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| drown junot diaz: Drown Junot Díaz, 1997-07-01 From the beloved and award-winning author Junot Díaz, a spellbinding saga of a family’s journey through the New World. A coming-of-age story of unparalleled power, Drown introduced the world to Junot Díaz's exhilarating talents. It also introduced an unforgettable narrator— Yunior, the haunted, brilliant young man who tracks his family’s precarious journey from the barrios of Santo Domingo to the tenements of industrial New Jersey, and their epic passage from hope to loss to something like love. Here is the soulful, unsparing book that made Díaz a literary sensation. |
| drown junot diaz: This is how You Lose Her Junot Díaz, 2013 Presents a collection of stories that explores the heartbreak and radiance of love as it is shaped by passion, betrayal, and the echoes of intimacy. |
| drown junot diaz: History and Hope in American Literature Benjamin Railton, 2016-11-10 Throughout history, creative writers have often tackled topical subjects as a means to engage and influence public discourse. American authors—those born in the States and those who became naturalized citizens—have consistently found ways to be critical of the more painful pieces of the country’s past yet have done so with the patriotic purpose of strengthening the nation’s community and future. In History and Hope in American Literature: Models of Critical Patriotism, Ben Railton argues that it is only through an in-depth engagement with history—especially its darkest and most agonizing elements—that one can come to a genuine form of patriotism that employs constructive criticism as a tool for civic engagement. The author argues that it is through such critical patriotism that one can imagine and move toward a hopeful, shared future for all Americans. Railton highlights twelve works of American literature that focus on troubling periods in American history, including John Steinbeck’s The Grapes of Wrath,David Bradley’s The Chaneysville Incident, Louise Erdrich’s Love Medicine, Tony Kushner’s Angels in America, Junot Díaz’s The Brief Wondrous Life of Oscar Wao, and Dave Eggers’s What Is the What. From African and Native American histories to the Depression and the AIDS epidemic, Caribbean and Rwandan refugees and immigrants to global climate change, these works help readers confront, understand, and transcend the most sorrowful histories and issues. In so doing, the authors of these books offer hard-won hope that can help point people in the direction of a more perfect union. History and Hope in American Literature will be of interest to students and practitioners of American literature and history. |
| drown junot diaz: The Brief Wondrous Life of Oscar Wao (Pulitzer Prize Winner) Junot Díaz, 2008-09-02 Winner of: The Pulitzer Prize The National Book Critics Circle Award The Anisfield-Wolf Book Award The Jon Sargent, Sr. First Novel Prize A Time Magazine #1 Fiction Book of the Year One of The New York Times’s 100 Best Books of the 21st Century One of the best books of 2007 according to: The New York Times, San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, New York Public Library, and many more... Nominated as one of America’s best-loved novels by PBS’s The Great American Read and named one of The Atlantic’s Great American Novels of the Past 100 Years Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love. |
| drown junot diaz: The Brief Wondrous Life of Oscar Wao Junot Diaz, 2008-09-04 Things have never been easy for Oscar. A ghetto nerd living with his Dominican family in New Jersey, he's sweet but disastrously overweight. He dreams of becoming the next J.R.R. Tolkien and he keeps falling hopelessly in love. Poor Oscar may never get what he wants, thanks to the Fukú - the curse that has haunted his family for generations. With dazzling energy and insight Díaz immerses us in the tumultuous lives of Oscar; his runaway sister Lola; their beautiful mother Belicia; and in the family's uproarious journey from the Dominican Republic to the US and back. Rendered with uncommon warmth and humour, The Brief Wondrous Life of Oscar Wao is a literary triumph, that confirms Junot Díaz as one of the most exciting writers of our time. |
| drown junot diaz: Junot Díaz and the Decolonial Imagination Monica Hanna, Jennifer Harford Vargas, José David Saldívar, 2015-12-17 The first sustained critical examination of the work of Dominican-American writer Junot Díaz, this interdisciplinary collection considers how Díaz's writing illuminates the world of Latino cultural expression and trans-American and diasporic literary history. Interested in conceptualizing Díaz's decolonial imagination and his radically re-envisioned world, the contributors show how his aesthetic and activist practice reflect a significant shift in American letters toward a hemispheric and planetary culture. They examine the intersections of race, Afro-Latinidad, gender, sexuality, disability, poverty, and power in Díaz's work. Essays in the volume explore issues of narration, language, and humor in The Brief Wondrous Life of Oscar Wao, the racialized constructions of gender and sexuality in Drown and This Is How You Lose Her, and the role of the zombie in the short story Monstro. Collectively, they situate Díaz’s writing in relation to American and Latin American literary practices and reveal the author’s activist investments. The volume concludes with Paula Moya's interview with Díaz. Contributors: Glenda R. Carpio, Arlene Dávila, Lyn Di Iorio, Junot Díaz, Monica Hanna, Jennifer Harford Vargas, Ylce Irizarry, Claudia Milian, Julie Avril Minich, Paula M. L. Moya, Sarah Quesada, José David Saldívar, Ramón Saldívar, Silvio Torres-Saillant, Deborah R. Vargas |
| drown junot diaz: The Cheater's Guide to Love Junot Diaz, 2019-10-17 |
| drown junot diaz: Islandborn Junot Díaz, 2018-03-13 From New York Times bestseller and Pulitzer Prize winner Junot Díaz comes a debut picture book about the magic of memory and the infinite power of the imagination. A 2019 Pura Belpré Honor Book for Illustration Every kid in Lola's school was from somewhere else. Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island—she left when she was just a baby. But with the help of her family and friends, and their memories—joyous, fantastical, heartbreaking, and frightening—Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: “Just because you don't remember a place doesn't mean it's not in you.” Gloriously illustrated and lyrically written, Islandborn is a celebration of creativity, diversity, and our imagination's boundless ability to connect us—to our families, to our past and to ourselves. |
| drown junot diaz: Rediscovering Frank Yerby Matthew Teutsch, 2020-04-20 Contributions by Catherine L. Adams, Stephanie Brown, Gene Andrew Jarrett, John Wharton Lowe, Guirdex Massé, Anderson Rouse, Matthew Teutsch, Donna-lyn Washington, and Veronica T. Watson Rediscovering Frank Yerby: Critical Essays is the first book-length study of Yerby’s life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion. The contributors to this collection work to rectify the misunderstandings of Yerby’s work that have relegated him to the sidelines and, ultimately, begin a reexamination of the importance of “the prince of pulpsters” in American literature. It was Robert Bone, in The Negro Novel in America, who infamously dismissed Frank Yerby (1916–1991) as “the prince of pulpsters.” Like Bone, many literary critics at the time criticized Yerby’s lack of focus on race and the stereotypical treatment of African American characters in his books. This negative labeling continued to stick to Yerby even as he gained critical success, first with The Foxes of Harrow, the first novel by an African American to sell more than a million copies, and later as he began to publish more political works like Speak Now and The Dahomean. However, the literary community cannot continue to ignore Frank Yerby and his impact on American literature. More than a fiction writer, Yerby should be put in conversation with such contemporaneous writers as Richard Wright, Dorothy West, James Baldwin, William Faulkner, Margaret Mitchell, and more. |
| drown junot diaz: Of Love and Dust Ernest J. Gaines, 2012-10-24 This is the story of Marcus: bonded out of jail where he has been awaiting trial for murder, he is sent to the Hebert plantation to work in the fields. There he encounters conflict with the overseer, Sidney Bonbon, and a tale of revenge, lust and power plays out between Marcus, Bonbon, BonBon's mistress Pauline, and BonBon's wife Louise. |
| drown junot diaz: The Best American Short Stories 2016 Junot Díaz, Heidi Pitlor, 2016 Award-winning and best-selling author Junot Díaz guest edits this year's The Best American Short Stories, the premier annual showcase for the country's finest short fiction. |
| drown junot diaz: Global Dystopias Junot Diaz, 2017-10-27 Stories, essays, and interviews explore dystopias that may offer lessons for the present. As the recent success of Margaret Atwood's novel-turned-television hit Handmaid's Tale shows us, dystopia is more than minatory fantasy; it offers a critical lens upon the present. “It is not only a kind of vocabulary and idiom,” says bestselling author and volume editor Junot Diaz. “It is a useful arena in which to begin to think about who we are becoming.” Bringing together some of the most prominent writers of science fiction and introducing fresh talent, this collection of stories, essays, and interviews explores global dystopias in apocalyptic landscapes and tech futures, in robot sentience and forever war. Global Dystopias engages the familiar horrors of George Orwell's 1984 alongside new work by China Miéville, Tananarive Due, and Maria Dahvana Headley. In “Don't Press Charges, and I Won't Sue,” award-winning writer Charlie Jane Anders uses popularized stigmas toward transgender people to create a not-so-distant future in which conversion therapy is not only normalized, but funded by the government. Henry Farrell surveys the work of dystopian forebear Philip K. Dick and argues that distinctions between the present and the possible future aren't always that clear. Contributors also include Margaret Atwood and award-winning speculative writer, Nalo Hopkinson. In the era of Trump, resurgent populism, and climate denial, this collection poses vital questions about politics and civic responsibility and subjectivity itself. If we have, as Díaz says, reached peak dystopia, then Global Dystopias might just be the handbook we need to survive it. Contributors Charlie Jane Anders, Margaret Atwood, Adrienne Bernhard, Mark Bould, Thea Costantino, Tananarive Due, Henry Farrell, JR Fenn, Maria Dahvana Headley, Nalo Hopkinson, Mike McClelland, Maureen McHugh, China Miéville, Jordy Rosenberg, Peter Ross, Sumudu Samarwickrama |
| drown junot diaz: Multitudes Lucy Caldwell, 2016-05-03 'Beautifully crafted, and so finely balanced that she holds the reader right up against the tender humanity of her characters.' Eimear McBride'A writer of rare elegance and beauty, Caldwell doesn't just get inside her characters' minds. She perches in the precarious chambers of their hearts, telling their stories truthfully and tenderly.' IndependentMultitudes is the beautiful debut story collection from the acclaimed, prize-winning novelist and playwright Lucy CaldwellFrom Belfast to London and back again the ten stories that comprise Caldwell's first collection explore the many facets of growing up - the pain and the heartache, the tenderness and the joy, the fleeting and the formative - or 'the drunkenness of things being various'. Stories of longing and belonging, they culminate with the heart-wrenching and unforgettable title story. |
| drown junot diaz: Upstairs at the Strand: Writers in Conversation at the Legendary Bookstore Jessica Strand, Andrea Aguilar, 2016-03-21 Revelatory conversations between renowned writers at New York City’s legendary bookstore. For nearly ninety years, the Strand Book Store has been a New York institution, a legendary mecca for readers throughout the five boroughs, across the country, and around the world. Featuring freewheeling and behind-the-scenes conversations between renowned novelists, playwrights, and poets on how they work, think, and live, Upstairs at the Strand captures the happy collision of books and ideas in the Strand's famed reading series in its Rare Book Room. Upstairs at the Strand is indispensable for aspiring writers, readers of contemporary literature, and devoted fans of the 18 Miles of Books at the Strand Book Store. Contributors include: Renata Adler • Edward Albee • Hilton Als • Paul Auster • Blake Bailey • Alison Bechdel • Tina Chang • Junot Díaz • Deborah Eisenberg • Rivka Galchen • A. M. Holmes • Hari Kunzru • Rachel Kushner • Wendy Lesser • D. T. Max • Leigh Newman • Téa Obreht • Robert Pinsky • Katie Roiphe • George Saunders • David Shields • Charles Simic • Tracy K. Smith • Mark Strand • and Charles Wright. |
| drown junot diaz: Best African American Fiction Walter Dean Myers, Mat Johnson, Junot Díaz, 2009-01-13 Introducing the first volume in an exciting new annual anthology featuring the year’s most outstanding fiction by some of today’s finest African American writers. From stories that depict black life in times gone by to those that address contemporary issues, this inaugural volume gathers the very best recent African American fiction. Created during a period of electrifying political dialogue and cultural, social, and economic change that is sure to captivate the imaginations of writers and readers for years to come, these short stories and novel excerpts explore a rich variety of subjects. But most of all, they represent exceptional artistry. Here you’ll find work by both established names and up-and-comers, ranging from Walter Dean Myers to Chimamanda Ngozi Adichie, Mat Johnson, and Junot Díaz. They write about subjects as diverse as the complexities of black middle-class life and the challenges of interracial relationships, a modern-day lynching in the South and a young musician’s coming-of-age during the Harlem Renaissance. What unites these stories, whether set in suburbia, in eighteenth-century New York City, or on a Caribbean island that is supposed to be “brown skin paradise,” is their creators’ passionate engagement with matters of the human heart. Masterful and engaging, this first volume of Best African American Fiction features stories you’ll want to savor, share, and return to again and again. Please click the Behind the Book link for contributor’s bios. |
| drown junot diaz: The Dirty Girls Social Club Alisa Valdes-Rodriguez, 2007-04-01 Alisa Valdés-Rodríguez's vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love. Las sucias are: --Lauren, the resident caliente columnist for the local paper, which advertises her work with the line her casa is su casa, Boston, but whose own home life has recently involved hiding in her boyfriend's closet to catch him in the act --Sara, the perfect wife and mother who always knew exactly the life she wanted and got it, right down to the McMansion in the suburbs and two boisterious boys, but who is paying a hefty price --Amber, the most idealistic and artistic member of the club, who was raised a valley girl without a word of Spanish and whose increasing attachment to her Mexica roots coincides with a major record label's interest in her rock 'n' roll --Elizabeth, the stunning black Latina whose high profile job as a morning television anchor conflicts with her intensely private personal life, which would explain why the dates the other dirty girls set her up on never work out --Rebecca, intense and highly controlled, who flawlessly runs Ella, the magazine she created for Latinas, but who can't explain why she didn't understand the man she married and now doesn't even share a room with; and --Usnavys, irrepressible and larger than life, whose agenda to land the kind of man who can keep her in Manolo Blahniks and platanos almost prevents her seeing true love when it lands in her lap. There's a lot of catching up to do. |
| drown junot diaz: Self Yann Martel, 2012-10-23 A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight. |
| drown junot diaz: Intoxicated by My Illness Anatole Broyard, 1993-06-01 Anatole Broyard, long-time book critic, book review editor, and essayist for the New York Times, wants to be remembered. He will be, with this collection of irreverent, humorous essays he wrote concerning the ordeals of life and death—many of which were written during the battle with cancer that led to his death in 1990. A New York Times Notable Book of the Year “A heartbreakingly eloquent and unsentimental meditation on mortality . . . Some writing is so rich and well-spoken that commentary is superfluous, even presumptuous. . . . Read this book, and celebrate a cultured spirit made fine, it seems, by the coldest of touches.”—Los Angeles Times “Succeeds brilliantly . . . Anatole Broyard has joined his father but not before leaving behind a legacy rich in wisdom about the written word and the human condition. He has died. But he lives as a writer and we are the wealthier for it.”—The Washington Post Book World “A virtuoso performance . . . The central essays of Intoxicated By My Illness were written during the last fourteen months of Broyard’s life. They are held in a gracious setting of his previous writings on death in life and literature, including a fictionalized account of his own father’s dying of cancer. The title refers to his reaction to the knowledge that he had a life-threatening illness. His literary sensibility was ignited, his mind flooded with image and metaphor, and he decided to employ these intuitive gifts to light his way into the darkness of his disease and its treatment. . . . Many other people have chronicled their last months . . . Few are as vivid as Broyard, who brilliantly surveys a variety of books on illness and death along the way as he draws us into his writer’s imagination, set free now by what he describes as the deadline of life. . . . [A] remarkable book, a lively man of dense intelligence and flashing wit who lets go and yet at the same time comtains himself in the style through which he remains alive.”—The New York Times Book Review “Despite much pain, Anatole Broyard continued to write until the final days of his life. He used his writing to rage, in the words of Dylan Thomas, against the dying of the light. . . . Shocking, no-holds-barred and utterly exquisite.”—The Baltimore Sun |
| drown junot diaz: What Work Is Philip Levine, 2011-08-31 Winner of the National Book Award in 1991 “This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal |
| drown junot diaz: Dominicana Angie Cruz, 2019-09-03 A GOOD MORNING AMERICA BOOK CLUB PICK Shortlisted for the 2020 Women's Prize for Fiction “Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed.” —Jacqueline Woodson, Vanity Fair “Gorgeous writing, gorgeous story.” —Sandra Cisneros Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by Cesar, Juan’s free-spirited younger brother, who convinces her to stay. As the Dominican Republic slides into political turmoil, Juan returns to protect his family’s assets, leaving Cesar to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, see a movie at Radio City Music Hall, go dancing with Cesar, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family. In bright, musical prose that reflects the energy of New York City, Angie Cruz's Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world. |
| drown junot diaz: Approaches to Teaching the Novels of Toni Morrison Nellie Y. McKay, Kathryn Earle, 1997 Teachers started assigning the novels of Toni Morrison long before she won the 1993 Nobel Prize in literature and before there was a significant body of secondary literature on the author. Now her works are the subject of countless studies and listed in the syllabi of an ever-increasing number of courses in schools and universities. The editors of this volume help the teacher to sort out the best materials and to meet the many challenges that Morrison's writings pose. |
| drown junot diaz: Krik? Krak! Edwidge Danticat, 2004-01-01 Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer. Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, Children of the Sea, as those in this world whose names don't matter to anyone but themselves. The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in A Wall of Fire Rising, who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, Epilogue: Women Like Us, she writes: Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more. The stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense (we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast). Spare, elegant and moving, these stories cohere into a superb collection. |
| drown junot diaz: Oxford Bibliographies Ilan Stavans, An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline.--Editorial page. |
| drown junot diaz: Passing Nella Larsen, 2022 Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926. |
| drown junot diaz: Shakespeare's Kitchen Lore Segal, 2008-04-29 The thirteen interrelated stories of Shakespeare's Kitchen concern the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them. Featuring six never-before-published pieces, Lore Segal's stunning new book evolved from seven short stories that originally appeared in the New Yorker (including the O. Henry Prize–;winning “The Reverse Bug”). Ilka Weisz has accepted a teaching position at the Concordance Institute, a think tank in Connecticut, reluctantly leaving her New York circle of friends. After the comedy of her struggle to meet new people, Ilka comes to embrace, and be embraced by, a new set of acquaintances, including the institute's director, Leslie Shakespeare, and his wife, Eliza. Through a series of memorable dinner parties, picnics, and Sunday brunches, Segal evokes the subtle drama and humor of the outsider's loneliness, the comfort and charm of familiar companionship, the bliss of being in love, and the strangeness of our behavior in the face of other people's deaths. A magnificent and deeply moving work, Shakespeare's Kitchen marks the long-awaited return of a writer at the height of her powers. |
| drown junot diaz: Dance Between Two Cultures William Luis, 2001 Offers insights on Latino Caribbean writers born or raised in the United States who are at the vanguard of a literary movement that has captured both critical and popular interest. In this groundbreaking study, William Luis analyzes the most salient and representative narrative and poetic works of the newest literary movement to emerge in Spanish American and U.S. literatures. The book is divided into three sections, each focused on representative Puerto Rican American, Cuban American, and Dominican American authors. Luis traces the writers' origins and influences from the nineteenth century to the present, focusing especially on the contemporary works of Oscar Hijuelos, Julia Alvarez, Cristina Garcia, and Piri Thomas, among others. While engaging in close readings of the texts, Luis places them in a broader social, historical, political, and racial perspective to expose the tension between text and context. As a group, Latino Caribbeans write an ethnic literature in English that is born of their struggle to forge an identity separate from both the influences of their parents' culture and those of the United States. For these writers, their parents' country of origin is a distant memory. They have developed a culture of resistance and a language that mediates between their parents' identity and the culture that they themselves live in. Latino Caribbeans are engaged in a metaphorical dance with Anglo Americans as the dominant culture. Just as that dance represents a coming together of separate influences to make a unique art form, so do both Hispanic and North American cultures combine to bring a new literature into being. This new body of literature helps us to understand not only the adjustments Latino Caribbean cultures have had to make within the larger U.S. environment but also how the dominant culture has been affected by their presence. |
| drown junot diaz: Thirteen Ways of Looking Colum McCann, 2015-10-13 NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY CHICAGO TRIBUNE AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Los Angeles Times • The Boston Globe • The Seattle Times • The Independent In such acclaimed novels as Let the Great World Spin and TransAtlantic, National Book Award–winning author Colum McCann has transfixed readers with his precision, tenderness, and authority. Now, in his first collection of short fiction in more than a decade, McCann charts the territory of chance, and the profound and intimate consequences of even our smallest moments. “As it was, it was like being set down in the best of poems, carried into a cold landscape, blindfolded, turned around, unblindfolded, forced, then, to invent new ways of seeing.” In the exuberant title novella, a retired judge reflects on his life’s work, unaware as he goes about his daily routines that this particular morning will be his last. In “Sh’khol,” a mother spending Christmas alone with her son confronts the unthinkable when he disappears while swimming off the coast near their home in Ireland. In “Treaty,” an elderly nun catches a snippet of a news report in which it is revealed that the man who once kidnapped and brutalized her is alive, masquerading as an agent of peace. And in “What Time Is It Now, Where You Are?” a writer constructs a story about a Marine in Afghanistan calling home on New Year’s Eve. Deeply personal, subtly subversive, at times harrowing, and indeed funny, yet also full of comfort, Thirteen Ways of Looking is a striking achievement. With unsurpassed empathy for his characters and their inner lives, Colum McCann forges from their stories a profound tribute to our search for meaning and grace. The collection is a rumination on the power of storytelling in a world where language and memory can sometimes falter, but in the end do not fail us, and a contemplation of the healing power of literature. Praise for Thirteen Ways of Looking “Extraordinary . . . incandescent.”—Chicago Tribune “The irreducible mystery of human experience ties this small collection together, and in each of these stories McCann explores that theme in some strikingly effective ways. . . . [The first story] is as fascinating as it is poignant. . . . [The second] captures the mundane and mysterious aspects of shaping characters from the gray clay of words, placing them in realistic settings and breathing life into their lungs. . . . That he makes the story so emotionally compelling is a sign of his genius. . . . The most remarkable [piece] is Sh’khol. . . . Caught in the rushing currents of this drama, you know you’re reading a little masterpiece.”—The Washington Post “McCann is a writer of power and subtlety and beauty. . . . The powerful title story loiters in the mind long after you’ve read it.”—Sarah Lyall, The New York Times “[McCann] unspools complex and unforgettable stories in this, his first collection in more than a decade.”—The Boston Globe “McCann is a passionate writer whose impulse is always toward a generous understanding of his diverse characters.”—The Wall Street Journal “Powerful, profound, and deeply empathetic, McCann’s beautifully wrought writing in Thirteen Ways of Looking glides off the page.”—BuzzFeed “McCann weaves the magic that made Let the Great World Spin so acclaimed.”—The Huffington Post |
| drown junot diaz: Senselessness Horacio Castellanos Moya, 2008-05-17 A Rainmaker Translation Grant Winner from the Black Mountain Institute: Senselessness, acclaimed Salvadoran author Horacio Castallanos Moya's astounding debut in English, explores horror with hilarity and electrifying panache. A boozing, sex-obsessed writer finds himself employed by the Catholic Church (an institution he loathes) to proofread a 1,100 page report on the army's massacre and torture of thousands of indigenous villagers a decade earlier, including the testimonies of the survivors. The writer's job is to tidy it up: he rants, that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger. Mesmerized by the strange Vallejo-like poetry of the Indians' phrases (the houses they were sad because no people were inside them), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country. |
| drown junot diaz: The Secret Book of Frida Kahlo F. G. Haghenbeck, 2012-09-25 One of Mexico’s most celebrated new novelists, F. G. Haghenbeck offers a beautifully written reimagining of Frida Kahlo’s fascinating life and loves. When several notebooks were recently discovered among Frida Kahlo’s belongings at her home in Coyoacán, Mexico City, acclaimed Mexican novelist F. G. Haghenbeck was inspired to write this beautifully wrought fictional account of her life. Haghenbeck imagines that, after Frida nearly died when a streetcar’s iron handrail pierced her abdomen during a traffic accident, she received one of the notebooks as a gift from her lover Tina Modotti. Frida called the notebook “The Hierba Santa Book” (The Sacred Herbs Book) and filled it with memories, ideas, and recipes. Haghenbeck takes readers on a magical ride through Frida’s passionate life: her long and tumultuous relationship with Diego Rivera, the development of her art, her complex personality, her hunger for experience, and her ardent feminism. This stunning narrative also details her remarkable relationships with Georgia O’Keeffe, Leon Trotsky, Nelson Rockefeller, Ernest Hemingway, John Dos Passos, Henry Miller, and Salvador Dalí. Combining rich, luscious prose with recipes from “The Hierba Santa Book,” Haghenbeck tells the extraordinary story of a woman whose life was as stunning a creation as her art. |
| drown junot diaz: Midair Frank Conroy, 1986 A long-awaited collection of stories from the author of Stop-time. |
| drown junot diaz: The Tiger in the House Jacqueline Sheehan, 2017-02-28 The case of a lost little girl forces a child services worker to confront her own past in the New York Times bestselling author’s “compelling page-turner” (Publishers Weekly). Though she loves her job at Portland, Maine’s child services agency, Delia Lamont is feeling burned out. In fact, it’s gotten bad enough that she’s ready to leave the job and start a seaside bakery with her sister. But then a call comes in: a five-year-old girl has been found at the side of the road. The girl reveals that her first name is Hayley, but little more. The only clues to her family lead to a shadowy web of danger that reaches unsettlingly close to Delia’s own life. As she seeks to discover where Hayley belongs, Delia is forced to reexamine her own painful history. With no guide but her own flawed instincts, Delia must decide how deeply she can afford to venture into Hayley’s case as it threatens to lead her into dark corners of her own soul. “The Tiger in the House is teeming with excitement and heart-stirring emotion. A natural storyteller, Sheehan will draw you in with her finely crafted characters and hold you tight until the very end.” —Heather Gudenkauf |
| drown junot diaz: What We Lose Zinzi Clemmons, 2017-07-11 A National Book Foundation 5 Under 35 Honoree NBCC John Leonard First Book Prize Finalist Aspen Words Literary Prize Finalist Named a Best Book of the Year by Vogue, NPR, Elle, Esquire, Buzzfeed, San Francisco Chronicle, Cosmopolitan, The Huffington Post, The A.V. Club, The Root, Harper’s Bazaar, Paste, Bustle, Kirkus Reviews, Electric Literature, LitHub, New York Post, Los Angeles Review of Books, and Bust “The debut novel of the year.” —Vogue “Like so many stories of the black diaspora, What We Lose is an examination of haunting.” —Doreen St. Félix, The New Yorker “Raw and ravishing, this novel pulses with vulnerability and shimmering anger.” —Nicole Dennis-Benn, O, the Oprah Magazine “Stunning. . . . Powerfully moving and beautifully wrought, What We Lose reflects on family, love, loss, race, womanhood, and the places we feel home.” —Buzzfeed “Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose. . . . The book is a remarkable journey.” —Essence From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction. |
| drown junot diaz: Forever Beach Shelley Noble, 2016-06-07 From the New York Times bestselling author of Beach Colors and Breakwater Bay comes this heartwarming story of love, family, and redemption. Two young girls pledged to be best friends forever. Separated by circumstance and hurt, they are reunited years later as they struggle to put their differences aside for the sake of a special little girl—perfect for fans of Kristin Hannah, Elin Hilderbrand, and Karen White. One woman struggling to hold on to what she has, One woman learning to forgive Their lives entwined by one little girl. Sarah Hargreave is anxious to finalize the adoption of her foster daughter Leila. Once a foster child herself, Sarah longs to become Leila’s “forever” family and give her all the love and stability she was denied in her own childhood. When Leila’s biological mother suddenly reappears and petitions the court for the return of her daughter, Sarah is terrified she’ll lose the little girl she loves to the drug addicted mother who abandoned her. Having grown up in foster care, Ilona Cartwright fights for the rights of children who have no one to fight for them. But to Sarah she is Nonie Blanchard, who grew up in the same group foster home as Sarah. They’d promised to be best friends forever, then Nonie was adopted by a wealthy family, and Sarah never heard from her again. Sarah still hurts from the betrayal. But Nonie harbors her own resentment toward the past. Mistrustful of each other, the two women form a tenuous alliance to ensure Leila’s future, but when Leila’s very survival is on the line, they’ll have to come to terms with their own feelings of hurt and rejection to save the child they both have come to love. |
| drown junot diaz: My Wicked Wicked Ways Sandra Cisneros, 2015-04-28 In this beautiful collection of poems, remarkable for their plainspoken radiance, the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature embraces her first passion-verse. With lines both comic and sad, Sandra Cisneros deftly-and dazzlingly-explores the human experience. For those familiar with Cisneros only from her acclaimed fiction, My Wicked Wicked Ways presents her in an entirely new light. And for readers everywhere, here is a showcase of one of our most powerful writers at her lyrical best. “Here the young voice of Esperanza of The House on Mango Street merges with that of the grown woman/poet. My Wicked Wicked Ways is a kind of international graffiti, where the poet—bold and insistent—puts her mark on those traveled places on the map and in the heart.” —Cherríe Moraga |
| drown junot diaz: Pandemic Performance Kendra Capece, Patrick Scorese, 2021-11-30 Pandemic Performance chronicles the many ways that people are surviving/thriving through performance in a global pandemic. Covering artists and events from across the United States: from New York to California and from South Dakota to Texas, the chapters are equal parts theory and practice, weaving scholarship with personal experience from contributors who are interdisciplinary artists, scholars, journalists, and community organizers providing unique and invaluable perspectives on the complicated work of resilience during COVID-19. This study will hold interest for students and scholars in the performing arts, arts, and social justice as well as professional artmakers and creative community organizers. |
| drown junot diaz: The Last Days of Disco Whit Stillman, 2000 During the last days of the disco era, in the early 1980s, a popular dance club becomes the center of nightlife for a group of not-quite innocent young people new to Manhattan. |
| drown junot diaz: Performing Texts Michael Issacharoff, Robin F. Jones, 2016-11-11 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
| drown junot diaz: Lunch with Lenin and Other Stories Deborah Ellis, 2008 A collection of short stories that explore the lives of teenagers affected directly or indirectly by drugs. |
| drown junot diaz: A SECRET SORROW Karen Van Der Zee, Masako Ogimaru, 2015-04-13 After her nightmarish recovery from a serious car accident, Faye gets horrible news from her doctor, and it hits her hard like a rock: she can’t bear children. In extreme shock, she breaks off her engagement, leaves her job and confines herself in her family home. One day, she meets her brother’s best friend , and her soul makes a first step to healing. |
| drown junot diaz: What's Wrong with Homosexuality? John Corvino, 2013-02-01 For the last twenty years, John Corvino--widely known as the author of the weekly column The Gay Moralist--has traversed the country responding to moral and religious arguments against same-sex relationships. In this timely book, he shares that experience--addressing the standard objections to homosexuality and offering insight into the culture wars more generally. Is homosexuality unnatural? Does the Bible condemn it? Are people born gay (and should it matter either way)? Corvino approaches such questions with precision, sensitivity, and good humor. In the process, he makes a fresh case for moral engagement, forcefully rejecting the idea that morality is a private matter. This book appears at a time when same-sex marriage is being hotly debated across the U.S. Many people object to such marriage on the grounds that same-sex relationships are immoral, or at least, that they do not deserve the same social recognition as heterosexual relationships. Unfortunately, the traditional rhetoric of gay-rights advocates--which emphasizes privacy and tolerance--fails to meet this objection. Legally speaking, when it comes to marriage, tolerance might be enough, Corvino concedes, but socially speaking, marriage requires more. Marriage is more than just a relationship between two individuals, recognized by the state. It is also a relationship between those individuals and a larger community. The fight for same-sex marriage, ultimately, is a fight for full inclusion in the moral fabric. What is needed is a positive case for moral approval--which is what Corvino unabashedly offers here. Corvino blends a philosopher's precision with a light touch that is full of humanity and wit. This volume captures the voice of one of the most rational participants in a national debate noted for generating more heat than light. |
DROWN Definition & Meaning - Merriam-Webster
The meaning of DROWN is to become drowned. How to use drown in a sentence.
DROWN | English meaning - Cambridge Dictionary
DROWN definition: 1. to die by being unable to breathe underwater, or to cause a person or animal to die like this…. Learn more.
DROWN Definition & Meaning - Dictionary.com
to die under water or other liquid of suffocation. to kill by submerging under water or other liquid. He drowned his sorrows in drink. to flood or inundate. to overwhelm so as to render inaudible, …
DROWN definition and meaning | Collins English Dictionary
When someone drowns or is drowned, they die because they have gone or been pushed under water and cannot breathe. Forty-eight people have drowned after their boat capsized during a …
drown verb - Definition, pictures, pronunciation and usage notes ...
Definition of drown verb from the Oxford Advanced American Dictionary. [intransitive, transitive] to die because you have been underwater too long and you cannot breathe; to kill someone in …
What does drown mean? - Definitions.net
To deprive of life by immersion in water or other liquid. To overwhelm in water; to submerge; to inundate. Etymology: Origin uncertain. 1. To suffocate in water. They would soon drown those …
Drown - definition of drown by The Free Dictionary
1. to die of suffocation under water or other liquid. 2. to kill by submerging under water or other liquid. 3. to destroy or get rid of by immersion: to drown one's troubles in drink. 4. to flood or …
drown - Wiktionary, the free dictionary
May 14, 2025 · drown (third-person singular simple present drowns, present participle drowning, simple past and past participle drowned) (intransitive) To die from suffocation while immersed …
Drown - Definition, Meaning & Synonyms | Vocabulary.com
The verb drown means to die from inhaling water into the lungs and being unable to breathe. It is possible to drown in even a small amount of water, so it's important to learn proper water safety.
Drown - Definition, Meaning, Synonyms & Etymology - Better Words
To die by suffocating underwater or in another liquid. "He tried to drown the noise with his earphones." It involves the inhalation of a fluid, typically water, into the lungs, which interferes …
DROWN Definition & Meaning - Merriam-Webster
The meaning of DROWN is to become drowned. How to use drown in a sentence.
DROWN | English meaning - Cambridge Dictionary
DROWN definition: 1. to die by being unable to breathe underwater, or to cause a person or animal to die like this…. Learn more.
DROWN Definition & Meaning - Dictionary.com
to die under water or other liquid of suffocation. to kill by submerging under water or other liquid. He drowned his sorrows in drink. to flood or inundate. to overwhelm so as to render inaudible, …
DROWN definition and meaning | Collins English Dictionary
When someone drowns or is drowned, they die because they have gone or been pushed under water and cannot breathe. Forty-eight people have drowned after their boat capsized during a …
drown verb - Definition, pictures, pronunciation and usage notes ...
Definition of drown verb from the Oxford Advanced American Dictionary. [intransitive, transitive] to die because you have been underwater too long and you cannot breathe; to kill someone in …
What does drown mean? - Definitions.net
To deprive of life by immersion in water or other liquid. To overwhelm in water; to submerge; to inundate. Etymology: Origin uncertain. 1. To suffocate in water. They would soon drown those …
Drown - definition of drown by The Free Dictionary
1. to die of suffocation under water or other liquid. 2. to kill by submerging under water or other liquid. 3. to destroy or get rid of by immersion: to drown one's troubles in drink. 4. to flood or …
drown - Wiktionary, the free dictionary
May 14, 2025 · drown (third-person singular simple present drowns, present participle drowning, simple past and past participle drowned) (intransitive) To die from suffocation while immersed …
Drown - Definition, Meaning & Synonyms | Vocabulary.com
The verb drown means to die from inhaling water into the lungs and being unable to breathe. It is possible to drown in even a small amount of water, so it's important to learn proper water safety.
Drown - Definition, Meaning, Synonyms & Etymology - Better …
To die by suffocating underwater or in another liquid. "He tried to drown the noise with his earphones." It involves the inhalation of a fluid, typically water, into the lungs, which interferes …
