
Figurative language uses figures of speech to be more effective, persuasive, and impactful. Figures of speech such as metaphors, similes, and allusions go beyond the literal meanings of …
FIGURATIVE definition and meaning | Collins English Dictionary
If you use a word or expression in a figurative sense, you use it with a more abstract or imaginative meaning than its ordinary literal one.
Figurative Language – Definition and Examples - Proofed
Apr 13, 2023 · Figurative language is language that uses words or expressions with a meaning that is different from the literal interpretation. It is often used to create imagery, evoke emotion, …
FIGURATIVE Definition & Meaning - Dictionary.com
Elizabethan poetry is highly figurative. representing by means of a figure or likeness, as in drawing or sculpture. representing by a figure or emblem; emblematic.
Figurative - Definition, Meaning & Synonyms - Vocabulary.com
Any figure of speech — a statement or phrase not intended to be understood literally — is figurative. You say your hands are frozen, or you are so hungry you could eat a horse. That's …
