Advertisement
| do the right thing spike lee: Do the Right Thing Spike Lee, Lisa Jones, 1989 The phenomenon of Spike Lee continues with this revealing and engaging look at his outstanding career, his creative process, and the screenplay for his dynamic movie Do The Right Thing. Spike Lee burst full formed into the screen world with his award-winning, commercially successful independent film She's Gotta Have It. In the few short years following this stellar debut he has established himself as a force to be reckoned with in the film industry and in American popular culture. This book reveals Spike Lee as a Hollywood iconoclast and gifted visionary and takes us though the dramatic sequence of events that brought the movie Do The Right Thing to fruition. It is a testimonial to his developing genius, written in the stingingly funny and informed language of Spike Lee. |
| do the right thing spike lee: Spike Lee's Do the Right Thing Mark A. Reid, 1997-05-13 A collection of essays on Spike Lee's Do the Right Thing. |
| do the right thing spike lee: Do the Right Thing Ed Guerrero, 2020-05-28 Spike Lee's Do The Right Thing (1989) is one of the most popular and celebrated examples of the African-American new black film wave. Set during the hottest day of a hot summer in New York City, the film's ensemble cast, including Lee himself, brilliantly play out the edgy negotiations and dramas of a racially and culturally diverse working-class Brooklyn neighborhood. Contrary to Hollywood's markedly cautious treatment of 'race' and its confinement to the South and the past, Do The Right Thing offers a nuanced portrayal of black urban life.From hip-hop fashions, Afrocentric colors and rap music, to police brutality, gentrification, non-white immigration, de-industrialization and joblessness, Do The Right Thing depicts it all, from a contemporary, African-American point of view. In his insightful study of the film, Ed Guerrero discusses how it epitomizes Spike Lee's powerful impact on the representation of race and difference in America, the progress of black film-making and the rise of multicultural voices in the media. This new edition includes a foreword by the author reflecting on Lee's subsequent film-making career and on an America in which African-Americans still contend with racial discrimination and police brutality. Guerrero emphasizes Lee's especially timely understanding of black film-making as a complex act, mixing the skills of art, politics, and business in order to fashion a creative practice that confronts institutional discrimination and power relations head on. |
| do the right thing spike lee: Do the Right Thing Ed Guerrero, 2020-05-14 Spike Lee's Do The Right Thing (1989) is one of the most popular and celebrated examples of the African-American new black film wave. Set during the hottest day of a hot summer in New York City, the film's ensemble cast, including Lee himself, brilliantly play out the edgy negotiations and dramas of a racially and culturally diverse working-class Brooklyn neighborhood. Contrary to Hollywood's markedly cautious treatment of 'race' and its confinement to the South and the past, Do The Right Thing offers a nuanced portrayal of black urban life.From hip-hop fashions, Afrocentric colors and rap music, to police brutality, gentrification, non-white immigration, de-industrialization and joblessness, Do The Right Thing depicts it all, from a contemporary, African-American point of view. In his insightful study of the film, Ed Guerrero discusses how it epitomizes Spike Lee's powerful impact on the representation of race and difference in America, the progress of black film-making and the rise of multicultural voices in the media. This new edition includes a foreword by the author reflecting on Lee's subsequent film-making career and on an America in which African-Americans still contend with racial discrimination and police brutality. Guerrero emphasizes Lee's especially timely understanding of black film-making as a complex act, mixing the skills of art, politics, and business in order to fashion a creative practice that confronts institutional discrimination and power relations head on. |
| do the right thing spike lee: Spike Lee Spike Lee, 2002 Since his first feature movie, She's Gotta Have It (1986), gave him critical and commercial success, Spike Lee has challenged audiences with one controversial film after another. Lee has made a broad range of movies, including documentaries (4 Little Girls), musicals (School Daze), crime dramas (Clockers), biopics (Malcolm X). |
| do the right thing spike lee: Closely Watched Films Marilyn Fabe, 2014-10-14 Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch--Page [4] of cover. |
| do the right thing spike lee: Spike Lee, Do the Right Thing Spike Lee, Jason Matloff, 2010 An unprecedented insider's look at one of cinema's landmark works and the lasting effect it still has on our culture, this oral and visual history of Do the Right Thing--celebrating the movie's 20th anniversary--is told entirely by those who starred in and worked on the film. |
| do the right thing spike lee: Do the Right Thing Stuart Jonathan Russell, Eric Wefald, 1991 Like Mooki, the hero of Spike Lee's film Do the Right Thing artificially, intelligent systems have a hard time knowing what to do in all circumstances. Classical theories of perfect rationality prescribe the right thing for any occasion, but no finite agent can compute their prescriptions fast enough. In Do the Right Thing, the authors argue that a new theoretical foundation for artificial intelligence can be constructed in which rationality is a property of programs within a finite architecture, and their behaviour over time in the task environment, rather than a property of individual decisions. |
| do the right thing spike lee: Better Living Through Criticism A. O. Scott, 2017-02-07 The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. The time for criticism is always now, Scott explains, because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away. |
| do the right thing spike lee: Spike Spike Lee, 2021-11-10 This career-spanning monograph is a visual celebration of Spike Lee's life and career to date. Featuring hundreds of never-before-seen photographs by David Lee, Spike's brother, this book includes behind-the-scenes, insider images that underscore his creative process, and his significant impact on the culture at large. Print run 15,000. |
| do the right thing spike lee: Spike Lee Todd McGowan, 2014-02-15 Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film. In this first single-author scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from She's Gotta Have It through Red Hook Summer, address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner. McGowan argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art. McGowan contends that it is impossible to watch a Spike Lee film in the way that one watches a typical Hollywood film. By forcing observers to recognize their unconscious enjoyment of violence, paranoia, racism, sexism, and oppression, Lee's films prod spectators to see differently and to confront their own excess. In the process, his films reveal what is at stake in desire, interpersonal relations, work, and artistic creation itself. |
| do the right thing spike lee: Philosophy, Black Film, Film Noir , 2008 Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies--Provided by publisher. |
| do the right thing spike lee: Please, Baby, Please Spike Lee, Tonya Lewis Lee, 2007-09-18 Go back to bed, baby, please, baby, please. Not on your HEAD, baby baby baby, please ... From moments fussy to fond, Academy Award-nominated filmmaker Spike Lee and his wife, producer Tonya Lewis Lee, present a behind-the-scenes look at the chills, spills, and unequivocal thrills of bringing up baby Vivid illustrations from celebrated artist Kadir Nelson evoke toddlerhood from sandbox to high chair to crib, and families everywhere will delight in sharing these exuberant moments again and again. |
| do the right thing spike lee: The Autobiography of Foudini M. Cat Susan Fromberg Schaeffer, 2011-08-24 I came into the world like everything else that is born, willy-nilly. So the wise old housecat Foudini begins the delightful story of his life. It is the tale of his orphaned kittenhood; of how he was rescued, cowering and spitting and hissing, from a damp city basement and lured into the lives of the couple he came to call Warm and Pest (All cats like to make up strange names for things ). It is the story of how Warm and Pest became his people (Human beings must be excellent mousers; they have such patience ); of how he learned to tolerate and then to love his dog, Sam; and of his adventures at Cold House in the city and Mouse House in the country (he prefers Mouse House, for obvious reasons). With feline equanimity, he tells how he was saved from a racing, swollen river; of how he lost the most unlikely and dearest friend he had; and of how he gained a cat family of his own. And he regales us with news of the ghost cats who visit him in his dreams--the cats of Cleopatra and Freud among them--bringing him their ancient cat wisdom, which Foudini tries, none too successfully at first, to impart to Grace, the sleek and beautiful gray country cat new to the household. As Foudini sees it, Grace is desperately in need of his guidance, but being young and willful, she has other things on her mind . . . Yet even Grace comes to understand that Foudini M. Cat is well worth listening to. Warm and witty--and possessed of a surprisingly sophisticated narrative manner--Foudini is a cat with truly irrepressible, and irresistible, feline flair. |
| do the right thing spike lee: Spike Lee Kaleem Aftab, Spike Lee, 2006-10-01 The provocative filmmaker describes his early achievements in the 1986 film, She's Gotta Have It, through his contributions to such movies as Do the Right Thing and Malcolm X, in a personal portrait complemented by numerous firsthand accounts that also discuss the role of race in his work and his relationships with famous stars. Reprint. |
| do the right thing spike lee: Uplift the Race Spike Lee, Lisa Jones, 1988 Spike Lee rises again. This time, he and Lisa Jones document his transition from struggling independent to mainstream filmmaker with the making of the Columbia Pictures film, School Daze. No longer working with a small cast and a painfully tight budget, Spike Lee and his crew find themselves working in a swirl of university politics, a cast of thousands, big musical production numbers and the not-insignificant pressures of coming up with a hit in the majors. He uplifts the race by demystifying the process of producing an entertaining commercial film that, at the same time, delivers a stinging - yet funny - critique on American culture. |
| do the right thing spike lee: The Stuff of Spectatorship Caetlin Benson-Allott, 2021-04-06 Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future. |
| do the right thing spike lee: Spike Lee's Gotta Have it Spike Lee, 1987 Including Spike Lee's advice on independent filmmaking, excerpts from the production journal Lee kept throughout the making of She's Gotta Have It, and much more, Spike Lee's Gotta Have It is a unique document in film literature. 30 black-and-white photographs. |
| do the right thing spike lee: The Spike Lee Enigma Bill Yousman, 2014-09-29 <I>The Spike Lee Enigma is an exploration of ideology and political economy in the films and career of one of America's most controversial filmmakers. Since the 1980s Spike Lee has created numerous films that are socially challenging, some would even say radical, while simultaneously maintaining a collaborative relationship with mainstream Hollywood and the global advertising industry. Lee, thus, seemingly represents an enigma - operating on the margins of both hegemonic and counter-hegemonic cultural production. <BR> This book incorporates multiple perspectives, ranging from media effects theories, critical cultural studies, and the political economy of media, to semiotics and ideological, auteurist, and feminist approaches to film theory and analysis. Early chapters provide a clear explanation of these theoretical and methodological approaches while later chapters explore several of Lee's films in great depth. In a social environment where popular culture has supplanted education and religion as a primary force of socialization and enculturation, this book demonstrates why a popular filmmaker such as Spike Lee must be taken seriously, while introducing readers to ways of viewing, reading, and listening that will allow them to achieve a new understanding of the mediated texts they encounter on a daily basis. |
| do the right thing spike lee: A List Jay Carr, 2008-08-05 People love movies. People love lists. So The A-List is a natural. While there are plenty of encyclopedic lists of films, this compulsively readable book of 100 essays -- most written expressly for this volume-flags the best of the best as chosen by a consensus of the National Society of Film Critics. The Society is a world-renowned, marquee -- name organization embracing some of America's most distinguished critics: more than forty writers who have national followings as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis. But make no mistake about it: This isn't a collection of esoteric critic's choice movies. The Society has made its selections based on a film's intrinsic merits, its role in the development of the motion-picture art, and its impact on culture and society. Some of the choices are controversial. So are some of the omissions. It will be a jumping-off point for discussions for years to come. And since the volume spans all international films from the very beginning, it will act as a balance to recent guides dominated by films of the last two decades (hardly film's golden age). Here is a book that is definitely ready for its close-up. |
| do the right thing spike lee: Thelma & Louise Marita Sturken, 2020-05-14 Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis. Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema. In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo. |
| do the right thing spike lee: Invisibility Blues Michele Wallace, 2016-11-08 First published in 1990, Michele Wallace’s Invisibility Blues is widely regarded as a landmark in the history of black feminism. Wallace’s considerations of the black experience in America include recollections of her early life in Harlem; a look at the continued underrepresentation of black voices in politics, media, and culture; and the legacy of such figures as Zora Neale Hurston, Toni Cade Bambara, Toni Morrison,and Alice Walker. Wallace addresses the tensions between race, gender, and society, bringing them into the open with a singular mix of literary virtuosity and scholarly rigor. Invisibility Blues challenges and informs with the plain-spoken truth that has made it an acknowledged classic. |
| do the right thing spike lee: FilmCraft: Editing Justin Chang, 2012-01-16 The value of the editor's craft to a finished film cannot be underestimated, and it's no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world's top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking-the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting. |
| do the right thing spike lee: We Share the Same Sky Rachael Cerrotti, 2021-08-17 In 2009, Rachael Cerrotti, a college student pursuing a career in photojournalism, asked her grandmother, Hana, if she could record her story. Rachael knew that her grandmother was a Holocaust survivor and the only one in her family alive at the end of the war. Rachael also knew that she survived because of the kindness of strangers. It wasn’t a secret. Hana spoke about her history publicly and regularly. But, Rachael wanted to document it as only a granddaughter could. So, that’s what they did: Hana talked and Rachael wrote. Upon Hana’s passing in 2010, Rachael discovered an incredible archive of her life. There were preserved albums and hundreds of photographs dating back to the 1920s. There were letters waiting to be translated, journals, diaries, deportation and immigration papers as well as creative writings from various stages of Hana’s life. Rachael digitized and organized it all, plucking it from the past and placing it into her present. Then, she began retracing her grandmother’s story, following her through Central Europe, Scandinavia, and across the United States. She tracked down the descendants of those who helped save her grandmother’s life during the war. Rachael went in pursuit of her grandmother’s memory to explore how the retelling of family stories becomes the history itself. We Share the Same Sky weaves together the stories of these two young women—Hana as a refugee who remains one step ahead of the Nazis at every turn, and Rachael, whose insatiable curiosity to touch the past guides her into the lives of countless strangers, bringing her love and tragic loss. Throughout the course of her twenties, Hana’s history becomes a guidebook for Rachael in how to live a life empowered by grief. |
| do the right thing spike lee: Hollywood Black Donald Bogle, Turner Classic Movies, 2019-05-07 The films, the stars, the filmmakers-all get their due in Hollywood Black, a sweeping overview of blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle. The story opens in the silent film era, when white actors in blackface often played black characters, but also saw the rise of independent African American filmmakers, including the remarkable Oscar Micheaux. It follows the changes in the film industry with the arrival of sound motion pictures and the Great Depression, when black performers such as Stepin Fetchit and Bill Bojangles Robinson began finding a place in Hollywood. More often than not, they were saddled with rigidly stereotyped roles, but some gifted performers, most notably Hattie McDaniel in Gone With the Wind (1939), were able to turn in significant performances. In the coming decades, more black talents would light up the screen. Dorothy Dandridge became the first African American to earn a Best Actress Oscar nomination for Carmen Jones (1954), and Sidney Poitier broke ground in films like The Defiant Ones and1963's Lilies of the Field. Hollywood Black reveals the changes in images that came about with the evolving social and political atmosphere of the US, from the Civil Rights era to the Black Power movement. The story takes readers through Blaxploitation, with movies like Shaft and Super Fly, to the emergence of such stars as Cicely Tyson, Richard Pryor, Eddie Murphy, and Whoopi Goldberg, and of directors Spike Lee and John Singleton. The history comes into the new millennium with filmmakers Barry Jenkins (Moonlight), Ava Du Vernay (Selma),and Ryan Coogler (Black Panther); megastars such as Denzel Washington, Will Smith, and Morgan Freeman; as well as Halle Berry, Angela Bassett, Viola Davis, and a glorious gallery of others. Filled with evocative photographs and stories of stars and filmmakers on set and off, Hollywood Black tells an underappreciated history as it's never before been told. |
| do the right thing spike lee: The Bowery Boys Greg Young, Tom Meyers, 2016-06-21 Uncover fascinating, little-known histories of the five boroughs in The Bowery Boys’ official companion to their popular, award-winning podcast. It was 2007. Sitting at a kitchen table and speaking into an old karaoke microphone, Greg Young and Tom Meyers recorded their first podcast. They weren’t history professors or voice actors. They were just two guys living in the Bowery and possessing an unquenchable thirst for the fascinating stories from New York City’s past. Nearly 200 episodes later, The Bowery Boys podcast is a phenomenon, thrilling audiences each month with one amazing story after the next. Now, in their first-ever book, the duo gives you an exclusive personal tour through New York’s old cobblestone streets and gas-lit back alleyways. In their uniquely approachable style, the authors bring to life everything from makeshift forts of the early Dutch years to the opulent mansions of The Gilded Age. They weave tales that will reshape your view of famous sites like Times Square, Grand Central Terminal, and the High Line. Then they go even further to reveal notorious dens of vice, scandalous Jazz Age crime scenes, and park statues with strange pasts. Praise for The Bowery Boys “Among the best city-centric series.” —New York Times “Meyers and Young have become unofficial ambassadors of New York history.” —NPR “Breezy and informative, crowded with the finest grifters, knickerbockers, spiritualists, and city builders to stalk these streets since back when New Amsterdam was just some farms.” —Village Voice “Young and Meyers have an all-consuming curiosity to work out what happened in their city in years past, including the Newsboys Strike of 1899, the history of the Staten Island Ferry, and the real-life sites on which Martin Scorsese’s Vinyl is based.” —The Guardian |
| do the right thing spike lee: Aesthetic Nervousness Ato Quayson, 2007-06-29 Focusing primarily on the work of Samuel Beckett, Toni Morrison, Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly cross-cultural, interdisciplinary study of the representation of physical disability. Quayson suggests that the subliminal unease and moral panic invoked by the disabled is refracted within the structures of literature and literary discourse itself, a crisis he terms aesthetic nervousness. The disabled reminds the able-bodied that the body is provisional and temporary and that normality is wrapped up in certain social frameworks. Quayson expands his argument by turning to Greek and Yoruba writings, African American and postcolonial literature, depictions of deformed characters in early modern England and the plays of Shakespeare, and children's films, among other texts. He considers how disability affects interpersonal relationships and forces the character and the reader to take an ethical standpoint, much like representations of violence, pain, and the sacred. The disabled are also used to represent social suffering, inadvertently obscuring their true hardships. |
| do the right thing spike lee: The Philosophy of Spike Lee Mark T. Conard, 2011-07-22 Over his twenty-plus year tenure in Hollywood, Spike Lee has produced a number of controversial films that unapologetically confront sensitive social issues, particularly those of race relations and discrimination. Through his honest portrayals of life's social obstacles, he challenges the public to reflect on the world's problems and divisions. The innovative director created a name for himself with feature films such as Do the Right Thing (1989) and Malcolm X (1992), and with documentaries such as 4 Little Girls (1997) and When the Levees Broke (2006), breaking with Hollywood's reliance on cultural stereotypes to portray African Americans in a more realistic light. The director continues to produce poignant films that address some of modern society's most important historical movements and events. In The Philosophy of Spike Lee, editor Mark T. Conard and an impressive list of contributors delve into the rich philosophy behind this filmmaker's extensive work. Not only do they analyze the major themes of race and discrimination that permeate Lee's productions, but also examine other philosophical ideas that are found in his films, ideas such as the nature of time, transcendence, moral motivation, self-constitution, and justice. The authors specialize in a variety of academic disciplines that range from African American Studies to literary and cultural criticism and Philosophy. |
| do the right thing spike lee: The Spike Lee Brand Delphine Letort, 2015-08-04 A rare look at Spike Lees creative appropriation of the documentary film genre. In this groundbreaking book, Delphine Letort sheds light on a neglected part of Spike Lees filmmaking by offering a rare look at his creative engagement with the genre of documentary filmmaking. Ranging from history to sports and music, Lee has tackled a diversity of topics in such nonfiction films as 4 Little Girls, A Huey P. Newton Story, Jim Brown: All-American, and When the Levees Broke: A Requiem in Four Acts. Letort analyzes the narrative and aesthetic discourses that structure these films and calls attention to Lees technical skills and narrative-framing devices. Drawing on film and media studies, African American studies, and cultural theories, she examines the sociological value of Lees investigations into contemporary culture and also explores the ethics of his commitment to a genre characterized by its claim to truth. The Spike Lee Brand makes a very important contribution to scholarly studies on the film-work of Spike Lee [and] places Lee in the pantheon of important social political documentarians such as Claude Lanzmann and Emile de Antonio. from the Foreword by Mark A. Reid |
| do the right thing spike lee: Passing Strange Stew, 2010 Stew brings us the story of a young bohemian who charts a course for 'the real' through sex, drugs and rock 'n' roll.--Page 4 of cover. |
| do the right thing spike lee: Framing Blackness Ed Guerrero, 2012-06-20 A challenge to Hollywood's one-dimensional images of African Americans. |
| do the right thing spike lee: Method Acting and Its Discontents Shonni Enelow, 2015-07-09 Method Acting and Its Discontents: On American Psycho-Drama provides a new understanding of a crucial chapter in American theater history. Enelow’s consideration of the broader cultural climate of the late 1950s and early 1960s, specifically the debates within psychology and psychoanalysis, the period’s racial and sexual politics, and the rise of mass media, gives us a nuanced, complex picture of Lee Strasberg and the Actors Studio and contemporaneous works of drama. Combining cultural analysis, dramaturgical criticism, and performance theory, Enelow shows how Method acting’s contradictions reveal powerful tensions inside mid-century notions of individual and collective identity. |
| do the right thing spike lee: Taxi Driver Amy Taubin, 2012-09-04 Paul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse. Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle – pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in its New York locations, tuning the film's violence into the hard reality of the city. Technically thrilling though it is, Taxi Driver is profoundly disturbing – finding, as Amy Taubin shows, racism, misogyny and gun fetishism at the heart of American culture. In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Amy Taubin considers Taxi Driver anew in the context of contemporary politics of race and masculinity in the US, and draws on an exclusive interview with Robert De Niro about his memories of making the film. |
| do the right thing spike lee: The Film Experience Timothy Corrigan, Patricia White, 2008-12-29 The Film Experience is a comprehensive introduction to film that treats students as the avid movie fans they are while surpassing all other texts in helping them understand the art form’s full scope, breadth, and depth. Like other introductory texts, it offers strong coverage of film’s formal elements, but goes further by situating this formal knowledge in the larger cultural contexts that inform the ways that we all view film. The authors’ rich narrative integrates the cultural history of film throughout and demonstrates how the elements, practices, economics, and history of the medium contribute to a film’s many possible meanings. The outstanding art program — now in full color — visually reinforces all the key concepts and techniques discussed in the text. |
| do the right thing spike lee: Lysistrata Douglass Parker, 1988-12-01 |
| do the right thing spike lee: The Film That Changed My Life Robert K. Elder, 2011-01-01 The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors' love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently. Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.” In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today's directors and, in turn, cinema history. |
| do the right thing spike lee: The Southern Key Michael Goldfield, 2020 The South is today, as it always has been, the key to understanding American society, its politics, its constitutional anomalies and government structure, its culture, its social relations, its music and literature, its media focus, its blind spots, and virtually everything else. The Golden Key argues that much of what is important in American politics and society today was largely shaped by the successes and failures of the labor movements of the 1930s and 1940s, and most notably the failures of southern labor organizing during this period. It also argues that these failures, despite some important successes in organizing interracial unions, left the South (and consequentially much of the rest of the United States as well) racially backward and open to right-wing demagoguery. These failures have led to a nationwide decline in unionization, growing economic inequality, and overall failures to confront white supremacy head on. In an in-depth look at unexamined archival material and detailed data, The Golden key challenges established historiography, both telling a tale of race, radicalism, and betrayal and arguing that the outcome was not at all predetermined-- |
| do the right thing spike lee: Giant Steps to Change the World Spike Lee, Tonya Lewis Lee, 2011-05-03 “On some days your dreams may seem too far away to realize… Listen to the whispers of those that came before...” People throughout history have taken giant steps toward improving the world—but even the smallest step makes a difference. A wonderful and inspiring gift, Giant Steps to Change the World encourages readers to follow in the footsteps of those who came before, to reject fears of inadequacy, and to ponder what they can contribute to society. |
| do the right thing spike lee: Facing Blackness Ashley Clark, 2015 An incisive study of Bamboozled, Spike Lee's most controversial film. |
| do the right thing spike lee: Travel Peter Whitfield, 2011 No previous generation has ever travelled so energetically or so obsessively as ours, nor has travel writing ever been so much in fashion as it is now. But behind the self-conscious literary artistry of today's narratives there lies a rich and fascinating history of travel writing, stretching back over several thousand years.Travel writing has emerged from migration, war, exploration, trade, conquest, pilgrimage, science, and poetic longing. But when they recorded their travels, the military commanders of Greece and Rome, the navigators of the Age of Discovery, the diplomats and missionaries of the seventeenth century, the dilettantes who set out on the Grand Tour, the romantic travellers and the scientists of the nineteenth century all had one thing in common: they were re-imagining the world, re-interpreting it in their own minds and for their readers.This is the first general survey of the entire history of travel literature, with illustrations reproduced from manuscripts and books in the Bodleian Library's collections. Writers covered include Marco Polo, Sir John Mandeville, Thomas Coryate, Captain Cook, T.E. Lawrence, and Christopher Columbus as well as Boswell and Johnson, Byron, Ruskin, Defoe, Conrad, and James. This book highlights over a hundred texts, showing how one motive for travelling has been succeeded by another, and how travel writing has often inhabited a strange borderland between truth and imagination, fact and fiction. It demonstrates how travel writers have slowly outgrown their traditional stance of superiority to all things 'foreign', and have moved towards a deeper sensitivity to other lands and other cultures. |
Do the Right Thing (1989) - IMDb
Do the Right Thing: Directed by Spike Lee. With Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson. On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.
Do the Right Thing (1989) - Plot - IMDb
Mookie (Spike Lee) is a young man living in a black and Puerto Rican neighborhood in Bedford-Stuyvesant, Brooklyn with his sister, Jade (Joie Lee), and works as a pizza delivery man for a local pizzeria. Salvatore "Sal" Frangione (Danny Aiello), the pizzeria's Italian-American owner, has owned it for 25 years.
Do the Right Thing (1989) - Full Cast & Crew - IMDb
Do the Right Thing (1989) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... Spike Lee Writing Credits Spike Lee ... (written by) Cast (in credits order) verified as complete Danny Aiello ... Sal: Ossie Davis ... Da Mayor: Ruby Dee ...
Spike Lee - Biography - IMDb
Spike Lee. Director: Do the Right Thing. Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to Brooklyn, New York. Lee came from artistic, education-grounded background; his father was a jazz musician, and his mother, a schoolteacher. He attended school in Morehouse College in …
Spike Lee - IMDb
Spike Lee. Director: Do the Right Thing. Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to Brooklyn, New York. Lee came from artistic, education-grounded background; his father was a jazz musician, and his mother, a schoolteacher. He attended school in Morehouse College in …
Do the Right Thing (1989) - Awards - IMDb
Do the Right Thing (1989) - Awards, nominations, and wins. Menu. Movies. ... Spike Lee; Boston Society of Film Critics Awards. 1990 Winner BSFC Award. Best Supporting Actor; Danny Aiello; Cannes Film Festival. 1989 Nominee Palme d'Or. Spike …
Do the Right Thing (1989) - Spike Lee as Mookie - IMDb
Do the Right Thing (1989) Spike Lee as Mookie. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. ... Do the Right Thing (1989) Spike Lee: Mookie. Showing all 54 items Jump to: Photos (35) Quotes (19) Photos . 12 more photos ...
Do the Right Thing (1989) - Quotes - IMDb
Do the Right Thing: Directed by Spike Lee. With Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson. On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.
Do the Right Thing (1989) - Soundtracks - IMDb
Do the Right Thing. Edit. Fight the Power. Music and Lyrics by Chuck D (as Carlton Ridenhour), Hank Shocklee, Eric ... Def American Songs, Inc. (BMI) Courtesy of DefJam/CBS Records. Don't Shoot Me. Music and Lyrics by Spike Lee, Mervyn Warren, Claude McKnight, and David R. Thomas. Performed by Take 6. Spikey-Poo Songs, Inc. (ASCAP)/Dee Mee ...
Do the Right Thing (1989) - User Reviews - IMDb
Spike Lee's DO THE RIGHT THING is one of the most vibrant, upbeat tragedies of the American cinema. Set in a small neighborhood in Brooklyn's Bedford-Stuyvescant region, it's the story of the various people that inhabit the block as they try to live and work under a palpable air of racial tension, culminating in a tragic and thought-provoking climax that is still widely debated.
Do the Right Thing (1989) - IMDb
Do the Right Thing: Directed by Spike Lee. With Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson. On the hottest day of the year on a street in the Bedford-Stuyvesant section of …
Do the Right Thing (1989) - Plot - IMDb
Mookie (Spike Lee) is a young man living in a black and Puerto Rican neighborhood in Bedford-Stuyvesant, Brooklyn with his sister, Jade (Joie Lee), and works as a pizza delivery man for a …
Do the Right Thing (1989) - Full Cast & Crew - IMDb
Do the Right Thing (1989) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... Spike Lee Writing Credits Spike Lee ... (written by) Cast (in credits order) …
Spike Lee - Biography - IMDb
Spike Lee. Director: Do the Right Thing. Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to …
Spike Lee - IMDb
Spike Lee. Director: Do the Right Thing. Spike Lee was born Shelton Jackson Lee on March 20, 1957, in Atlanta, Georgia. At a very young age, he moved from pre-civil rights Georgia, to …
Do the Right Thing (1989) - Awards - IMDb
Do the Right Thing (1989) - Awards, nominations, and wins. Menu. Movies. ... Spike Lee; Boston Society of Film Critics Awards. 1990 Winner BSFC Award. Best Supporting Actor; Danny …
Do the Right Thing (1989) - Spike Lee as Mookie - IMDb
Do the Right Thing (1989) Spike Lee as Mookie. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets …
Do the Right Thing (1989) - Quotes - IMDb
Do the Right Thing: Directed by Spike Lee. With Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson. On the hottest day of the year on a street in the Bedford-Stuyvesant section of …
Do the Right Thing (1989) - Soundtracks - IMDb
Do the Right Thing. Edit. Fight the Power. Music and Lyrics by Chuck D (as Carlton Ridenhour), Hank Shocklee, Eric ... Def American Songs, Inc. (BMI) Courtesy of DefJam/CBS Records. …
Do the Right Thing (1989) - User Reviews - IMDb
Spike Lee's DO THE RIGHT THING is one of the most vibrant, upbeat tragedies of the American cinema. Set in a small neighborhood in Brooklyn's Bedford-Stuyvescant region, it's the story of …
