Advertisement
| contemporary monologues for men from plays: Best Contemporary Monologues for Men 18-35 Lawrence Harbison, 2014-11-01 (Applause Acting Series). Lawrence Harbison has selected 100 terrific monologues for men from contemporary plays, all by characters between the ages of 18 and 35 perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt. |
| contemporary monologues for men from plays: Contemporary American Monologues for Men Todd London, 2012-10-25 Audition monologues for male characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included. |
| contemporary monologues for men from plays: Audition Speeches for 6-16 Year Olds Jean Marlow, 2009-10-26 Intended for students and children taking part in speech and drama competitions and exams, this book contains a range of audition speeches. It includes female, male and unisex speeches selected from both plays and children's books. Where relevant the author has indicated how a speech could be shortened for younger children. There is also an introductory section with contributions from Alan Ayckbourn, Carol Schroder (teacher and examiner for the London Academy of Music and Dramatic Art), Richard Carpenter (TV writer) and Ed Wilson (Director of the National Youth Theatre) and senior casting directors for the RSC, TV and film. This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter. 'A superb compilation' Amateur Stage |
| contemporary monologues for men from plays: The Methuen Book of Contemporary Monologues for Men Chrys Salt, 2008-11-03 This book of contemporary monologues for women includes pieces from the best of the last three decades of contemporary playwriting, from Howard Brenton and Bryony Lavery to Charlotte Jones and Mark Ravenhill. Including extracts from plays by award-winning British playwrights, there are pieces both serious and comic providing the actor with all the challenges of performing contemporary plays. The book is an invaluable resource for auditions, acting class, competitions and rehearsals. A fuller appreciation of each monologue is provided by Chrys Salt's invaluable commentaries, giving clues as to possible direction and setting each piece in the context of the play as a whole.Praise for Chrys Salt's Make Acting Work: A really useful book for every actor to own Prunella Scales; This book should be part of every resourceful actor's armoury Annette Badland |
| contemporary monologues for men from plays: American Theatre Book of Monologues for Men Stephanie Coen, 2003 Audition monologues selected from plays first published in American theatre magazine since 1985. |
| contemporary monologues for men from plays: The Actor's Book of Contemporary Stage Monologues Nina Shengold, 1987 This unique anthology provides a wealth of material for actors and acting students, and a wonderful overview of the best recent plays for anyone interested in theatre. The more than 150 monologues cover a diverse range of subjects, and offer a variety of dramatic styles and moods. Each monologue is introduced with a short description of the plot, setting, and character type by the leading plauwrights of our time. Featured dramatists include: Christopher Durang, Wendy Wasserstein, Lanford Wilson, Wallace Shawn, Tina Howe, Caryl Churchill, Athol Fugard, Beth Henley, Sam Shepard, David Henry Hwang, Harry Kondoleon, John Patrick Shanley, Larry Shue, Michael Weller, David Rabe, Marsha Norman, August Wilson, Albert Innaurato, Jules Feiffer, Harold Pinter, David Hare, Jose Rivera, Tom Stoppard, John Guare, David Mamet, Charles Fuller, William Matrosimone, Robert Patrick, Miguel Pinero |
| contemporary monologues for men from plays: Play the Scene Michael Schulman, Eva Mekler, 2004-12-07 A collection of over a hundred scenes and monologues from plays from the Elizabethan period to contemporary Tony Award winners. |
| contemporary monologues for men from plays: Scenes and Monologues of Spiritual Experience from the Best Contemporary Plays Roger Ellis, 2013-10-01 In this anthology, theater expert Roger Ellis culls together dramatic scenes and monologues that all deal with spiritual experience. From various religious and non-religious perspectives, the book explores various aspects of spirituality – religious faith, martyrdom, death and afterlife, fate and destiny, mercy, and romantic love. The material comes from contemporary plays by some of the most gifted playwrights – Arthur Miller, Tony Kushner, John Patrick Shanley, John Pielmeier, Tammy Ryan, Elie, Wiesel, Karen Sunde, and others. Perfect for high-school through college-age students, as well as for actors and general readers, this volume contains nearly 100 scenes, ranging from comic to serious, grouped in five categories: “Scenes for a Man and a Woman ” “Scenes for Two Women ” “Scenes for Two Men ” “Monologues for Women ” and “Monologues for Men.” In addition to the monologues, Ellis includes notes on staging to help actors and directors bring these scenes to life. Some of the plays sourced for this anthology include The Crucible, Doubt, In the Shape of a Woman, Agnes of God, Epic Proportions, Our Lady of 121st Street, Angels in America, and Affection in Time. |
| contemporary monologues for men from plays: The Actor's Scenebook Michael Schulman, Ph.D., Eva Mekler, 1984-05-01 Here is wonderful, up-to-date material for scene study, selected from the best plays from recent theater seasons. More than 20 monologues for both men and women, carefully chosen to display the widest range of dramatic ability, are essential for auditioning actors. A large selection of parts for woman provide exciting opportunities to sharpen acting skills in roles that brought accolades from New York's toughest critics. More than 80 scenes in all, many previously unpublished, allow every actor, professional, amateur or student, to choose from either smart, sassy, often outrageous comedy or deeply moving drama—a unique, balanced collection of the most successful contemporary plays. |
| contemporary monologues for men from plays: In Performance JV Mercanti, 2015-11-01 (Applause Acting Series). In this thoughtfully curated collection, teen actors preparing for an audition or searching for quality scenes to hone their chops will find a wealth of contemporary material from American and British plays. Almost all of the works are from the year 2000 to the recent 2014 Broadway production of The Curious Incident of the Dog in Night-Time , chosen from the point of view of a professional acting teacher, director, and casting director. Along with covering the basics of how to match the best monologue to the actor and how to approach the rehearsal and performance of the piece, the book provides a synopsis of each play, a character description, and a list of questions specific to each monologue that will direct the actor toward shaping a complex, honest, and thoughtful performance that has a strong emotional connection, a clear arc, and playable actions. There is also a brief lesson on appropriate rehearsal behavior and preparation. |
| contemporary monologues for men from plays: The Best Men's Monologues from New Plays, 2019 Lawrence Harbison, 2019-11-14 Renowned editor Larwrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Jonathan Yukitch, Don Nigro, Lloyd Su, Daniel Damiano, Molly Goforth, Carlyle Brown, Seth Svi Rosenfeld, Brian Dykstra, Steven Hayet, David MacGregor, and Nat Cassidy. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces. |
| contemporary monologues for men from plays: Cock Mike Bartlett, 2017-01-12 But that's what this is, isn't it? The ultimate bitch fight. When John takes a break from his boyfriend, his accidentally meets the girl of his dreams. Filled with guilt and indecision, he decides there is only one way to straighten this out . . . Mike Bartlett's metrosexual play about love and longing provides us with questions of who we are and who we want to be. John's refusal to fix his identity disturbs and disrupts the lives of those around him in this contemporary tale of sex without nudity and struggle without violence. Mike Bartlett's punchy story takes a playful, candid look at one man's sexuality and the difficulties that arise when you realise you have a choice. Cock premiered at the Royal Court Theatre, London, on 13 November 2009. It is published here in the Modern Classics series, featuring an introduction by Mark O'Thomas. |
| contemporary monologues for men from plays: Moving Parts Nina Shengold, Eric Lane, 1992 More than 125 monologues by Mamet, Shepard, August Wilson, and others. |
| contemporary monologues for men from plays: Unbearable Hotness Gabriel Davis, 2014-07-27 A play in one act. Comedy. Cast: 3 women, 3 men. Synopsis: Andrew has thrown a house party in hopes that the girl of his dreams, Marisa, will attend. Once he learns she is somewhere in his home, he becomes set on winning her heart. Matters are complicated when Chuck arrives bent on the same goal, followed by Jill who reveals her ex boyfriend is pursuing Marisa. Beatrice (aka Benny), a tom-boy, watches on amused as her peers become more and more frenzied over the unbearably hot object of their affections. When Marisa finally enters, passions run high and Chuck is almost killed! In the end, an unexpected twist unites Marisa with her true love. |
| contemporary monologues for men from plays: Contemporary Monologues for Teenagers: Female Trilby James, 2019-01-18 Forty fantastic female speeches for teenagers, all written since the year 2000, by some of the most exciting and acclaimed writers working today. Whether you're applying for drama school, taking an exam, or auditioning for a professional role, it's likely you'll be required to perform one or more monologues, including a piece from a contemporary play. It's vital to come up with something fresh that's suited both to you - in order to allow you to express who you are as a performer - and to the specific purposes of the audition. In this invaluable collection you'll find forty speeches by leading contemporary playwrights including Andrew Bovell, Nadia Fall, Vivienne Franzmann, James Fritz, Stacey Gregg, Arinzé Kene, Cordelia Lynn, Lynn Nottage, Chinonyerem Odimba, Evan Placey, Jessica Swale and Tom Wells, from plays that were premiered at many of the UK's most famous and respected venues, including the National Theatre, Shakespeare's Globe, Manchester Royal Exchange, Royal Court Theatre, Bush Theatre, and the Edinburgh Festival Fringe and VAULT Festival. Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James introduces each speech with a user-friendly, bullet-point list of ten things you need to know about the character, and then five ideas to help you perform the monologue. This book also features an introduction to the process of selecting and preparing your speech, and approaching the audition itself. |
| contemporary monologues for men from plays: Goodbye Charles Gabriel Davis, 2012-09-30 One Act Play, Dark Comedy. Cast: 3 women, 2 men.Synopsis: Jill's husband Charles mysteriously disappears after she refuses to grant him a divorce. Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her. |
| contemporary monologues for men from plays: Contemporary Monologues for Twentysomethings Jessica Bashline, 2018 CONTEMPORARY MONOLOGUES FOR TWENTYSOMETHINGS |
| contemporary monologues for men from plays: Pomona Alistair McDowall, 2015-01-21 I think I'd sleep a lot easier if I knew none of us would wake up tomorrow. Ollie's sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city. Here at the centre of everything, journeys end and nightmares are born. A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014. |
| contemporary monologues for men from plays: Monologues They'll Remember You by Andrew Biss, 2017-09-13 Finding the right monologue can often be a frustrating task. Too frequently, monologue books rely on time-worn staples that have been heard a million times before, or are padded out with aimless, insipid pieces that often aren't even taken from actual plays. In Monologues They'll Remember You By you'll find 80 (40 male, 40 female) fresh, engaging monologues that will allow you to create memorable character portraits of depth and vitality for that all-important moment in the spotlight. Divided into male and female comedic, dramatic, and seriocomic categories, this book also provides a useful guide on how to look beyond age and gender in many of these monologues in order to broaden your performance options. Additionally, each monologue is preceded by a brief summary of the plot, setting, and character profile. Whether a professional or a student actor, you'll find this book an invaluable resource for landing that coveted role or winning that competition. |
| contemporary monologues for men from plays: The Oberon Book of Modern Monologues for Men Catherine Weate, 2013-07-02 Monologues are an essential part of every actor's toolkit. Actors are required to perform monologues regularly throughout their career: preparing for drama school entry, showcasing skills for agents or auditioning for a role. Following on from the bestselling first volume (2008), this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. These monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries. The pieces are helpfully organised into age-specific groups: 'Teens', 'Twenties', 'Thirties' and 'Forties plus'. |
| contemporary monologues for men from plays: Recent Tragic Events Craig Wright, 2004 THE STORY: It is September 12th, 2001; the setting is the Minneapolis apartment of Waverly, a young advertising executive. Soon to venture on a blind date amidst the television news coverage of the September 11th attacks, Waverly becomes preoccupie |
| contemporary monologues for men from plays: Monologues for Young Actors Lorraine Cohen, 1994-08 In professional and student theater alike, a good monlogue can often mean the difference between a Thank you . . . Next! and a call-back. But sometimes it's hard for an aspiring actor to find the absolutely right audition piece that suits his or her personal style, type or age group. Monologues For Young Actors is a unique and invaluable collection of dramatic speeches from some of the world's greatest plays -- chosen specifically for actors in their teens and early twenties. Whether you're looking for something comedic or tragic, contemporary or classic, unorthodox or naturalistic, this superb compilation has the monologue you need -- an indispensible tool to help you hone you craft . . . and land that role. |
| contemporary monologues for men from plays: Fat Cat Killers Adam Szymkowicz, 2019-10-10 After getting laid off, Michael and Steve decide to kidnap the CEO of the company who laid them off. |
| contemporary monologues for men from plays: Ain't I A Woman? Sojourner Truth, 2020-09-24 'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now' A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists. |
| contemporary monologues for men from plays: Classical Monologues for Men Marina Caldarone, 2006 Offers over forty-five monologues for men drawn from classical plays throughout the ages and ranging across all of Western theater. |
| contemporary monologues for men from plays: Monologues for Teens , 2008 |
| contemporary monologues for men from plays: The Red and the Black Stendhal, 2006-11 The Red and the Black is a reflective novel about the rise of poor, intellectually gifted people to High Society. Set in 19th century France it portrays the era after the exile of Napoleon to St. Helena. the influential, sharp epigrams in striking prose, leave reader almost as intrigued by the author's talent as the surprising twists that occur in the arduous love life. |
| contemporary monologues for men from plays: He Speaks David Ferry, 2006 The monologue is like the tip of one of those seasonal icebergs that float so majestically down the Newfoundland coastline. They catch one's breath, but underneath lies the other nine-tenths of the beast, an ice-blue bedrock, glowing as if with an inner light.--from the introduction by David Ferry An anthology of modern Canadian monologues for the male voice, for use in classes and auditions, or for general interest. |
| contemporary monologues for men from plays: Hearts Like Fists Adam Szymkowicz, 2013 THE STORY: A superhero noir comedy about the dangers of love. The city's heart beats with fear: Doctor X is sneaking into apartments and injecting lovers with a lethal poison. Lisa's heart beats with hope: Now that she's joined the elite Crimefighters, ma |
| contemporary monologues for men from plays: The Woolgatherer William Mastrosimone, 1981 Drama Characters: 1 male, 1 female Interior Set Rose, a shy dimestore salesgirl whose life centers around reveries and daydreams, lives in a dreary Philadelphia apartment. Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer feat |
| contemporary monologues for men from plays: The Best Women's Monologues from New Plays, 2019 Lawrence Harbison, 2019-11-14 Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published women’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights and future stars, including Michael Ross Albert, Don Nigro, Daniel Damiano, Molly Goforth, Seth Svi Rosenfeld, Brian Dykstra, Michael A. Jones, Sam Graber, Penny Jackson, Christi Stewart-Brown, George Sapio, Sarah M. Chichester, Constance Congdon, Steven Hayet, and Ashlin Halfnight. There are terrific comic pieces (laughs) and terrific dramatic pieces (no laughs), and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces. |
| contemporary monologues for men from plays: Sanford Meisner on Acting Sanford Meisner, Dennis Longwell, 2012-11-07 Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods.—Arthur Miller If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book.—Gregory Peck |
| contemporary monologues for men from plays: Prodigal Son John Patrick Shanley, 2017-03-16 A 17-year-old boy from the Bronx suddenly finds himself in a private school in New Hampshire. He’s violent, gifted, alienated, and on fire with a ferocious loneliness. Two faculty members wrestle with the dilemma: Is the kid a star or a disaster? A passionate, explosive portrait of a young man on the verge of salvation or destruction. |
| contemporary monologues for men from plays: Sixty Seconds to Shine John Capecci, Irene Ziegler Aston, 2006 If brevity is the soul of a good audition, then these titles will prove a great resource. - CHOICEActors looking for short pieces to work on in class or to use for auditions need look no further. This volume is loaded with choices from contemporary and classic plays, novels, and stories. Shakespeare, Molière, and Chekhov are represented, along with contemporary writers such as Philip Roth and Steve Tesich. Many of the monologues in this book are from less well-known authors, making it the perfect choice for actors looking for something fresh¿something auditioners have never seen before.JOHN CAPECCI holds a Ph.D. in Speech Communication and has nearly twenty years experience coaching, teaching, and presenting public performances. John has taught communication techniques and performance theory and practice to high school, undergraduate, graduate, and adult learners. He also has published essays on the performance of literature.IRENE ZIEGLER ASTON is an actor, teacher, playwright, and novelist. Most recently, she played Maggie Runyon in The Contender (nominated for two academy awards) and can currently be seen as Mrs. Laughlin in Showtime¿s series, Going to California. She has taught speech, oral interpretation, and acting at Eastern Michigan University, Old Dominion University, and the University of Richmond, where she was an Artist in Residence.John and Irene have co-edited The Ultimate Audition Book II: 222 Monologues from Literature, Two Minutes and Under; The Ultimate Audition Book III: 222 Monologues, Two Minutes and Under from the Movies; and The Ultimate Audition Book IV: 222 Monologues, Two Minutes and Under. |
| contemporary monologues for men from plays: The Silent Patient Alex Michaelides, 2019-02-05 **THE INSTANT #1 NEW YORK TIMES BESTSELLER** An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy. —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... |
| contemporary monologues for men from plays: Shakespeare Monologues for Men William Shakespeare, 2009 Full of fresh speeches from Shakespeare's plays. Ideal for actors of all ages and experience. |
| contemporary monologues for men from plays: In Performance JV Mercanti, 2016-02-01 (Applause Acting Series). In this thoughtfully curated collection, actors preparing for an audition or searching for quality scenes to hone their chops will find a wealth of contemporary material from American and British plays. Almost all of the works are from the year 2000 to the recent 2014 Broadway production of The Curious Incident of the Dog in the Night-Time , chosen from the point of view of a professional acting teacher, director, and casting director. Along with covering the basics of how to match the best monologue to the actor and how to approach the rehearsal and performance of a piece, the book provides a synopsis of the plays, character descriptions, and lists of questions specific to each monologue that will direct the actor toward shaping a complex, honest, and thoughtful performance with a strong emotional connection, a clear arc, and playable actions. There is also a brief lesson on appropriate rehearsal behavior and preparation. |
| contemporary monologues for men from plays: Contemporary Duologues: Two Women Trilby James, 2017 Helping you select and perform the audition piece that is best suited to your performing skills. |
| contemporary monologues for men from plays: The Best Men's Stage Monologues 2018 Lawrence Harbison, 2018 Here you will find a rich and varied selection of monologues for men, most of which are from plays which were produced and/or published in the 2017-2018 theatrical season. Many are for younger performers (teens through 30s) but there are some excellent pieces for older men as well. The age of the character is indicated in each monologue, but you will find that many may be done by actors of different ages. Some are comic, some dramatic. Some are rather short, some rather long. All represent the best in contemporary playwriting. The monologues include those by Chelsea Marcantel, Stephen Cittrich, Caridad Svich, Greg Kallares, Jacqueline Goldfinger, Don Nigro, Dominque Morisseau, Gary Richards, Steven Haworth, Barret O¿Brien, Joseph Krawczyk, Sandra Daley-Sharif, Steve Koppman, Molly Smith Metzler, Erik Christian Hanson, Aaron Posner, Deborah Savadge, Penny Jackson, Neal Reynolds, Tanya Saracho, Andre Biss, Brian Park, Richard Nelson, Michael Bradford, Kermit Frazier, Rhea MacCallum, John Patrick Bray, Anthony Clarvoe, Cary Gitter, Vincent Amelio, Susan Cinoman, Susan Eve Haar, Guillermo Calderon, Molly Kirschner, Leslye Headland, David Eliet, C.S. Hanson, Irene Kapustina, James Hindman, Patricia Cotter, Ross Howard, Cayenne Douglass, Anderson Cook, Lisa Grisson, Laruen Ferebee, Michael Tooher, Christina Masciotti, Karen JP Howes, Joshua James, Sam Graber, Brian Letscher, Arlitia Jones, Dan Aibel, Paola Lazaro, Daniel Guyton, Isla van Tircht, A.J. Ciccotelli, Lynn Rosen, Trish Harnetiaux, Deb Margolin, and Hamish Linklater. |
| contemporary monologues for men from plays: The Actor's Book of Movie Monologues Marisa Smith, Amy Schewel, 1986-12-02 For actors, acting students, and film buffs, this book of more than 100 movie monologues has the juiciest roles that will help you create the perfect audition. Whether you need a long or short part, you'll find great selections of male and female characters for all types across diverse age ranges. Use this reference for the featured scenes from screenplays of such classics as Adam’s Rib by Ruth Gordon and Garson Kanin, The Goodbye Girl by Neil Simon, The French Lieutenant’s Woman by Harold Pinter, and The Conversation by Francis Ford Coppola, among others. |
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · Contemporary这词有相对性，一般直接指现在，也可以任意指在某时间段里的当下，某历史时段里的contemporary，则可以是modern。 但modern只是一个特定历史时间范畴（ …
适马Art、Sports、Contemporary的定位分别是什么？ - 知乎
适马Art、Sports、Contemporary的定位分别是什么？ 关注者 3 被浏览
如何评价 SIGMA 16-300mm F3.5-6.7 DC OS 无反镜头？ - 知乎
好家伙，这焦段、这尺寸、这重量，已经就差把“就是来收你腾龙的”写在宣传页上了，俗称贴脸开大。其中16 vs 18的优势那是实打实的碾压，从此APSC无反的天涯镜终于不用再在各个系统 …
如何知道一个期刊是不是sci？ - 知乎
欢迎大家持续关注InVisor学术科研！喜欢记得 点赞收藏转发！双击屏幕解锁快捷功能~ 如果大家对于 「SCI/SSCI期刊论文发表」「SCOPUS 、 CPCI/EI会议论文发表」「名校科研助理申请」 …
如何评价适马28-70mm F2.8 DG DN Contemporary镜头？ - 知乎
72.2X101.5mm的体积、67mm的滤镜口径、仅仅470g的重量，完全不同于以往适马又大又沉的风格。其实适马从前两年就开始转变风格了，推出的半画幅三剑客16、30、56；全画幅定 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
概念 “Contemporary rnb (当代节奏布鲁斯）， 结合了传统的R&B（1940、1950年代的老派R&B）、流行乐（Pop）、灵魂乐（Soul）、嘻哈（HipHop）、放克（Funk）等风格的影响 …
蓝调和 R&B 有什么区别？现在的蓝调有什么特点？ - 知乎
“在1960年代，节奏布鲁斯被用于总括 灵魂乐 和 放克音乐 的术语。 而现在R&B的缩写差不多一直被用于代替全写“节奏布鲁斯”，而主流则用它来表示由 迪斯科 逐步变得不那么流行而发展出 …
求大神解答PB R&B 和 contemporary R&B的区别是什么？ - 知乎
Contemporary R&B，又称当代R&B，从1979年Michael Jackson发行的《Off the wall》开始，标志着disco等70s灵魂乐开始像当代R&B发生转向，在80年代R&B和摇滚、合成器流行、dance …
当代艺术（Contemporary art）有哪些流派？ - 知乎
当代艺术（Contemporary art）有哪些流派？ 最近读了贡布里希的《艺术的故事》，觉得豁然开朗。唯一的遗憾是有些不过瘾, 还想了解一下更近的当代艺术流派和他们试图解决的问题。 具体 …
为什么那么多人认为contemporary dance 是现代舞？在词典上是当 …
至于Contemporary dance 为什么在中国被翻译成现代舞或者理解成认为成现代舞更合适，是有历史渊源的。 首先我们在国外的contemporary dance和modern dance ，modern dance …
在英文语境中 modern 和 contemporary 有什么区别？ - 知乎
Mar 6, 2012 · Contemporary这词有相对性，一般直接指现在，也可以任意指在某时间段里的当下，某历史时段里的contemporary，则可以是modern。 但modern只是一个特定历史时间范畴（ …
适马Art、Sports、Contemporary的定位分别是什么？ - 知乎
适马Art、Sports、Contemporary的定位分别是什么？ 关注者 3 被浏览
如何评价 SIGMA 16-300mm F3.5-6.7 DC OS 无反镜头？ - 知乎
好家伙，这焦段、这尺寸、这重量，已经就差把“就是来收你腾龙的”写在宣传页上了，俗称贴脸开大。其中16 vs 18的优势那是实打实的碾压，从此APSC无反的天涯镜终于不用再在各个系统 …
如何知道一个期刊是不是sci？ - 知乎
欢迎大家持续关注InVisor学术科研！喜欢记得 点赞收藏转发！双击屏幕解锁快捷功能~ 如果大家对于 「SCI/SSCI期刊论文发表」「SCOPUS 、 CPCI/EI会议论文发表」「名校科研助理申请」 …
如何评价适马28-70mm F2.8 DG DN Contemporary镜头？ - 知乎
72.2X101.5mm的体积、67mm的滤镜口径、仅仅470g的重量，完全不同于以往适马又大又沉的风格。其实适马从前两年就开始转变风格了，推出的半画幅三剑客16、30、56；全画幅定 …
如何剖析Alternative R&B , Contemporary R&B - 知乎
概念 “Contemporary rnb (当代节奏布鲁斯）， 结合了传统的R&B（1940、1950年代的老派R&B）、流行乐（Pop）、灵魂乐（Soul）、嘻哈（HipHop）、放克（Funk）等风格的影响 …
蓝调和 R&B 有什么区别？现在的蓝调有什么特点？ - 知乎
“在1960年代，节奏布鲁斯被用于总括 灵魂乐 和 放克音乐 的术语。 而现在R&B的缩写差不多一直被用于代替全写“节奏布鲁斯”，而主流则用它来表示由 迪斯科 逐步变得不那么流行而发展出 …
求大神解答PB R&B 和 contemporary R&B的区别是什么？ - 知乎
Contemporary R&B，又称当代R&B，从1979年Michael Jackson发行的《Off the wall》开始，标志着disco等70s灵魂乐开始像当代R&B发生转向，在80年代R&B和摇滚、合成器流行、dance …
当代艺术（Contemporary art）有哪些流派？ - 知乎
当代艺术（Contemporary art）有哪些流派？ 最近读了贡布里希的《艺术的故事》，觉得豁然开朗。唯一的遗憾是有些不过瘾, 还想了解一下更近的当代艺术流派和他们试图解决的问题。 具体 …
为什么那么多人认为contemporary dance 是现代舞？在词典上是当 …
至于Contemporary dance 为什么在中国被翻译成现代舞或者理解成认为成现代舞更合适，是有历史渊源的。 首先我们在国外的contemporary dance和modern dance ，modern dance …
