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| death by landscape margaret atwood: Death by Landscape Elvia Wilk, 2022-07-19 From the acclaimed author of the novel Oval comes a book of “fan nonfiction” about living and writing in the age of extinction In this constellation of essays, Elvia Wilk asks what kinds of narratives will help us rethink our human perspective toward Earth. The book begins as an exploration of the role of fiction today and becomes a deep interrogation of the writing process and the self. Wilk examines creative works across time and genre in order to break down binaries between dystopia and utopia, real and imagined, self and world. She makes connections between works by such wide-ranging writers as Mark Fisher, Karen Russell, Han Kang, Doris Lessing, Anne Carson, Octavia E. Butler, Michelle Tea, Helen Phillips, Kathe Koja, Jeff and Ann VanderMeer, and Hildegard von Bingen. What happens when research becomes personal, when the observer breaks through the glass? Through the eye of the fan, this collection delves into literal and literary world-building projects—medieval monasteries, solarpunk futures, vampire role plays, environments devoid of humans—bridging the micro and the macro and revealing how our relationship to narrative shapes our relationships to the natural world and to one another. |
| death by landscape margaret atwood: Wilderness Tips Margaret Atwood, 2011-06-08 From the #1 New York Times bestselling author of The Handmaid's Tale In each of these tales Margaret Atwood deftly illuminates the shape of a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. The past resurfaces in the present in ways both subtle and dramatic: the body of a lost Arctic explorer emerges from the ice, a 2,000-year-old bog man turns up in an archeological dig, a man with dark secrets marries his lover’s sister, a girl who disappears on a canoe trip haunts her friend many decades later. The richly layered stories in Wilderness Tips map interior landscapes shaped by time, regret, and lost chances, endowing even the most unassuming of lives with a disquieting intensity. |
| death by landscape margaret atwood: Surfacing Margaret Atwood, 2012-03-27 From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented...and becoming whole. |
| death by landscape margaret atwood: The Robber Bride Margaret Atwood, 2011-06-08 From the bestselling author of The Handmaid's Tale and The Testaments—one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony—university classmates decades ago—were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives. A brilliantly inventive fabulist, Zenia had a talent for exploiting her friends’ weaknesses, wielding intimacy as a weapon and cheating them of money, time, sympathy, and men. But one day, five years after her funeral, they are shocked to catch sight of Zenia: even her death appears to have been yet another fiction. As the three women plot to confront their larger-than-life nemesis, Atwood proves herself a gleefully acute observer of the treacherous shoals of friendship, trust, desire, and power. |
| death by landscape margaret atwood: Margaret Atwood Reingard M. Nischik, 2000 Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literary agents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoons drawn by her, an up-to-date bibliography of works by and about Atwood, and an index round out the volume. Reingard M. Nischik is Professor of American literature at the University of Konstanz, Germany. |
| death by landscape margaret atwood: Oryx and Crake Margaret Atwood, 2010-07-27 A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize. Margaret Atwood’s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it. This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again. The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter. |
| death by landscape margaret atwood: Cat's Eye Margaret Atwood, 2011-06-08 A breathtaking novel of a woman grappling with the tangled knot of her life—from the bestselling author of The Handmaid's Tale and The Testaments Disturbing, humorous, and compassionate, Cat’s Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, an artist, and a woman—but above all she must seek release form her haunting memories. |
| death by landscape margaret atwood: Dearly Margaret Atwood, 2020-11-10 A new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret Atwood In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived. While many are familiar with Margaret Atwood’s fiction—including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others—she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry. This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike. |
| death by landscape margaret atwood: Stone Mattress Margaret Atwood, 2014-09-16 From the bestselling author of The Handmaid's Tale and The Testaments—a thrilling, funny, and thought-provoking collection of stories that affirms Atwood as our greatest creator of worlds—and as an incisive chronicler of our darkest impulses. “Alphinland,” the first of three loosely linked tales, introduces us to a fantasy writer who is guided through a stormy winter evening by the voice of her late husband. In “Lusus Naturae,” a young woman, monstrously transformed by a genetic defect, is mistaken for a vampire. And in the title story, a woman who has killed four husbands discovers an opportunity to exact vengeance on the first man who ever wronged her. Stone Mattress is a collection of unforgettable tales that reveal the grotesque, delightfully wicked facets of humanity. |
| death by landscape margaret atwood: The Blind Assassin Margaret Atwood, 2010-12-10 “Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale. |
| death by landscape margaret atwood: Moral Disorder Margaret Atwood, 2009-03-31 In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers. |
| death by landscape margaret atwood: The Penelopiad Margaret Atwood, 2014-10-23 As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007. |
| death by landscape margaret atwood: Payback Margaret Atwood, 2008 Explores debt as a central historical component of religion, literature, and societal structure, while examining the idea of humanity's debt to the natural world. |
| death by landscape margaret atwood: Mistresses of the Dark , 2002 The dark side of life lurks just around the corner from the safe avenues of the familiar. In Mistresses of the Dark, twenty-five leading female writers dare to stray from the path of the ordinary and venture into the shadows. Nadine Gordimer imagines a nightmare relationship between a father and son. Eudora Welty and Flannery O'Connor conjure grim Gothic visions of private desperation. Specters of loss haunt tales by Alison Lurie and A. S. Byatt, and an atmosphere of unease blows through stories by Shirley Jackson and Doris Lessing. The contributors include a Nobel laureate, a Pulitzer Prize winner, and recipients of the Booker Prize and the National Book Award. |
| death by landscape margaret atwood: The Year of the Flood Margaret Atwood, 2010-07-27 From the Booker Prize–winning author of Oryx and Crake, the first book in the MaddAddam Trilogy, and The Handmaid’s Tale. Internationally acclaimed as ONE OF THE BEST BOOKS OF THE YEAR by, amongst others, the Globe and Mail, the New York Times, the New Yorker, and the Village Voice In a world driven by shadowy, corrupt corporations and the uncontrolled development of new, gene-spliced life forms, a man-made pandemic occurs, obliterating human life. Two people find they have unexpectedly survived: Ren, a young dancer locked inside the high-end sex club Scales and Tails (the cleanest dirty girls in town), and Toby, solitary and determined, who has barricaded herself inside a luxurious spa, watching and waiting. The women have to decide on their next move—they can’t stay hidden forever. But is anyone else out there? |
| death by landscape margaret atwood: Bodily Harm Margaret Atwood, 2012-03-27 From the author of the New York Times bestselling novels The Handmaid’s Tale—now an Emmy Award-winning Hulu original series—and Alias Grace, now a Netflix original series. A powerfully and brilliantly crafted novel, Bodily Harm is the story of Rennie Wilford, a young journalist whose life has begun to shatter around the edges. Rennie flies to the Caribbean to recuperate, and on the tiny island of St. Antoine she is confronted by a world where her rules for survival no longer apply. By turns comic, satiric, relentless, and terrifying, Margaret Atwood's Bodily Harm is ultimately an exploration of the lust for power, both sexual and political, and the need for compassion that goes beyond what we ordinarily mean by love. |
| death by landscape margaret atwood: This Is a Photograph of Me Margaret Atwood, Alan Cook, 2009-01-01 |
| death by landscape margaret atwood: Morning in the Burned House Margaret Atwood, 1995 The renowned poet and author of The Handmaid's Tale brings a swift, powerful energy to this intimate and immediate poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive. |
| death by landscape margaret atwood: The Handmaid's Tale Margaret Atwood, 2011-09-06 An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning. |
| death by landscape margaret atwood: House of Difference Eva Mackey, 2005-06-20 Mapping the contradictions and ambiguities in the cultural politics of Canadian identity, The House of Difference opens up new understandings of the operations of tolerance and Western liberalism in a supposedly post-colonial era. Combining an analysis of the construction of national identity in both past and present-day public culture, with interviews with white Canadians, The House of Difference explores how ideas of racial and cultural difference are articulated in colonial and national projects, and in the subjectivities of people who consider themselves mainstream, or simply Canadian-Canadians. |
| death by landscape margaret atwood: The Discovery of Jeanne Baret Glynis Ridley, 2011-12-06 The year was 1765. Eminent botanist Philibert Commerson had just been appointed to a grand new expedition: the first French circumnavigation of the world. As the ships’ official naturalist, Commerson would seek out resources—medicines, spices, timber, food—that could give the French an edge in the ever-accelerating race for empire. Jeanne Baret, Commerson’s young mistress and collaborator, was desperate not to be left behind. She disguised herself as a teenage boy and signed on as his assistant. The journey made the twenty-six-year-old, known to her shipmates as “Jean” rather than “Jeanne,” the first woman to ever sail around the globe. Yet so little is known about this extraordinary woman, whose accomplishments were considered to be subversive, even impossible for someone of her sex and class. When the ships made landfall and the secret lovers disembarked to explore, Baret carried heavy wooden field presses and bulky optical instruments over beaches and hills, impressing observers on the ships’ decks with her obvious strength and stamina. Less obvious were the strips of linen wound tight around her upper body and the months she had spent perfecting her masculine disguise in the streets and marketplaces of Paris. Expedition commander Louis-Antoine de Bougainville recorded in his journal that curious Tahitian natives exposed Baret as a woman, eighteen months into the voyage. But the true story, it turns out, is more complicated. In The Discovery of Jeanne Baret, Glynis Ridley unravels the conflicting accounts recorded by Baret’s crewmates to piece together the real story: how Baret’s identity was in fact widely suspected within just a couple of weeks of embarking, and the painful consequences of those suspicions; the newly discovered notebook, written in Baret’s own hand, that proves her scientific acumen; and the thousands of specimens she collected, most famously the showy vine bougainvillea. Ridley also richly explores Baret’s awkward, sometimes dangerous interactions with the men on the ship, including Baret’s lover, the obsessive and sometimes prickly naturalist; a fashion-plate prince who, with his elaborate wigs and velvet garments, was often mistaken for a woman himself; the sour ship’s surgeon, who despised Baret and Commerson; even a Tahitian islander who joined the expedition and asked Baret to show him how to behave like a Frenchman. But the central character of this true story is Jeanne Baret herself, a working-class woman whose scientific contributions were quietly dismissed and written out of history—until now. Anchored in impeccable original research and bursting with unforgettable characters and exotic settings, The Discovery of Jeanne Baret offers this forgotten heroine a chance to bloom at long last. |
| death by landscape margaret atwood: The Door Margaret Atwood, 2009 Atwoods first book of poetry since Morning in the Burned House in 1995, The Door contains 50 lucid yet urgent poems which range in tone from lyric to ironic and meditative to prophetic, and in subject from the personal to the political. |
| death by landscape margaret atwood: MaddAddam Margaret Atwood, 2013-09-03 NATIONAL BESTSELLER • From the bestselling author of The Handmaid's Tale and The Testamants—this final volume of the internationally celebrated MaddAddam trilogy has brought the previous two books together in a fitting and joyous conclusion that’s an epic not only of an imagined future but of our own past (The New York Times Book Review). The Waterless Flood pandemic has wiped out most of the population. Toby is part of a small band of survivors, along with the Children of Crake: the gentle, bioengineered quasi-human species who will inherit this new earth. As Toby explains their origins to the curious Crakers, her tales cohere into a luminous oral history that sets down humanity’s past—and points toward its future. Blending action, humor, romance, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Atwood—a moving and dramatic conclusion to her epic work of speculative fiction. |
| death by landscape margaret atwood: The Heart Goes Last Margaret Atwood, 2015-09-29 From the bestselling author of The Handmaid's Tale and The Testaments—in the gated community of Consilience, residents who sign a contract will get a job and a lovely house for six months of the year...if they serve as inmates in the Positron prison system for the alternate months. “Captivating...thrilling.” —The New York Times Book Review Stan and Charmaine, a young urban couple, have been hit by job loss and bankruptcy in the midst of nationwide economic collapse. Forced to live in their third-hand Honda, where they are vulnerable to roving gangs, they think the gated community of Consilience may be the answer to their prayers. At first, this seems worth it: they will have a roof over their heads and food on the table. But when a series of troubling events unfolds, Positron begins to look less like a prayer answered and more like a chilling prophecy fulfilled. The Heart Goes Last is a vivid, urgent vision of development and decay, freedom and surveillance, struggle and hope—and the timeless workings of the human heart. |
| death by landscape margaret atwood: No Great Mischief Alistair MacLeod, 2012-01-11 Alexander MacDonald guides us through his family’s mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in “the land of trees,” where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came. |
| death by landscape margaret atwood: To Room Nineteen Doris Lessing, 2002 From To Room Nineteen, a study of a controlled middle class marriage grounded in intelligence, to the shocking A Woman on the Roof, where a workman becomes obsessed with a pretty sunbather, this collection of stories bears witness to Doris Lessing's perspective on the human condition. |
| death by landscape margaret atwood: The Bedside Book of Birds Graeme Gibson, 2021-04-15 WITH A NEW INTRODUCTION BY MARGARET ATWOOD Featured in the vast majority of mythologies and religions, birds are generally associated with creativity and the human spirit. From the Christian dove to Quetzalcoatl (the Aztec plumed serpent), and from Raven Man to Plato's description of the soul growing wings and feathers, birds have represented the soul in contrast to the body, the spiritual as opposed to the earthly. The Bedside Book of Birds is an unexpected and fascinating treasure trove of paintings, drawings, essays and scientific observations: it marvellously conveys the hope, the longing and the enchantment that birds have evoked in humans in all cultures and all times. Beautifully produced, the book contains more than one hundred illustrations, ranging from early cave paintings through works by Audubon, Morris and Gould, to Inuit and other works created in the twentieth century. There are writings by naturalists like W.H. Hudson, Laurens van der Post, Peter Matthiessen and Barry Lopez, and by classical authors such as Shakespeare, Coleridge, Melville and Poe. There is also a rich seam of contemporary work by Jorge Luis Borges, Ted Hughes, Italo Calvino, Bruce Chatwin and Haruki Murakami, among many others. The Bedside Book of Birds is a book to explore, to savour, and to learn from - a book for the winged soul in all of us. |
| death by landscape margaret atwood: Selected Poems II Margaret Atwood, 1987 Celebrated as a major novelist throughout the English-speaking world, Atwood has also written eleven volumes of poetry. Houghton Mifflin is proud to have published SELECTED POEMS, 1965-1975, a volume of selections from Atwood's poetry of that decade. |
| death by landscape margaret atwood: Why History Matters Gerda Lerner, 1998-02-26 All human beings are practicing historians, writes Gerda Lerner. We live our lives; we tell our stories. It is as natural as breathing. It is as important as breathing, too. History shapes our self-definition and our relationship to community; it locates us in time and place and helps to give meaning to our lives. History can be the vital thread that holds a nation together, as demonstrated most strikingly in the case of Jewish history. Conversely, for women, who have lived in a world in which they apparently had no history, its absence can be devastating. In Why History Matters, Lerner brings together her thinking and research of the last sixteen years, combining personal reminiscences with innovative theory that illuminate the importance of history and the vital role women have played in it. Why History Matters contains some of the most significant thinking and writing on history that Lerner has done in her entire career--a summation of her life and work. The chapters are divided into three sections, each widely different from the others, each revelatory of Lerner as a woman and a feminist. We read first of Lerner's coming to consciousness as a Jewish woman. There are moving accounts of her early life as a refugee in America, her return to Austria fifty years after fleeing the Nazis (to discover a nation remarkable both for the absence of Jews and for the anti-Semitism just below the surface), her slow assimilation into American life, and her decision to be a historian. If the first section is personal, the second focuses on more professional concerns. Included here is a fascinating essay on nonviolent resistance, tracing the idea from the Quakers (such as Mary Dyer), to abolitionists such as Theodore Dwight Weld (the most mobbed man in America), to Thoreau's essay Civil Disobedience, then across the sea to Tolstoy and Gandhi, before finally returning to America during the civil rights movement of the 1950s. There are insightful essays on American Values and on the tremendous advances women have made in the twentieth century, as well as Lerner's presidential address to the Organization of American Historians, which outlines the contributions of women to the field of history and the growing importance of women as a subject of history. The highlight of the final section of the book is Lerner's bold and innovative look at the issues of class and race as they relate to women, an essay that distills her thinking on these difficult subjects and offers a coherent conceptual framework that will prove of lasting interest to historians and intellectuals. A major figure in women's studies and long-term activist for women's issues, a founding member of NOW and a past president of the Organization of American Historians, Gerda Lerner is a pioneer in the field of Women's History and one of its leading practitioners. Why History Matters is the summation of the work and thinking of this distinguished historian. |
| death by landscape margaret atwood: Polarities Margaret Atwood, Reingard M. Nischik, 1994 Inhaltsverzeichnis - Polarities; Scarlet Ibis; Hairball; Death by landscape; The little red hen tells all. |
| death by landscape margaret atwood: The Cambridge Companion to Margaret Atwood Coral Ann Howells, 2006-03-30 Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship. |
| death by landscape margaret atwood: Stealing the Language Alicia Ostriker, 1986 Stealing The Language represents the first comprehensive appraisal of women's poetry in American and brilliantly defines one of the most exciting and original literary movement of our time. |
| death by landscape margaret atwood: Bury My Heart at Chuck E. Cheese's Tiffany Midge, 2019-10-01 Why is there no Native woman David Sedaris? Or Native Anne Lamott? Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary—but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. Bury My Heart at Chuck E. Cheese’s is a powerful and compelling collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege. Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics. |
| death by landscape margaret atwood: The Five Robert McCammon, 2013-11-26 A struggling rock band on the verge of breaking up is touring in the American Southwest when they are noticed by an Iraq War veteran. This crossing of paths changes all their lives. |
| death by landscape margaret atwood: The Lost Landscape Joyce Carol Oates, 2015-09-08 Written with the raw honesty and poignant insight that were the hallmarks of her acclaimed bestseller A Widow’s Story, an affecting and observant memoir of growing up from one of our finest and most beloved literary masters. The Lost Landscape is Joyce Carol Oates’ vivid chronicle of her hardscrabble childhood in rural western New York State. From memories of her relatives, to those of a charming bond with a special red hen on her family farm; from her first friendships to her earliest experiences with death, The Lost Landscape is a powerful evocation of the romance of childhood, and its indelible influence on the woman and the writer she would become. In this exceptionally candid, moving, and richly reflective account, Oates explores the world through the eyes of her younger self, an imaginative girl eager to tell stories about the world and the people she meets. While reading Alice in Wonderland changed a young Joyce forever and inspired her to view life as a series of endless adventures, growing up on a farm taught her harsh lessons about sacrifice, hard work, and loss. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision, transporting us to a forgotten place and time—the lost landscape of her youth, reminding us of the forgotten landscapes of our own earliest lives. |
| death by landscape margaret atwood: Alias Grace Margaret Atwood, 2011-06-08 The bestselling author of The Handmaid's Tale and The Testaments reveals the life of one of the most notorious women of the nineteenth century in this shadowy, fascinating novel (Time). • A Netflix original miniseries. It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Captivating and disturbing, Alias Grace showcases bestselling, Booker Prize-winning author Margaret Atwood at the peak of her powers. |
| death by landscape margaret atwood: The Little Foxes Lillian Hellman, 1969 Theatre program. |
| death by landscape margaret atwood: Global Dystopias Junot Diaz, 2017-10-27 Stories, essays, and interviews explore dystopias that may offer lessons for the present. As the recent success of Margaret Atwood's novel-turned-television hit Handmaid's Tale shows us, dystopia is more than minatory fantasy; it offers a critical lens upon the present. “It is not only a kind of vocabulary and idiom,” says bestselling author and volume editor Junot Diaz. “It is a useful arena in which to begin to think about who we are becoming.” Bringing together some of the most prominent writers of science fiction and introducing fresh talent, this collection of stories, essays, and interviews explores global dystopias in apocalyptic landscapes and tech futures, in robot sentience and forever war. Global Dystopias engages the familiar horrors of George Orwell's 1984 alongside new work by China Miéville, Tananarive Due, and Maria Dahvana Headley. In “Don't Press Charges, and I Won't Sue,” award-winning writer Charlie Jane Anders uses popularized stigmas toward transgender people to create a not-so-distant future in which conversion therapy is not only normalized, but funded by the government. Henry Farrell surveys the work of dystopian forebear Philip K. Dick and argues that distinctions between the present and the possible future aren't always that clear. Contributors also include Margaret Atwood and award-winning speculative writer, Nalo Hopkinson. In the era of Trump, resurgent populism, and climate denial, this collection poses vital questions about politics and civic responsibility and subjectivity itself. If we have, as Díaz says, reached peak dystopia, then Global Dystopias might just be the handbook we need to survive it. Contributors Charlie Jane Anders, Margaret Atwood, Adrienne Bernhard, Mark Bould, Thea Costantino, Tananarive Due, Henry Farrell, JR Fenn, Maria Dahvana Headley, Nalo Hopkinson, Mike McClelland, Maureen McHugh, China Miéville, Jordy Rosenberg, Peter Ross, Sumudu Samarwickrama |
| death by landscape margaret atwood: My Life in Pink & Green Lisa Greenwald, 2011-08-26 Twelve-year-old Lucy Desberg is a natural problem-solver. At her family’s struggling pharmacy, she has a line of makeover customers for every school dance and bat mitzvah. But all the makeup tips in the world won’t help save the business. If only she could find a way to make it the center of town again—a place where people want to spend time, like in the old days. Lucy dreams up a solution that could resuscitate the family business and help the environment, too. But will Lucy’s family stop fighting long enough to listen to a seventh-grader? In a starred review, Kirkus said this novel “successfully delivers an authentic and endearing portrait of the not-quite-teen experience,” and Booklist called it “a warm, uplifting debut.” Readers everywhere have responded to Lucy’s independence and initiative—not to mention her great style. F&P level: T F&P genre: RF |
| death by landscape margaret atwood: Beyond Wilderness John O'Brian, Peter White, 2007 The legacy of the Group of Seven and the reinvention of Canadian landscape art since the 1960s. |
Death by Landscape by Margaret Atwood - MRS. MAHONEY
Death by Landscape (1990) – by Margaret Atwood (1939 - Now that the boys are grown up and Rob is dead, Lois has moved to a con-dominium apartment in one of Toronto's newer …
Death by Landscape - JSTOR
Atwooďs "Death by Landscape" is a multi-layered tale linking a young girl's disappearance to the death of Tom Thomson, a Canadian painter who inspired the Group of Seven. The paintings …
Death by Landscape - PONS Idiomas
Now that the boys are grown up and Rob is dead, Lois has moved to a condominium apartment1 in one of the newer waterfront developments2.
Death by Landscape Race, Mature, and in
Movement, the Group of Seven, Margaret Atwood, and Northrop Frye. It argues that symbols of nationhood are used flexibly to differentiate and define the boundaries of the imagined nation, …
Narrative and Trauma - DiVA
This essay examines the relation between the depiction of trauma and narrative forms and strategies in Kaye Gibbons’s novel Ellen Foster (1987) and Margaret Atwood’s short story …
Margaret Atwood / Death by Landscape ivel B2-C1
“Death by Landscape” is a story of the strange and tragic end of a friendship between two teenage girls. The story is told by Lois 30 years after the events at a summer camp for girls. …
On: 27 January 2015, At: 14:40 Mark J. Bruhn Publisher: Routledge ...
In ‘Death by Landscape,’ a story from the 1991 collection Wilderness Tips , Atwood gives us a convenient purchase on the matter by rewriting the symbolism and psychodynamics of William …
Writing Women into History: Margaret Atwood s and Dionne …
Canadian landscape, “Death of a Young Son by Drowning” depicts Moodie’s conquest of the land and gives Moodie authority over the landscape. “Death of a Young Son by Drowning” …
Iconic Dimensions in Margaret Atwood’s Poetry & Prose
By shaping her poem into an icon of a butterfly to evoke metamorphosis or rebirth, Atwood replaces the negative views of sexuality presented by Eliot by an abundantly fertile landscape …
Death By Landscape Margaret Atwood (Download Only)
Margaret Atwood's Death by Landscape, a chilling exploration of memory, trauma, and the enduring power of the past, remains a critically acclaimed and hauntingly relevant novel. This …
Margaret Atwood’s Apocalypses - Cambridge Scholars Publishing
already mentioned, the first substantial poetry collection contained a death (perhaps by landscape) in “This is a Photograph of Me”, with the second poem describing the actions of two …
Margaret Atwood and the Edges of History
books include The Death of Woman Wang (1978), The Memory Palace of Matteo Ricci (1984), The Question of Hu (1988), and God's Chinese Son: The Taiping Heavenly Kingdom of Hong …
Death By Landscape Margaret Atwood (PDF) - netsec.csuci.edu
death by landscape margaret atwood: The Five Robert McCammon, 2013-11-26 A struggling rock band on the verge of breaking up is touring in the American Southwest when they are noticed …
SPECTRALITY IN MARGARET ATWOOD’S “DEATH BY LANDSCAPE”
This article explores how Margaret Atwood engages with the literary trope of spectrality through the ghost of Lucy in “Death by Landscape” (1990), an enigmatic short story which can be …
in Margaret Atwood's Surfacing - JSTOR
Margaret Atwood's Surfacing has been called "a remarkable, and remark ably misunderstandable book."1 It has been read as a book about death, mortality,2 and as an illustration of Atwood's …
Death by Landscape by Margaret Atwood
Death by Landscape (1990) – by Margaret Atwood (1939 - Now that the boys are grown up and Rob is dead, Lois has moved to a con-dominium apartment in one of Toronto's newer …
LAUREN RULE MAXWELL - The Citadel
“Gathering Around the Campfire: Canada-United States Relations in ‘Death by Landscape,’” presentation for the Margaret Atwood Society’s panel, “Examining the Longest International …
ECOFEMINISM IN MARGARET ATWOOD’S SURFACING
In this story of an unnamed protagonist’s quest for her true self, Atwood throws light on the problems of ecological imbalance, particularly in the countryside of Northern Quebec. She puts …
AN INNER TRIP: WOMEN AND NATURE IN MARGARET …
The ecofeminist struggle can be perceived when Atwood addresses the domination of women and nature by recognising the oppression imposed by the patriarchy, and also through the …
Death By Landscape Margaret Atwood [PDF]
15 Apr 2021 · maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal …
Analysis of Margatet Atwood’s Death by Landscape
22 May 2021 · In “Death by Landscape,” Margaret Atwood rewrites early American stories about the wilderness from her own trenchant perspective. …
Death by Landscape Summary - eNotes.com
"Death by Landscape" by Margaret Atwood is a short story about a woman named Lois who recalls a tragedy from her childhood while looking at …
Death By Landscape Summary and Study Guide | SuperSum…
Get ready to explore Death By Landscape and its meaning. Our full analysis and study guide provides an even deeper dive with character …
Death by Landscape, by Margaret Atwood - LitVote
Death by Landscape, by Margaret Atwood. Now that the boys are grown up and Rob is dead, Lois has moved to a condominium apartment in one of …
Death by Landscape by Margaret Atwood - Goodreads
1 Jan 2015 · In Margaret Atwood’s “Death by Landscape”, Atwood uses ambiguity and pathetic fallacy to help describe Lois’ inner conflicts and …
