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| essential elements 2000 1 violin: Essential Elements for Strings Michael Allen, Robert Gillespie, Pamela Tellejohn Hayes, 2002-04 (Essential Elements for Strings). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi) , the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more! Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra! *Internet access required for My EE Library . Book includes instructions to order free opt. CD-ROM. |
| essential elements 2000 1 violin: Suzuki Violin School Shinʼichi Suzuki, William Preucil, 2008 Teach violin with the popular Suzuki Violin School. The Suzuki Method(R) of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: * Revised editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, Spanish, and German. * Musical notation guide * Fingerboard position * CD with recordings by William Preucil Jr., accompanied by Linda Perry, as well as piano accompaniments recorded alone. Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach). For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in SmartMusic. The International editions include an updated title page that designates the book as the International Edition. |
| essential elements 2000 1 violin: Beginners Please Sheila M. Nelson, 1993 |
| essential elements 2000 1 violin: Violin For Dummies Katharine Rapoport, 2020-09-29 Take a (violin) bow and let your inner musician shine! You don’t have to be a genius to start fiddling around! Violin For Dummies helps budding violinists of all ages begin to play. If you’ve never read a note of music, this book will show you how to turn those little black dots into beautiful notes. Start slow as you learn how to hold the instrument, use the bow, finger notes, and play in tune. Watch yourself blossom into a musician with tips on technique and style. When you’re ready to go further, this book will help you find the people and resources that can help you get just a little closer to virtuoso! Your own private lessons are right inside this book, with the included online video and audio instruction, plus recordings that will help you develop your “ear.” This book takes the guesswork out of learning an instrument, so you’ll be ready to join the band when the time comes! Choose a violin and learn the basics of holding the instrument and playing notes Start reading music with this fast-and-easy introduction to musical notation Improve your musicianship and start to play in groups Explore different music styles and legendary violin composers The violin is a beautiful thing—adding melody everywhere from orchestras to folk and pop tunes. With Violin For Dummies, you can make the music your own, even if you’re a total music beginner. |
| essential elements 2000 1 violin: Advanced Technique for Strings (Essential Elements Series) Robert Gillespie, Michael Allen, Pamela Tellejohn Hayes, 2002-08 (Essential Elements). Level 4 of Hal Leonard's Essential Elements for Strings series is perfect for your advanced-level students. Each book includes: - A detailed practice routine for scales - Three-octave major and minor scales and arpeggios - A systematic fingering system for scales - Extensive shifting exercises for advanced positions - Shifting reinforcement in a musical context using unison orchestra excerpts - Advanced technical development - Sequenced rhythmic and bowing studies - and much more! |
| essential elements 2000 1 violin: Essential Elements for Guitar, Book 1 (Music Instruction) Will Schmid, Bob Morris, 2007-12-01 (Essential Elements Guitar). Take your guitar teaching to a new level! Hal Leonard's top-selling comprehensive method for band and strings is now also available for guitar. With the time-tested classroom teaching methods of Will Schmid and Bob Morris and popular songs in a variety of styles, Essential Elements for Guitar is sure to become a staple of guitar teachers' instruction and get beginning guitar students off to a great start. This method has been designed to meet the National Standards for Music Education, with features such as cross-curricular activities, quizzes, multicultural songs, basic improvisation and more. Concepts covered in Book 1 include: getting started; basic music theory; guitar chords; notes on each string; ensemble playing; and much more! Songs used in Book 1 include such hits as: Dust in the Wind * Eleanor Rigby * Every Breath You Take * Hey Jude * Hound Dog * Let It Be * Ode to Joy * Rock Around the Clock * Stand By Me * Surfin' USA * Sweet Home Chicago * This Land Is Your Land * You Really Got Me * and more! |
| essential elements 2000 1 violin: Essential technique for strings Robert Gillespie, Michael Allen, Pamela Tellejohn Hayes, 1998 To help the intermediate player develop the skills necessary for playing in an orchestra. |
| essential elements 2000 1 violin: First 50 Songs You Should Play on the Violin Hal Leonard Corp., 2017-12-01 (Instrumental Folio). If you've been playing violin for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs, many of which originally featured violin! Songs include: Best Song Ever * Canon in D * Dust in the Wind * Eleanor Rigby * The Hustle * The Irish Washerwoman * Jesu, Joy of Man's Desiring * Pure Imagination * Theme from Schindler's List * Summertime * Tennessee Waltz * Turkey in the Straw * Viva La Vida * You Raise Me Up * and more. |
| essential elements 2000 1 violin: Blood Meridian Cormac McCarthy, 2010-08-11 25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris. |
| essential elements 2000 1 violin: Essential Technique 2000 Various, 2002-09 A TECHNIQUE BUILDING program for any band bull; Also for INDIVIDUAL STUDY or small groups bull; BOOK 3 of the Essential Elements 2000 beginning band system FEATURES: KEY CENTERED SYSTEM bull; 9 Major and Related Minor Keys bull; Scales, Etudes |
| essential elements 2000 1 violin: Introducing the positions for cello Harvey S. Whistler, 1989-03 (String Method). Introducing the Positions , a series widely used in classroom and private studio, represents a critical next step for string students. Position playing allows players to extend range beyond the basics and move into the ranks of intermediate and advanced ensemble groups. The most important positions vary for each instrument, and Whistler wisely introduces the most-used positions first in Volume 1, followed by the next most important in Volume 2. An irreplaceable component for every string student's training! |
| essential elements 2000 1 violin: I Can Read Music, Volume 1 Joanne Martin, These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method®, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two. |
| essential elements 2000 1 violin: Essential elements Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser, 1991 The book that started the Essential Elements Band Method features music history right in the book, band arrangements, Dr. Tim parent letter, quizzes, and a rhythm-based sequence. Effective pedagogy, a logical sequence of skills, innovative parental communication tools, multicultural songs, duets and full band arrangements, and much more, create a method designed to help kids succeed. |
| essential elements 2000 1 violin: White Awareness Judy H. Katz, 1978 Stage 1. |
| essential elements 2000 1 violin: Beautiful Music to Learn by Rote, Book I Samuel Applebaum, A collection of pieces, for Cello that were selected for their melodic beauty and architectural simplicity, making them easy to learn by rote. They may be played as solos with piano accompaniment or played in unison with violins, violas, cellos and basses. |
| essential elements 2000 1 violin: How to Play Violin in 14 Days Bethany Olds, 2021-05-23 Are you ready to learn how to play violin? Start here! How to Play Violin in 14 Days is the ultimate violin book for absolute beginners. In this practical, step-by-step guide, Award-winning fiddle player and master instructor Bethany Olds teaches you the essential elements you need to know to get started as a fiddle player or violinist. And the best part? No music reading is required! Inside this book, songs, melodies, and music exercises are presented in both standard notation and easy-to-use violin tab, so you can choose which method you prefer--or use both! With this book, you can learn how to play violin! Violin is no different than any other instrument, and with steady, mindful practice, you can learn to play it in just two weeks, because How to Play Violin in 14 Days is written with the absolute beginner in mind! This violin book for beginners is jam-packed with fundamental violin skills and exercises! For adult beginners and kids alike, in just two weeks, you'll learn: Songs & Melodies How to Hold the Violin Proper Bowing Technique Major Scales & Intervals Basic Music Theory Fundamental Rhythms Standard Notation & Tab What makes this beginner violin book for adults different? How to Play Violin in 14 Days is an innovative method for learning to play the violin. The instructional material is not only easy to use and follow, but also cutting-edge in its approach. While most violin methods teach only standard music reading, How to Play Violin in 14 Days includes violin tab with all songs, melodies, and music exercises to speed up the learning process. In other words, violin tab will have you playing the music quicker while simultaneously helping you to read standard music notation. Contact our Customer Support via our website if you have any questions about audio files or need any other assistance. We are here for your entire learning-to-play-violin journey! Includes tons of music notes, easy-to-play melodies, and full songs, including violin and fiddle favorites Crawdad Song, Amazing Grace, and Ode To Joy. Read it! Hear it! Play it! Music examples are presented in both notes and tab. This practical, step-by-step guide to beginning violin includes quick-and-easy access to audio tracks via download or streaming--right from troynelsonmusic.com. No signup required! About Bethany Olds: Montana-native Bethany Olds started playing fiddle when she was 14 and began competing a year later. As a competitive fiddler, she won several major titles, including 1997 National Junior Fiddle Champion, 1998 and 1999 Montana State Fiddle Champion, and 2001 Tennessee State Fiddle Champion. She moved to Nashville in 2000, and since then has been the fiddle player for both Sara Evans and Pam Tillis. She has also been a session player in both Atlanta and Nashville, and won a Dove Award in 2010 for her participation on the Glory Revealed II album. Bethany has taught beginner violin and all levels of fiddle since 1997. Over the years, she's learned to adapt her teaching style to each student's learning strengths. Bethany's ultimate goal as a teacher is to give her students the ability to play and enjoy the music they love. REMEMBER: Free access to instant streaming or audio downloads from troynelsonmusic.com is included. Thanks for the 5-star reviews! Publisher Troy Nelson has garnered 1000s of 5-star reviews through his breakthrough series How to Play Music in 14 Days. Get this book--and the Troy Nelson Music support system--today! |
| essential elements 2000 1 violin: String Builder, Book I Samuel Applebaum, The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual. |
| essential elements 2000 1 violin: Violin ABC: Book E Szilvay, Géza, 2018-01-01 Colourstrings® Violin ABC is finally available in digital format! Violin Books A through F, Scales book 1, 2 and 3, Kreutzerini and Yellow Pages 1-3 are released as electronic publications. The Colourstrings® method uses a colour for each string and focuses on teaching children rhythm and technique on open strings while gradually introducing them to more complicated methods. The two last extensive volumes of the popular Colourstrings violin tutors, Books E and F, include a wealth or repertoire for young violin players. About the Colourstrings® method: Colourstrings® is child-centred. The materials are colourful, stimulating and entice children to embark on musical adventures that will enable each of them to fulfil their musical potential through fun and creativity, without pressure. It is an extension of the Kodály philosophy: everything starts with singing to develop inner hearing. Central to the approach is the role of play and imagination – often the value of play can be overlooked in the rush to get on with the ‘real’ lesson. Colourstrings® is a Kodaly based, child centred approach to music education that has been in existence since the early 1970's. Its originators, the Hungarian brothers Géza and Csába Szilvay, revolutionised music education in Finland to such an extent that Colourstrings® has become an integral part of the state music school system there. Colourstrings® has gained an outstanding reputation for the skill of its teachers, the success of its students and the inspiring ideas that drive it: ”This excellent method for the young musical generation has proved to be really very successful. It is by now a fully established method and has already produced many fine string players.” MAX ROSTAL (The Late Professor, CBE, Honorary President ESTA) |
| essential elements 2000 1 violin: Effortless Mastery Kenny Werner, 1996 My story -- Why do we play? -- Beyond limited goals -- Fear, the mind and the ego -- Fear-based practicing -- Teaching dysfunctions: fear-based teaching -- Hearing dysfunctions: fear-based listening -- Fear-based composing -- The space--There are no wrong notes -- Meditation #1 -- Effortless mastery -- Meditation #2 -- Affirmations -- The steps to change -- Step one -- Step two -- Step three -- Step four -- An afterthought -- I am great, I am a master -- Stretching the form -- The spiritual (reprise) -- One final meditation. |
| essential elements 2000 1 violin: The Doflein Method Elma Doflein, Erich Doflein, Philip Marler, 2020-12-23 The Doflein Method. The Violinist's Progress. Volume I: The higher positions (4th to 10th positions) A course of violin instruction combined with musical theory and practice in duet-playing. |
| essential elements 2000 1 violin: Orchestra Expressions Kathleen DeBarry Brungard, Michael L. Alexander, Gerald E. Anderson, Sandra Dackow, Anne Cleino Witt, 2006 Orchestra Expressions(tm) provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for the Arts in Music -- not retro-fitted to the Standards. The program is music literacy-based and satisfies reading and writing mandates in orchestra class. The pedagogy involves a four-fingers-down start for every instrument and separate but simultaneous development of both hands. Each student book features an attractive full-color interior with easy-to-read notes and includes: -A 59-track accompaniment CD that covers Units 1-15 (a second CD covering Units 16-33 is available separately, individually as item 00-EMCO2006CD or in a 25-pack as item 00-EMCO2007CD) -Historical notes on some of the most notable composers of orchestral music -A thorough glossary of musical terms -Scales and warm-up exercises Future reprints may be printed with black and white interiors. This title is available in SmartMusic. |
| essential elements 2000 1 violin: Essential Elements 2000 Tim Lautzenheiser, Hal Leonard Corp, 1999 Essential Elements is a comprehensive method for beginning band musicians and can be used with full band, like-instrument classes, or individuals. |
| essential elements 2000 1 violin: Strategies for Teaching Strings Donald L. Hamann, Robert Gillespie, 2018-01-24 Strategies for Teaching Strings: Building a Successful String and Orchestra Program, Fourth Edition, is an essential guide for prospective, novice, and experienced string teachers alike. This comprehensive text provides all the information necessary to develop and manage a successful school-based program. Based on the national standards for teaching strings and orchestra, the text covers performance objectives, strategies for teaching technical and performance skills, and solutions to common playing problems for elementary, middle, and high school skill levels. It also offers rehearsal strategies to develop large-group ensemble techniques, practical approaches to teaching improvisation, and advice on how to increase student recruitment and retention. |
| essential elements 2000 1 violin: Scales, Chords and Arpeggios for Piano : the Brown Scale Book Frederick Harris Music Co, University of Toronto. Royal Conservatory of Music of Toronto, 1977 |
| essential elements 2000 1 violin: Grappelli Licks Tim Kliphuis, 2013-01-11 Do you want to sound more like the French maestro Stephan Grappelli? Here is the answer. I've selected around 250 classic Grappelli licks for you to learn. Using Simple chord theory and tips for timing and style. You can start these songs instantly. The CD contains samples, solos and backing tracks to practice your new-found skills on. |
| essential elements 2000 1 violin: Essential Elements for Strings Michael Allen, Robert Gillespie, Pamela Tellejohn Hayes, 2003-07-01 Orchestra Classroom Methods - All Levels |
| essential elements 2000 1 violin: The Instrumentalist , 2004 |
| essential elements 2000 1 violin: Texas Essential Elements 2000 for Strings Hal Leonard Corporation, Michael Allen, 2004-03-01 |
| essential elements 2000 1 violin: Diverse Methodologies in the Study of Music Teaching and Learning Linda K. Thompson, Mark Robin Campbell, 2008-04-01 As a set of studies, Diverse Methodologies represents and reflects the music education research community at a truly unique moment. The collection demonstrates the profession's increased motivation, willingness, and desire to expand and enhance the research base and traditions in the study and practice of music education. This volume is an important addition to the libraries of Colleges of Education and Schools of Music, as well as music scholars and educators, researchers, and graduate students who are concerned with advancing both the scope and quality of research in the study of music teaching and learning. |
| essential elements 2000 1 violin: The American Music Teacher , 2003 |
| essential elements 2000 1 violin: Applying Flow Theory to Strings Education in P-12 and Community Schools: Emerging Research and Opportunities Akutsu, Taichi, 2020-04-03 Strings teaching and learning has tended to emphasize performance rather than the quality of experience for the children. School instruction has become rigid and focused on technical accuracy. Alternative teaching strategies must be pursued in order to provide a challenging yet enjoyable experience of playing and learning the bowed string instruments for students. Applying Flow Theory to Strings Education in P-12 and Community Schools: Emerging Research and Opportunities offers a comprehensive reference for string teachers and learners of the instruments in P-12 and community schools to understand the conceptual framework of flow theory-based strings pedagogy. This book addresses critical issues to facilitate children’s musical flow and the elements required to construct the pedagogy. Featuring a range of topics such as alternative assessment, musical pedagogy, and teacher training, this book is essential for music teachers, band directors, instructional designers, academicians, educational professionals, administrators, researchers, and students. |
| essential elements 2000 1 violin: The Violin Robert Riggs, 2016 Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature. With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010). |
| essential elements 2000 1 violin: Etude Music Magazine Theodore Presser, 1893 Includes music. |
| essential elements 2000 1 violin: The Teaching of Instrumental Music Richard Colwell, Michael Hewitt, Mark Fonder, 2017-10-12 The Teaching of Instrumental Music, Fifth Edition introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. NEW TO THIS EDITION: Revision and updating of curriculum developments, such as coordinating State Department of Education student learning objectives with the recent Every Student Succeeds Act (ESSA) New discussion of the NAfME National Standards as they relate to the teaching of instrumental music Revamping of rehearsing instrumental ensembles chapters, including new or expanded sections on programming, choosing quality music, and applying successful rehearsal techniques Updates on references, plus new discussion questions, and websites and internet links A chapter devoted to classroom guitar Updates on the use of technology for teaching and learning music More on healthy performance practice, marching band, and jazz band Online materials located in the eResources section on the Routledge website. |
| essential elements 2000 1 violin: CAS Journal , 2004 |
| essential elements 2000 1 violin: The Penguin Guide to Compact Discs 2000/2001 Ivan March, Edward Greenfield, Robert Layton, 2000 More than an essential companion to the complete Penguin Guide to Compact Discs (1999), the Yearbook 2000/1 reviews hundreds of brand new CDs and takes a closer look at some of the more unusual areas of the classical-music repertoire. |
| essential elements 2000 1 violin: Subject Guide to Books in Print , 2001 |
| essential elements 2000 1 violin: Handbook of Materials for String Musical Instruments Voichita Bucur, 2016-08-29 This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra |
| essential elements 2000 1 violin: Critical Perspectives on Michael Finnissy Ian Pace, Nigel McBride, 2019-05-24 The composer and pianist Michael Finnissy (b. 1946) is an unmistakeable presence in the British and international new music scene, both for his immeasurable generosity as prolific composer for many different types of musicians, major advocate for the works of others, and performer and conductor who has also been a driving force behind ensembles; he was also President of the International Society for Contemporary Music from 1990 to 1996. His vast and enormously varied output confounds those who seek easy categorisations: once associated strongly with the ‘new complexity’, Finnissy is equally known as composer regularly engaged with many different folk musics, for working with amateur and community musicians, for a long-term engagement with sacred music, or as an advocate of Anglo-American ‘experimental’ music. Twenty years ago, a large-scale volume entitled Uncommon Ground: The Music of Michael Finnissy gave the first major overview of the output of any ‘complex’ composer. This new volume brings a greater plurality of perspectives and critical sensibility to bear upon an output which is almost twice as large as it was when the earlier book was published. A range of leading contributors – musicologists, composers, performers and others – each grapple with particular questions relating to Finnissy’s music, often in ways which raise questions relating more widely to new music, and provide theoretical foundations for further of study both of Finnissy and other composers. |
| essential elements 2000 1 violin: The Violin Explained James Beament, Sir James Beament, 2000 Throughout its history the violin has had a mystique with many curious beliefs. Physicists have now discovered how it produces its sound, though this knowledge is largely inaccessible to makers and players. Assuming no scientific background, this unique book explains not only how a violin produces sound but also of how that sound causes what we hear. Drawing on extensive experience as a performer and composer, Beament includes down-to-earth advice on strings, maintenance, purchase, and children's instruments. |
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