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| counting descent poems: Counting Descent Clint Smith, 2020-01-06 From the author of How the Word is Passed: A Reckoning with the History of Slavery Across America * Winner, 2017 Black Caucus of the American Library Association Literary Award * Finalist, 2017 NAACP Image Awards * One Book One New Orleans 2017 Book Selection * Published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, New Republic, Boston Review, The Guardian, The Rumpus, and The Academy of American Poets So many of these poems just blow me away. Incredibly beautiful and powerful. -- Michelle Alexander, Author of The New Jim Crow Counting Descent is a tightly-woven collection of poems whose pages act like an invitation. The invitation is intimate and generous and also a challenge; are you up to asking what is blackness? What is black joy? How is black life loved and lived? To whom do we look to for answers? This invitation is not to a narrow street, or a shallow lake, but to a vast exploration of life. And you’re invited. -- Elizabeth Acevedo, Author of Beastgirl & Other Origin Myths These poems shimmer with revelatory intensity, approaching us from all sides to immerse us in the America that America so often forgets. -- Gregory Pardlo Counting Descent is more than brilliant. More than lyrical. More than bluesy. More than courageous. It is terrifying in its ability to at once not hide and show readers why it wants to hide so badly. These poems mend, meld and imagine with weighted details, pauses, idiosyncrasies and word patterns I've never seen before. -- Kiese Laymon, Author of Long Division Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. Do you know what it means for your existence to be defined by someone else’s intentions? Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward. |
| counting descent poems: How the Word Is Passed Clint Smith, 2021-06-01 This “important and timely” (Drew Faust, Harvard Magazine) #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be. Winner of the National Book Critics Circle Award for Nonfiction Winner of the Stowe Prize Winner of 2022 Hillman Prize for Book Journalism A New York Times 10 Best Books of 2021 |
| counting descent poems: Teach Living Poets Lindsay Illich, Melissa Alter Smith, 2021 Teach Living Poets opens up the flourishing world of contemporary poetry to secondary teachers, giving advice on reading contemporary poetry, discovering new poets, and inviting living poets into the classroom, as well as sharing sample lessons, writing prompts, and ways to become an engaged member of a professional learning community. The #TeachLivingPoets approach, which has grown out of the vibrant movement and community founded by high school teacher Melissa Alter Smith and been codeveloped with poet and scholar Lindsay Illich, offers rich opportunities for students to improve critical reading and writing, opportunities for self-expression and social-emotional learning, and, perhaps the most desirable outcome, the opportunity to fall in love with language and discover (or renew) their love of reading. The many poems included in Teach Living Poets are representative of the diverse poets writing today. |
| counting descent poems: Beastgirl and Other Origin Myths Elizabeth Acevedo, 2016-10-15 |
| counting descent poems: Citizen Illegal José Olivarez, 2018-09-04 “Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today |
| counting descent poems: Nobody's Magic Destiny O. Birdsong, 2022-02-08 “The magic here is not the supernatural kind, but rather an attention to the grace of the ordinary. It is the magic of watching these women come into their power.”—New York Times A GMA Buzz Pick! A Most Anticipated Book by Essence · The Millions · Atlantic Journal Constitution · Glamour · Teen Vogue · Bustle · BookPage · Nashville Scene · Ms. Magazine · Parnassus Musing A Best Book of February by Washington Post · Nylon · BookRiot In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twenty-year‑old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world. Maple is reeling from the unsolved murder of her free‑spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach. Agnes is far from home, working yet another mind‑numbing job. She attracts the interest of a lonely security guard and army veteran who’s looking for a traditional life for himself and his young son. He’s convinced that she wields a certain “magic,” but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself. This novel, told in three parts, is a searing meditation on grief, female strength, and self‑discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family—the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future. |
| counting descent poems: Neon Soul Alexandra Elle, 2017-03-21 Alexandra Elle writes frankly about her experience as a young, single mother while she celebrates her triumph over adversity and promotes resilience and self-care in her readers. This book of all-new poems from the beloved author of Words From A Wanderer and Love In My Language is a quotable companion on the road to healing. |
| counting descent poems: The Tradition Jericho Brown, 2019-06-18 WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award 100 Notable Books of the Year, The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes.—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. |
| counting descent poems: Notes from the Divided Country Suji Kwock Kim, 2003 Offers poems of family, history, love, and vision. |
| counting descent poems: Whole Earth Field Guide Caroline Maniaque-Benton, 2016-10-07 A source book for American culture in the 1960s and 1970s: “suggested reading” from the Last Whole Earth Catalog, from Thoreau to James Baldwin. The Whole Earth Catalog was a cultural touchstone of the 1960s and 1970s. The iconic cover image of the Earth viewed from space made it one of the most recognizable books on bookstore shelves. Between 1968 and 1971, almost two million copies of its various editions were sold, and not just to commune-dwellers and hippies. Millions of mainstream readers turned to the Whole Earth Catalog for practical advice and intellectual stimulation, finding everything from a review of Buckminster Fuller to recommendations for juicers. This book offers selections from eighty texts from the nearly 1,000 items of “suggested reading” in the Last Whole Earth Catalog. After an introduction that provides background information on the catalog and its founder, Stewart Brand (interesting fact: Brand got his organizational skills from a stint in the Army), the book presents the texts arranged in nine sections that echo the sections of the Whole Earth Catalog itself. Enlightening juxtapositions abound. For example, “Understanding Whole Systems” maps the holistic terrain with writings by authors from Aldo Leopold to Herbert Simon; “Land Use” features selections from Thoreau's Walden and a report from the United Nations on new energy sources; “Craft” offers excerpts from The Book of Tea and The Illustrated Hassle-Free Make Your Own Clothes Book; “Community” includes Margaret Mead and James Baldwin's odd-couple collaboration, A Rap on Race. Together, these texts offer a sourcebook for the Whole Earth culture of the 1960s and 1970s in all its infinite variety. |
| counting descent poems: The Descent of Alette Alice Notley, 1996-04-01 The Decent Of Alette is a rich odyssey of transformation in the tradition of The Inferno. Alice Notley presents a feminist epic: a bold journey into the deeper realms. Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotations marks, Notley has created a spoken text, a rich and mesmerizing work of imagination, mystery, and power. |
| counting descent poems: The Black Friend: On Being a Better White Person Frederick Joseph, 2020-12-01 The instant New York Times bestseller! Writing from the perspective of a friend, Frederick Joseph offers candid reflections on his own experiences with racism and conversations with prominent artists and activists about theirs—creating an essential read for white people who are committed anti-racists and those newly come to the cause of racial justice. “We don’t see color.” “I didn’t know Black people liked Star Wars!” “What hood are you from?” For Frederick Joseph, life as a transfer student in a largely white high school was full of wince-worthy moments that he often simply let go. As he grew older, however, he saw these as missed opportunities not only to stand up for himself, but to spread awareness to those white people who didn’t see the negative impact they were having. Speaking directly to the reader, The Black Friend calls up race-related anecdotes from the author’s past, weaving in his thoughts on why they were hurtful and how he might handle things differently now. Each chapter features the voice of at least one artist or activist, including Angie Thomas, author of The Hate U Give; April Reign, creator of #OscarsSoWhite; Jemele Hill, sports journalist and podcast host; and eleven others. Touching on everything from cultural appropriation to power dynamics, “reverse racism” to white privilege, microaggressions to the tragic results of overt racism, this book serves as conversation starter, tool kit, and invaluable window into the life of a former “token Black kid” who now presents himself as the friend many readers need. Backmatter includes an encyclopedia of racism, providing details on relevant historical events, terminology, and more. |
| counting descent poems: Hart Crane's Poetry John T. Irwin, 2011-11-17 In one of his letters Hart Crane wrote, Appollinaire lived in Paris, I live in Cleveland, Ohio, comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, The Broken Tower, through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language. |
| counting descent poems: I Shimmer Sometimes, Too Porsha Olayiwola, 2019-10-29 Porsha O's debut poetry collection soars with the power and presence of live performance. These poems dip their hands deep into the fabric of black womanhood, pulling out all of its threads. This book establishes Porsha O firmly in the lineage of black queer poetics, pulling equally from Audre Lorde and Danez Smith. This is a book of gentle breaking and inventive reconstruction. This is a book of self-care, and community-care - the pursuit of building a world that will keep you alive. |
| counting descent poems: The Death Class Erika Hayasaki, 2014-01-14 The poignant, “powerful” (The Boston Globe) look at how to appreciate life from an extraordinary professor who teaches about death: “Poetic passages and assorted revelations you’ll likely not forget” (Chicago Tribune). Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma’s “death class” is really about how to make the most of what poet Mary Oliver famously called our “one wild and precious life.” Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. In The Death Class, award-winning journalist Erika Hayasaki followed Norma for more than four years, showing how she steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki’s expert reporting and literary prose bring Norma’s wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma’s very own life—and how she lives it—is the lecture that sticks. “Readers will come away struck by Bowe’s compassion—and by the unexpectedly life-affirming messages of courage that spring from her students’ harrowing experiences” (Entertainment Weekly). |
| counting descent poems: Reflections on a Gift of Watermelon Pickle Stephen Dunning, 1967-04-01 Here are modern poems chosen for their individual excellence and their special appeal to young people. Exciting photographs accent the contemporary tone of the collection. From lighthearted Phyllis Mc-Ginley to pessimistic Ezra Pound; from the lyricism of Edna St. Vincent Millay to the vigor of Lawrence Ferlinghette; from Carl Sandburg on loneliness to Paul Dehn on the bomb -- such is the range. The little known or unknown poet and the widely recognized appear side by siide. Whatever the subject matter -- pheasant or flying saucer; lapping lake water or sonic boom; a deer hunt, a basketball, or a bud -- it is all poetry reflecting today's images and today's moods. The editors spent several years bringing together 1200 poems they considered fine enough to include, then slowly and carefully sifted out of 114 which appear in the book. Readers of Reflections on a Gift of Watermelon Pickle . . . and Other Modern Verse may well be tempted by Eve Merriam's suggestion in How to Eat a Poem center Don't be polite Bite in. Pick it up with your fingers and lick The juice that may run down your chin. It is ready and ripe now, whenever you are. |
| counting descent poems: Respect the Mic Peter Kahn, Hanif Abdurraqib, Dan "Sully" Sullivan, Franny Choi, 2022-02-01 An expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club. Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious. -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, It's a call of pride and history and tradition and hope. This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan Sully Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more. In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together. |
| counting descent poems: Song of Napalm Bruce Weigl, 1994 Song of Napalm is more than a collection of beautifully wrought, heartwrenching, and often very funny poems. It's a narrative, the story of an American innocent's descent into hell and his excruciating return to life on the surface. Weigl may have written the best novel so far about the Vietnam War, and along the way a dozen truly memorable poems. -- Russell Banks |
| counting descent poems: The Poetry Friday Anthology , 2012 |
| counting descent poems: The Cat, The Professor and the Poison Leann Sweeney, 2010-05-04 Between her kitty quilt-making business and her three beloved cats, Jill has her hands full. That doesn't stop her from wanting to solve the mystery of the milk cow that's gone missing from her friend's farm. But imagine her surprise when a stolen cow leads to the discovery of fifty stray cats and one dead body-a victim of cold-blooded murder... |
| counting descent poems: Ain't Burned All the Bright Jason Reynolds, 2022-01-11 A Caldecott Honor winner! Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds. Jason Reynolds and his best bud, Jason Griffin, had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW. And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is. |
| counting descent poems: The Complete Poetry of James Hearst James Hearst, 2001 Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place. |
| counting descent poems: The Heart of Chinese Poetry Greg Whincup, 1987-09-16 Greg Whincup offers a varied and unique approach to Chinese translation in The Heart of Chinese Poetry. Special features of this edition include direct word-for-word translations showing the range of meaning in each Chinese character, the Chinese pronunciations, as well as biographical and historical commentary following each poem. |
| counting descent poems: The January Children Safia Elhillo, 2017-03-01 The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds. |
| counting descent poems: The Birth of All Things Marcus Amaker, 2020-06-02 Masculinity doesn't have to be toxic, but some men choose to put poison on their tongue ... The Birth Of All Things is an eclectic mix of poems from Marcus Amaker, the first Poet Laureate of Charleston, SC.This personal collection delivers poems about a wide range of topics: life as a new dad, racism in America, Bjork, anxiety, Star Wars, masculinity, pandemics, black music, history, and more. Amaker is an award-winning graphic designer, musician, and performance poet. The Birth Of All Things is the sum of all of his talents.The book features an original illustration from Florida artist Nick Davis. |
| counting descent poems: Rhythm and Resistance Linda Christensen, Dyan Watson, 2015-04-15 Rhythm and Resistance offers practical lessons about how to teach poetry to build community, understand literature and history, talk back to injustice, and construct stronger literacy skils across content areas and grade levels-- from elementary school to graduate school. Rhythm and Resistance reclaims poetry as a necessary part of a larger vision of what it means to teach for justice. from cover. |
| counting descent poems: The Breakbeat Poets Vol. 4 Felicia Chavez, José Olivarez, Willie Perdomo, 2020-04-07 In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next. |
| counting descent poems: Hide Now Glyn Maxwell, 2010-11-30 In Hide Now, Glyn Maxwell shows how the times have begun to warp time itself: in the poet’s vision, the past rears up again with its angry ghosts, the present is racked by its martial and climatic nightmares, and the future has already come and gone. All the stories of the earth seem menaced by just one – to which nations cover their eyes and ears, and from which the grown-ups run and hide. Scheherazade, Robespierre, Dick Cheney and the Reverend Jim Jones all have their place here, though the book’s presiding genius is the lonely figure of Cassandra, cursed with knowing the fate of a world that finds her screamingly funny. Glyn Maxwell has established an international reputation as one of the most intelligent and stylishly original English poets since Auden, and he has never written with greater urgency or power. ‘[Maxwell’s] astonishing technical facility can make syllables, vowels and consonants do absolutely anything. His energetic voice riffs through evasively ordinary speech taking on love, politics, comedy and bizarre narratives in brilliantly elaborate syntax and forms’ Independent |
| counting descent poems: Dead Dad Jokes Ollie Schminkey, 2021-05-25 2022 Midwest Book Awards- Debut Poetry Finalist 2022 Eric Hoffer Awards - Da Vinci Eye Finalist 2022 Eric Hoffer Awards - Grand Prize Short List 2022 Eric Hoffer Awards - Poetry Honorable Mention 2019 Button Poetry Video Contest Winner Dead Dad Jokes is an unflinching take on family, loss and trauma. There is nothing quiet about Schminkey's debut. Every page is raw, honest and unforgettable. Dead Dad Jokes brings the impact of addiction into crisp focus while also shattering our simplistic TV preconceptions about it. Ollie never lets the reader slip into the easy sadness of cliche - instead they guide us through the realities and contradictions of losing someone you love and of death - reminding us that they need not be one and the same. |
| counting descent poems: A Fortune for Your Disaster Hanif Abdurraqib, 2019-09-03 “When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to Don't Stop Believin'. It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility. |
| counting descent poems: Poems for the Millennium, Volume Four Jerome Rothenberg, Pierre Joris, Jeffrey Cane Robinson, Habib Tengour, 1995 Global anthology of twentieth-century poetry--Back cover. |
| counting descent poems: Count to Infinity John C. Wright, 2017-12-26 Count to Infinity is John C. Wright's spectacular conclusion to the thought-provoking hard science fiction Eschaton Sequence, exploring future history and human evolution. An epic space opera finale worthy of the scope and wonder of The Eschaton Sequence: Menelaus Montrose is locked in a final battle of wits, bullets, and posthuman intelligence with Ximen del Azarchel for the fate of humanity in the far future. The alien monstrosities of Ain at long last are revealed, their hidden past laid bare, along with the reason for their brutal treatment of Man and all the species seeded throughout the galaxy. And they have still one more secret that could upend everything Montrose has fought for and lived so long to achieve. The Eschaton Sequence #1 Count to a Trillion #2 The Hermetic Millennia #3 The Judge of Ages #4 The Architect of Aeons #5 The Vindication of Man At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| counting descent poems: The 1619 Project Nikole Hannah-Jones, The New York Times Magazine, 2024-06-04 #1 NEW YORK TIMES BESTSELLER • NAACP IMAGE AWARD WINNER • A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present. “[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling.”—Esquire NOW AN EMMY-WINNING HULU ORIGINAL DOCUSERIES • FINALIST FOR THE KIRKUS PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty people stolen from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The New York Times Magazine’s award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. Featuring contributions from: Leslie Alexander • Michelle Alexander • Carol Anderson • Joshua Bennett • Reginald Dwayne Betts • Jamelle Bouie • Anthea Butler • Matthew Desmond • Rita Dove • Camille T. Dungy • Cornelius Eady • Eve L. Ewing • Nikky Finney • Vievee Francis • Yaa Gyasi • Forrest Hamer • Terrance Hayes • Kimberly Annece Henderson • Jeneen Interlandi • Honorée Fanonne Jeffers • Barry Jenkins • Tyehimba Jess • Martha S. Jones • Robert Jones, Jr. • A. Van Jordan • Ibram X. Kendi • Eddie Kendricks • Yusef Komunyakaa • Kevin M. Kruse • Kiese Laymon • Trymaine Lee • Jasmine Mans • Terry McMillan • Tiya Miles • Wesley Morris • Khalil Gibran Muhammad • Lynn Nottage • ZZ Packer • Gregory Pardlo • Darryl Pinckney • Claudia Rankine • Jason Reynolds • Dorothy Roberts • Sonia Sanchez • Tim Seibles • Evie Shockley • Clint Smith • Danez Smith • Patricia Smith • Tracy K. Smith • Bryan Stevenson • Nafissa Thompson-Spires • Natasha Trethewey • Linda Villarosa • Jesmyn Ward |
| counting descent poems: City Wilds Terrell Dixon, 2002 The assumptions we make about nature writing too often lead us to see it only as a literature about wilderness or rural areas. This anthology broadens our awareness of American nature writing by featuring the flora, fauna, geology, and climate that enrich and shape urban life. Set in neither pristine nor exotic environs, these stories and essays take us to rivers, parks, vacant lots, lakes, gardens, and zoos as they convey nature's rich disregard of city limits signs. With writings by women and men from cities in all regions of the country and from different ethnic traditions, the anthology reflects the geographic differences and multicultural makeup of our cities. Works by well-known and emerging contemporary writers are included as well as pieces from important twentieth-century urban nature writers. Since more than 80 percent of Americans now live in urban areas, we need to enlarge our environmental concerns to encompass urban nature. By focusing on urban nature writing, the selections in City Wilds can help develop a more inclusive environmental consciousness, one that includes both the nature we see on a day-to-day basis and how such nearby nature is viewed by writers from diverse cultural backgrounds. |
| counting descent poems: The Leavers (National Book Award Finalist) Lisa Ko, 2018-04-24 FINALIST FOR THE 2017 NATIONAL BOOK AWARD FOR FICTION Named a Best Book of 2017 by NPR, Entertainment Weekly, the Los Angeles Times, BuzzFeed, Bustle, and Electric Literature “There was a time I would have called Lisa Ko’s novel beautifully written, ambitious, and moving, and all of that is true, but it’s more than that now: if you want to understand a forgotten and essential part of the world we live in, The Leavers is required reading.” —Ann Patchett, author of Commonwealth Lisa Ko’s powerful debut, The Leavers, is the winner of the 2016 PEN/Bellwether Prize for Fiction, awarded by Barbara Kingsolver for a novel that addresses issues of social justice. One morning, Deming Guo’s mother, Polly, an undocumented Chinese immigrant, goes to her job at a nail salon—and never comes home. No one can find any trace of her. With his mother gone, eleven-year-old Deming is left mystified and bereft. Eventually adopted by a pair of well-meaning white professors, Deming is moved from the Bronx to a small town upstate and renamed Daniel Wilkinson. But far from all he’s ever known, Daniel struggles to reconcile his adoptive parents’ desire that he assimilate with his memories of his mother and the community he left behind. Told from the perspective of both Daniel—as he grows into a directionless young man—and Polly, Ko’s novel gives us one of fiction’s most singular mothers. Loving and selfish, determined and frightened, Polly is forced to make one heartwrenching choice after another. Set in New York and China, The Leavers is a vivid examination of borders and belonging. It’s a moving story of how a boy comes into his own when everything he loves is taken away, and how a mother learns to live with the mistakes of the past. |
| counting descent poems: Fugitive Pedagogy Jarvis R. Givens, 2021-04-13 A fresh portrayal of one of the architects of the African American intellectual tradition, whose faith in the subversive power of education will inspire teachers and learners today. Black education was a subversive act from its inception. African Americans pursued education through clandestine means, often in defiance of law and custom, even under threat of violence. They developed what Jarvis Givens calls a tradition of “fugitive pedagogy”—a theory and practice of Black education in America. The enslaved learned to read in spite of widespread prohibitions; newly emancipated people braved the dangers of integrating all-White schools and the hardships of building Black schools. Teachers developed covert instructional strategies, creative responses to the persistence of White opposition. From slavery through the Jim Crow era, Black people passed down this educational heritage. There is perhaps no better exemplar of this heritage than Carter G. Woodson—groundbreaking historian, founder of Black History Month, and legendary educator under Jim Crow. Givens shows that Woodson succeeded because of the world of Black teachers to which he belonged: Woodson’s first teachers were his formerly enslaved uncles; he himself taught for nearly thirty years; and he spent his life partnering with educators to transform the lives of Black students. Fugitive Pedagogy chronicles Woodson’s efforts to fight against the “mis-education of the Negro” by helping teachers and students to see themselves and their mission as set apart from an anti-Black world. Teachers, students, families, and communities worked together, using Woodson’s materials and methods as they fought for power in schools and continued the work of fugitive pedagogy. Forged in slavery, embodied by Woodson, this tradition of escape remains essential for teachers and students today. |
| counting descent poems: Magic Candies Heena Baek, 2021-09 A quirky story about finding your voice, from internationally acclaimed author Heena Baek. Tong Tong could never have imagined what everyone around him was thinking. But when he gets hold of some magic candies, suddenly there are voices everywhere. He can hear how his couch feels, what upsets his dog, that his demanding dad loves him. He even gets to catch up with his dead grandmother. It turns out, these voices in Tong Tong's life have A LOT to say! Is Tong Tong ready to hear it? At turns funny, weird, and heartfelt, this imaginative picture book from award-winning Korean author Heena Baek will take readers along on Tong Tong's journey as he goes from lonely to brave. |
| counting descent poems: Call Us What We Carry Amanda Gorman, 2021-12-07 The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future. |
| counting descent poems: Honeyfish Lauren K. Alleyne, 2019 Published in the USA by New Issues Poetry and Prose--Title page verso. |
| counting descent poems: Toward a New Vision Patricia Hill Collins, 1989 |
Counting Descent Poems
Counting Descent Poems: Counting Descent Clint Smith,2017-01-06 Black Harvard Doctorate in Poetics launches poetry that explores modern blackness Clint Smith s debut poetry collection Counting Descent is a coming of age story that seeks to complicate our
Counting Descent
In "Counting Descent," Clint Smith masterfully weaves his eloquent poetry with deeply reflective narratives, capturing the essence of growing up as a Black man in America. With an intoxicating blend of personal anecdotes, historical context, and social commentary, Smith artfully brings to life the complexities of identity, race, and belonging.
Counting Descent Poem Analysis (book) - netsec.csuci.edu
counting descent poem analysis: Poems by Emily Dickinson Emily Dickinson, 1890 counting descent poem analysis: Forest Has A Song Amy Ludwig VanDerwater, 2013-03-26 A spider is a “never-tangling dangling spinner / knitting angles, trapping dinner.” A tree frog proposes, “Marry me. Please marry me… / Pick me now. / Make me your choice.
Counting Descent Poems (book) - classroom.edopoly.edu.ng
Incredibly beautiful and powerful Michelle Alexander Author of The New Jim Crow Counting Descent is a tightly woven collection of poems whose pages act like an invitation The invitation is intimate and generous and also a challenge are you up to asking what is blackness
2020-2021 SHSU Common Reader Program
28 Apr 2021 · Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that brings the reader on a powerful journey. In 56 poems, the realities of being a black boy in America are beautifully portrayed. Smith shares his loving family …
Counting Descent Poems (Download Only) - archive.ncarb.org
Counting Descent Poems: Counting Descent Clint Smith,2017-01-06 Black Harvard Doctorate in Poetics launches poetry that explores modern blackness Clint Smith s debut poetry collection Counting Descent is a coming of age story that seeks to complicate our
Counting Descent Poems
Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. Smith explores the cognitive dissonance that...
Counting Descent Poems [PDF]
Counting descent poems often explore the stages of grief, as described by Elisabeth Kübler-Ross: denial, anger, bargaining, depression, and acceptance. Each stage is a distinct landscape on our descent, each demanding a different kind of strength and resilience.
Counting Descent Poems - newredlist-es-data1.iucnredlist.org
Let's delve into the art of counting descent poems. What is a Counting Descent Poem? A counting descent poem isn't confined to a rigid structure. It's a flexible form that uses numbers, names, and details to trace your lineage. It might focus on a specific branch of your family tree, highlighting significant ancestors or events. The counting
Counting Descent Poem Analysis Copy - archive.ncarb.org
Within the pages of "Counting Descent Poem Analysis," a mesmerizing literary creation penned by way of a celebrated wordsmith, readers embark on an enlightening odyssey, unraveling the intricate significance of language and its enduring effect on our lives.
Counting Descent Poems - g3.pymnts.com
There are poems that interrogate the ways our lives are shaped by both personal lineages and historical institutions. There are poems that revel in the wonder of discovering the world anew
Counting Descent Poems (2024) - archive.ncarb.org
blackness Clint Smith s debut poetry collection Counting Descent is a coming of age story that seeks to complicate our conception of lineage and tradition Smith explores the cognitive dissonance that results from belonging to a community that
Counting Descent Poems - blog.cbso.co.uk
Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. Smith explores the cognitive dissonance that results from belonging to a community that
Counting Descent Poems
Within the pages of "Counting Descent Poems," a mesmerizing literary creation penned by way of a celebrated wordsmith, readers attempt an enlightening odyssey, unraveling the intricate significance of language and its enduring affect our lives.
20-2021 SHSU Common Reader Program
4 May 2021 · Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that brings the reader on a powerful journey. In 56 poems, the realities of being a black boy in America are
Counting Descent Poems - Daily Racing Form
Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. Smith explores the cognitive dissonance that...
Counting Descent Poems (PDF)
How do I convert a Counting Descent Poems PDF to another file format? There are multiple ways to convert a PDF to another format: Use online converters like Smallpdf, Zamzar, or Adobe Acrobats export feature to
Counting Descent Poems
Counting Descent Poems: Counting Descent Clint Smith,2017-01-06 Black Harvard Doctorate in Poetics launches poetry that explores modern …
Counting Descent
In "Counting Descent," Clint Smith masterfully weaves his eloquent poetry with deeply reflective narratives, capturing the essence of growing up …
Counting Descent Poem Analysis (book) - netsec.csuci.…
counting descent poem analysis: Poems by Emily Dickinson Emily Dickinson, 1890 counting descent poem analysis: Forest Has A Song Amy Ludwig …
Counting Descent Poems (book) - classroom.edopoly.e…
Incredibly beautiful and powerful Michelle Alexander Author of The New Jim Crow Counting Descent is a tightly woven collection of poems whose …
2020-2021 SHSU Common Reader Program
28 Apr 2021 · Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that brings the reader on a powerful journey. In 56 …
